“The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.”
Dunnottar Castle sits high on the cliffs near Stonehaven in Aberdeenshire. It’s scenic and sprawling and, though peaceful now, it boasts a turbulent history.
Great Hall
History of Dunnottar Castle
Dunnottar was attacked by Vikings in the ninth century, and captured by William Wallace in 1297. Kings and queens loved to visit: Mary Queen of Scots, James VI, and at one point during my own visit, I was standing in the bedroom of Charles II.
The Old Smithy
Ghosts!
Though I didn’t meet them, there’s said to be a lassie in a green plaid searching for her lost Pictish children, a young deer hound, and a Scandinavian military gentleman who likes to stare out to sea.
I understand the need to stare across the ocean. The seascape at Dunnottar is mesmerising.
Seeing across the sea…
The elevated position of the castle means you can see across miles and miles of silvery sea. The window below is located in the Whigs’ Vault that held imprisoned Covenanters in 1685. It’s a dark and terrible place. I had to reach out to the air and the sky and the light.
A dark window
Views, views, everywhere…
Sea and cliffs
But it’s time to go. It’s time to walk back up the many, many steps that seemed so inconsequential on the way down…
Dunnottar
For more information on the wonderfully atmospheric Dunnottar Castle visit the official site.
My Books
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Go here to sign up for my occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
That’s the Sea Gate at Eilean Donan Castle, in the Highlands of Scotland, above. It’s two things at once. In the present day, it’s beautiful. But it’s said that people used to be thrown out of it, in acts of punishment or coercion. So, it’s terrible too. Sad, even.
And it’s the same with writing stories. Yes, they can be sad, and dark, and terrible. But they’re not only that. Or they don’t have to be. As with many things, in writing or life, it’s all about how it’s done.
Another view from Eilean Donan Castle
Writing Sad Stories
It was a recent review of FIREFLIES AND CHOCOLATE that got me thinking about this. Here’s the pertinent part of what the reviewer said:
I was somewhat hesitant to read this novel as I thought it would be too sad, but was glad to have chosen to read it as Sinclair did not disappoint with the telling of an exceptionally satisfying tale.
I felt the exact same hesitancy about writing the book. It was while researching local history for THE MERMAID AND THE BEAR that I stumbled across the information that 600 children and young people had been kidnapped from Aberdeen during the 1740s. They’d then been transported to the American colonies where they were sold into indentured servitude. It was terrible. It was sad. And, almost totally, overlooked. It wasn’t history that got talked about much. In fact, most people knew nothing about it. So, it was precisely the sort of story, sad or otherwise, that I liked to tell.
A photo taken somewhere between Glen Shiel and Eilean Donan Castle
Making Historical Characters Relatable
I wanted to bring those people from the past to life, to make them human and relatable. But, wouldn’t it be too depressing to open the door to those particular historical events?
The castle door…
The answer is: no. I don’t think so, anyway. I found the book great fun to write. In fact, I think it’s the least dark of my novels. The main character, Elizabeth, is so determined, and so easily enraged. She kicks sadness to the side. Mostly. She does have some despairing moments. I wrote about one of those times in response to a question on the Wee Writing Lassie Blog (see the whole interview here):
A young girl was found dead in First Mate Alexander Young’s bunk during the voyage from Aberdeen to America. History has not recorded her name so I called her Maggie, and her death has a deep impact on Elizabeth in several ways. It causes her terrible grief, informs her opinions of what ‘fine gentlemen’ can actually be, and provides a specific awareness of how much danger she and other women and girls are in at times.
The publisher had this to say about Elizabeth, or Beth as she becomes, in their press release:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Newsletter
Go here to sign up for my (roughly monthly) newsletter. It’s a more intimate space than the blog and always includes some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
This beautiful tree sits at the foot of Dunnideer Vitrified Hillfort near Insch in Aberdeenshire. It’s a short but steep climb to the top of the hill. When you see the remains of the medieval castle and prehistoric fort, you know you’re nearly there.
