That’s how I feel today. Calm. Steadfast. A little like a tree.
I’m back in the place where I’m happy. Writing. Of course, writing.
Steadfast Writing Update
A Dancer’s Journey is basically complete. The third and final title comes out next week, and I’m now working on the connected series. These are gentler books, shorter books, so they can be cheaper books, and they feel peaceful somehow. Easier. There’s no dramatic violence or explicit naughtiness, though the characters are dealing with dark issues from their pasts. I’ll still be adding a wee content warning on them, vague again so as not to cause harm to those who shouldn’t even read certain words.
And then, once that series is out – my autoimmune body will have its say on the timing of that – I can write something new.
There’s another witchy historical beckoning, but I also love writing contemporary. So both may have to happen…
A Witchy Historical
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
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Originally posted 2023. We’ve reached the cusp between autumn and winter. The blue loch reflects dark skies. There’s pumpkins and wind and rain and piles of leaves everywhere. Autumn is almost over.
And yet, we still have brighter days and blue skies. Sometimes.
Sisters at the Edge of the World
The main characters are fiercely bonded chosen sisters, one of them neurodivergent.
The story is set in 1st century Scotland and features the battle of Mons Graupius between the Roman invaders and the Caledonian tribes.
There’s romance, but it’s rather complicated romance this time.
The stone circle is still there in all its glory.
The castle is not, obviously, but there is a great round house where it will be one day. And a wee hoosie in the woods.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and offers, you can follow my Amazon author page.
Continuing on in my weather-and-landscape obsessed way, it’s another post about the season. I shall endeavor not to make every title end in ‘of winter’ over the next few months, but that’s what is happening today. The dark blue hues of the loch and the sky got me.
The dark of the trees and the light of the moon too.
It happened so fast, this shift to the colour palette of winter. Even in town, surrounded by grey buildings, the light is changed and imbued with a hint of blue now.
But it’s by the loch that I want to be. It’s there that the dark blue hues are at their most intense. It’s there that I mull over the scene I’m working on in Tendu (older post; the book is out now). It’s dark too. Like the water and the woods. And, I love it.
Winter Reading?
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and offers, you can follow my Amazon author page.
This ‘writing a monster’ post was originally posted in 2020. I’m doing much better now, though still writing and researching those historical monsters!
Being a Monster
I don’t need a Halloween costume this year (2020). I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia, so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
I’m also pale. Pale like a ghost.
Writing a Monster
However, being a monster on the outside, in appearance, is nothing to being truly monstrous. While researching witch-hunting in preparation for writing THE MERMAID AND THE BEAR, I wanted to find a real monster, a person so enthused for the brutal activity that they could become a focal point for that dark energy in the story. History did not give him up easily. There was no obvious individual in the court documents or confessions. But I hunted him down and finally cornered the rogue in the financial accounts of Aberdeen.
In September 1597 William Dunn, Dean of Guild, was awarded, £47 3s 4d (the equivalent of £6000 in today’s money) for taking ‘extraordinary pains in the burning of a great number of witches’. It was unusual for someone to be given a large lump sum like this. With the exception of some witch prickers and those who sought to escheat their rich relatives, money was not commonly a motivating factor in the witch trials. William Dunn’s job was being in charge of the public money of the town, so he basically gave the cash to himself. I found you, Sir, and I made you smell of rotten fish! If you read the historical notes section of the book, you’ll see that I’ve also cast him as a metaphorical, though very real, devil.
Bandage action!
So now I’m editing FIREFLIES AND CHOCOLATE and, 150 years later, there is brief mention of the Dean of Guild again. It does seem to be a role associated with making money from the suffering of others, at least, historically, in Aberdeen. And, again, I am writing a monster.
Mermaid Review
There’s a review I forgot to mention earlier, being rather distracted by the task of becoming a monster. It’s from Undiscovered Scotland: “The Mermaid and the Bear is a delight from end to end. There is a superb level of description in the book, that transports the reader back to the sights, sounds and smells of 16th Century life in a Scottish castle.” See the whole review here.
