A Map of Witches and some Autumn Beauty

Map of Witches

The Map of Witches is a brand new resource from the University of Edinburgh, utilising the extensive data collected in their Survey of Scottish Witchcraft Database. See it here. It’s a visual and clickable map of over 3000 people accused of witchcraft in Scotland, and is both fascinating and terrible, as this subject always is. My three quines from THE MERMAID AND THE BEAR are included (see Isobell’s entry above) as are a disturbing Witch Pricker’s Journey and various other stories. You can choose to view a modern map or a historical one, the latter suiting it better, I think.

After peering back into the dark like that, I need to look at beauty, so here’s some from recent days:

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Walking the Witchy Ways of Aberdeen

Galllus Quines. Wonderful street art in Aberdeen honouring those persecuted for witchcraft.
Gallus Quines

I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.

Tile naming some of those accused of being witches in Aberdeen, Scotland

The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).

In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.

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A Bookish Post

2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my historical novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!

Universal links:

Kindle

Paperback

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Cover of Ailish Sinclair's historical novel THE MERMAID AND THE BEAR

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 Further insight:

I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear, a historical novel

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memorial: witchcraft in Aberdeen

Cowdray Hall War Memorial

Aberdeen’s Cowdray Hall doubles as a war memorial and a venue for classical concerts. I visited it recently during a ‘Let’s do all the free museums!’ day; the marble hall is accessible via The Art Gallery.

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