Beautiful isn’t it? Yet, I felt panicked when I saw the loch was being drained. I stood like an angry lorax at the side, pointing at trees that had been felled to carve an ugly canal in the bank, asking irate questions: Why? When will it be fixed? Why?
It didn’t look quite like that then.
The freshness of the change was jarring. A conversation made things better. It wasn’t mindless destruction. There was talk of a loch-improving grant. There will be an island to encourage wildlife. There are to be oxidising plants to improve the water quality.
Swans started spending the night in the new shallows of the loch:
They left a feathery tide:
Sunrise still happens.
Clouds still gather in dramatic formations.
I walk out onto the frozen floor of the loch and examine long-hidden tree branches, pine cones, old boat jetties and numerous wine bottles (who?). I like getting to know the space in this new way, looking back at the shore, seeing it from a different angle. Nature doesn’t take long to smooth over the tracks of human intervention. There’s been mist, there’s been ice and now there’s snow.
What will Spring look like? I’m not sure, but there’s going to be beauty. There always is.
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, features an often overlooked event in history, the 1597 Aberdeen witchcraft panic, and a love story.