A spooky wee quote for this spooky old season:
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, my latest book, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
That’s the Sea Gate at Eilean Donan Castle, in the Highlands of Scotland, above. It’s two things at once. In the present day, it’s beautiful. But it’s said that people used to be thrown out of it, in acts of punishment or coercion. So, it’s terrible too. Sad, even.
And it’s the same with writing stories. Yes, they can be sad, and dark, and terrible. But they’re not only that. Or they don’t have to be. As with many things, in writing or life, it’s all about how it’s done.
A view from Eilean Donan Castle
Writing Sad Stories
It was a recent review of FIREFLIES AND CHOCOLATE that got me thinking about this. Here’s the pertinent part of what the reviewer said:
I was somewhat hesitant to read this novel as I thought it would be too sad, but was glad to have chosen to read it as Sinclair did not disappoint with the telling of an exceptionally satisfying tale.
I felt the exact same hesitancy about writing the book. It was while researching local history for THE MERMAID AND THE BEAR that I stumbled across the information that 600 children and young people had been kidnapped from Aberdeen during the 1740s. They’d then been transported to the American colonies where they were sold into indentured servitude. It was terrible. It was sad. And, almost totally, overlooked. It wasn’t history that got talked about much. In fact, most people knew nothing about it. So, it was precisely the sort of story, sad or otherwise, that I liked to tell.
A photo taken somewhere between Glen Shiel and Eilean Donan Castle
Making Historical Characters Relatable
I wanted to bring those people from the past to life, to make them human and relatable. But, wouldn’t it be too depressing to open the door to those particular historical events?
The castle door…
The answer is: no. I don’t think so, anyway. I found the book great fun to write. In fact, I think it’s the least dark of my novels. The main character, Elizabeth, is so determined, and so easily enraged. She kicks sadness to the side. Mostly. She does have some despairing moments. I wrote about one of those times in response to a question on the Wee Writing Lassie Blog (see the whole interview here):
A young girl was found dead in First Mate Alexander Young’s bunk during the voyage from Aberdeen to America. History has not recorded her name so I called her Maggie, and her death has a deep impact on Elizabeth in several ways. It causes her terrible grief, informs her opinions of what ‘fine gentlemen’ can actually be, and provides a specific awareness of how much danger she and other women and girls are in at times.
The publisher had this to say about Elizabeth, or Beth as she becomes, in their press release:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate! Paperback and kindle on Amazon. “Filled with excitement and suspense…” Historical Novel Society Editor’s Pick #HistoricalFiction#romance#KindleUnlimited#booktok#kidnapstory
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this wild mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise that castle and the stone circle in these books.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more. Read all the blurbs here
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land…
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Go here to sign up for my (roughly monthly) newsletter. It’s a more intimate space than the blog and always includes some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
I stopped to take a photo of Fedderate Castle near New Deer on my little road to winter journey. It dates from 1474, but there’s not much left of it today. The castle is a protected monument now, but before it gained that status, there was an attempt to blow it up as it was seen “as an impediment to agriculture.” It stands tall, a beautiful and distinctive shape in the landscape. The over-wintering crop around it is only slightly impeded, I think.
Medieval re-enactor Andrew Spratt took an older image of mine and created this rather wonderful GIF of the castle through the ages and the seasons:
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and special offers, you can follow my Amazon author page.
Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
But, for now, this morning, I’m off back into the manuscript of the moment. I’m working on the first title in the next book series, Castle Dancers. It begins ten years after TENDU – each book has a different main character – and the story starts like this:
It’s the night before I’m due to start at the most prestigious dance school in Scotland, so, of course, my mother tries to kill me.
Fun times!
TENDU: Dancing in the Castle
Dance, danger and desire collide in TENDU, a seductive tale set in the mystical landscape of Scotland. Will love conquer all?