Dunnideer Hillfort
The vitrified forts of Northern Scotland are a bit of a mystery. About 2000 years ago the stones of many of these defensive buildings reached a high enough temperature to melt. Theories as to how this happened are varied. Battles? Ancient building techniques? Aliens? I’ve written a dramatic stone-melting event into SISTERS (no aliens involved) but don’t pretend to have the answer to this piece of prehistory.
The views from the hill make all exertion of the climb worthwhile. Click the pano for a larger version:
View from the other side:
Dunnideer Stone Circle
Nestled, and almost completely hidden, under a tree at the bottom of the hill are the remains of Dunnideer Recumbent Stone Circle.
Leith Hall
A few miles further west is Leith Hall with its wonderful walled garden.
Stone guardian at the gate:
I love the Moon Gate and, in retrospect, wish I had gone through it and taken a photo from the other side too. Passing through moon gates is meant to bring good luck. Oh well, next time…
My Latest Novel
Set in 1st century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a story of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. It features a neurodivergent main character, the battle of Mons Graupius between the Romans and the Caledonian tribes, and some rather complicated romance!
Go here to sign up for my occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would like to hear about new books and offers, you can follow my Amazon author page.
The two-tonne dragon head in Castle Fraser’s secret garden
In between dark and romantic writing sessions, I’ve been taking little breaks of fairy-tale fun, in memory, and in the garden which is just entering its pink phase.
The dragon pictured at the top of this post is located in Castle Fraser’s secret garden, which also contains this rather lovely little castle:
And a hobbit-style door…
Castle Fraser itself:
Castle Fraser
Then, of course, there’s the playful garden at Brodie Castle.
Brodie Castle
It features a huge white rabbit. I used lots of pictures of this garden for the cover reveal of THE MERMAID AND THE BEAR, here in this Alice in Wonderland themed post, almost four years ago now. There’s unicorns to be found there too.
But it’s time for me to head back down to my own darker fairy tale again. I pass the knight in the medieval hall at Drum Castle as I leave bright places behind.
Down the secret stairway I go…
The candles snuff out as I enter the dungeon. Yes, it’s the same one that features in Mermaid. It’s still there in the modern day, in my contemporary work.
So, I type away at my desk, lost in the dramatic events of the story once more.
Meanwhile, back out in the garden, where lighter fairy-tale fun still exists, Frogbert waits patiently to be kissed.
Newsletter
Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story. There’s 6 chapters of medieval Christmas too.
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… and there’s chocolate!
At first it doesn’t feel quite real… where is the white rabbit leading? To a book cover? That seems odd…
This Alice in Wonderland style post dates from the build up to the release of THE MERMAID AND THE BEAR in 2019.
The rabbit leads us down or, as is more accurate, through, a giant rabbit hole!
Things get stranger yet as we pass between a huge fork and knife…
We come to a place of unicorns.
We want to stay here with the unicorns, but we have to move on, to see…
A miniature castle! We go inside, and peer out like giants.
We hear sweet music, percussion. Everything feels dreamy and lovely.
And then, finally, this is where the rabbit has been taking us… to the book cover!
Set in a castle in Aberdeenshire, THE MERMAID AND THE BEAR features a fictional account of three real women who were accused of witchcraft in 1597. It’s also a love story. And the cover makes it all very real now to Ailish (the Gaelic form of Alice)…
She needs to have a nice lie down like the huge white rabbit (6.5 metres long) in the Playful Garden at Brodie Castle, featured in this post.
Don’t miss any of Ailish in Wonderland’s news; sign up to her mailing list 🙂
The Mermaid and the Bear is out now in both paperback and Kindle.
Quine is the Doric word for girl. The Quines (or Super Quines as we have become recently) are a group of women that met on Twitter. I can’t recall the exact ways in which we all first started chatting, though these has been much hilarity from the start. I follow many local people as well as those who share various interests, and there’s a mix of that among The Quines. Last year some of us met up in person, out in the wider world, and we hope to meet our more distant living Quine one day too.