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
These days, you don’t have to catch a boat or ferry and can drive straight over the large Skye bridge. That’s the Old Man of Storr in the hills above, a beautiful rock formation visible for miles around. This post details a holiday I took with my family in 2017, before chronic illness put paid to such things as holidays. For now. I have to believe, for now. But enough of that, over the sea to Skye we go!
Dun Hallin
The island is a place of fairies: there’s a castle and a glen and a bridge, much smaller than the one taken to get to the island. But first, back to another rock formation, specifically the one spied from the bedroom window of our holiday house.
‘That’s an interesting rocky outcrop,’ said I to husband.
‘Aye, we should walk up to it,’ he replied.
So we did.
And there was Dun Hallin, an Iron Age broch we had intended visiting but thought would be hard to find. Duns, or brochs, were a complex form of roundhouse, probably defensive, precursors to castles.
I loved Dun Hallin and the surprise of finding it like that. And the wonderful views of Trumpan Point.
The Trial Stone
Trumpan Kirkyard held surprise too. An ancient standing stone, Clach Deuchainn, the Trial Stone:
Trial stones were used to try a person. In this case if the accused could put their finger in the hole located on the stone, while blindfold, they were innocent. The stone is undoubtedly far older than this use. It is also known as the Priest Stone and the Heaven Stone.
There were some interesting graves too; these, and the gruesome history of the church can be read about here.
Fairies
But back to the fairies. Firstly the Fairy Glen, an unusual land formation, which sadly does not have anyfolklore associated with it, but it does feel otherworldly when you walk round it.
The rocky peak is known as Castle Ewen:
It’s Dunvegan Castle that we need for fairy legends!
Displayed inside the castle, so no photos, is the ancient and tattered Fairy Flag. There are many stories and traditions surrounding this relic and its origins. The tale favoured in the information provided to visitors is the one in which the Chief of Clan Macleod marries a fairy. The couple have a child together but the fairy knows she has to return to her people in Fairyland. She leaves the magical flag, imbued with protective powers, wrapped round the baby, and this she does a few miles away at the Fairy Bridge:
There are also Fairy Pools on Skye but we did not get to them this trip. We did manage a quick visit to Kilt Rock:
We also took in the Museum of Island Life, one of the few places on the island with good mobile internet which meant I was distracted by a sudden barrage of Twitter notifications!
Near to the museum is the memorial to Flora MacDonald:
One more fairy mention: the house we stayed in was previously owned by the writer Aileen P. Roberts, and full of books, so I read her novella Fairy Fire while there, which was set in Skye and surprising and perfect.
The sun rises over Dun Hallin:
And sets at Trumpan Point:
We’ll be back over the sea to Skye again one day!
Newsletter
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My Books
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
A couple of miles from the town of Forres in Moray is a mound known as Macbeth’s Hillock. Local folklore tells us that this is where Macbeth met with the three witches from the play.
‘By the pricking of my thumbs, Something wicked this way comes.’ So pronounces the second witch in Macbeth, Act 4, scene 1.
The Three Witches
The theme of the three witches is echoed in more folklore from the surrounding area. There are two stones in Forres that are both associated with them.
The Sueno’s Stone
In its glass case
This is a 9th-10th century Picto-Scottish stone depicting an ancient battle (I like to think it’s Mons Graupius as featured in SISTERS AT THE EDGE OF THE WORLD, but this is very unlikely given how long ago that battle took place). The stone is 6.5 metres tall and also lays claim, in local legend, to be situated where Macbeth met the witches. They are said to have been captured inside the stone, and should it ever be broken, they will be released.
Battle sideCeltic Cross side
The Witches Stone
A rather more gruesome stone, and story, sits outside the police station on the main road in Forres. It has become a small shrine.
There were originally meant to be have been three stones marking the final resting places of three women who were executed for witchcraft. The one remaining stone is held together with a piece of metal.
Go here to sign up for occasional emails that always include some exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
