Staring Out to Sea from Dunnottar Castle

Dunnottar Castle on the cliffs

Dunnottar Castle sits high on the cliffs near Stonehaven in Aberdeenshire. It’s scenic and sprawling and, though peaceful now, it boasts a turbulent history.

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Easter Aquorthies Recumbent Stone Circle

Purple flowers at Easter Aquorthies

Easter Aquorthies, also known as East Aquorthies, is sometimes described as a ‘show circle’ and recommended as a good first circle to visit. This is due to its near perfect condition and position: all stones are present and upright; the grass always seem to have been manicured to a close shave, and the views of the surrounding countryside are magnificent. It’s also very clearly signposted from the nearby town of Inverurie, making it easy to find and then park in its small car park.

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Loch Morlich, big blog, little blog

Ducks by Loch Morlich

The tiny blog is this one, sent from holiday. The big blog is my guest post on the official tourism site for Aberdeen and Aberdeenshire: 10 Mystical and Magical Places in Aberdeenshire.

And Loch Morlich is in the pictures. I was there before the ducks were up today!

The Cairngorms beyond Loch Morlich

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A Tentative Tiptoe Round Duffus Castle

Duffus Castle looms, majestic and huge against the skyline as you approach. It’s imposing and impressive… dramatic too…

Duffus Castle silhouetted against the sun

On the day I visited – Easter Sunday – it was busy, really busy, and the air contained a mysterious hint of sulphur. This medieval fortress of the Moray family, one of Scotland’s most beautiful motte and bailey castles, had become a giant playground for the seasonal pastime of ‘egg rolling’.

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Love, Dance, Obsession, and Chocolate

An aesthetic for TENDU, a novel by Ailish Sinclair

2019 continues to be an exciting year for me on the bookish front! My contemporary novel, TENDU, is coming out in 2020 with Black Opal Books.

Some aspects of the story:

  • It’s a tale of unconventional love, dance and obsession.
  • Much of the book is set in Scotland.
  • There’s a stone circle and a castle.
  • The central relationship is deeply tempestuous.
  • Ballet!
  • Dark and terrible happenings!
  • Hot chocolate and cake. Depending on era, you can’t always include chocolate in historical writing and, given all that I put them through, my characters both need and deserve it. So there’s lots of chocolate in this contemporary title. LOTS.

And there’ll obviously have to be lots at my desk too 🙂

The desk of Scottish author Ailish Sinclair

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Walking the Witchy Ways of Aberdeen

Galllus Quines. Wonderful street art in Aberdeen honouring those persecuted for witchcraft.
Gallus Quines

I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.

Tile naming some of those accused of being witches in Aberdeen, Scotland

The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).

In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.

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Castles in the Snow

Through the gates to Fyvie Castle. Ailish Sinclair | Castles in the Snow

Here we are at the start of our quest to find castles in the snow… we pass through the gates to Fyvie Castle where it’s more icy than snowy and we’re getting down and frosty with it!

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The Witch Stone in Winter

Frosty hill leading up to the Witch Stone. Ailish Sinclair | Writer

The ground is solid, all the ruts and bumps hard and crunchy under my feet as I climb the hill. And there on the top, small from this angle, is the Witch Stone.

It’s said that witches were burned there in the past.

It’s quiet now. Cold. Peaceful.

Ladybirds are hibernating on it! I hope they survive the season.

Ladybirds hibernate on the Witch Stone. Ailish Sinclair | Writer

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Cover of Ailish Sinclair's 'The Mermaid and the Bear'
Out Autumn 2019

A Bookish Post

2019 got off to an exciting start for me with the news that my historical novel, The Mermaid and the Bear, will be published by GWL Publishing this Autumn. It’s out in both paperback and Kindle on October 18th.

Amazon have the Kindle and Waterstones have the paperback available for pre-order now.

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 

See Walking the Witchy Ways of Aberdeen, for more background and insight into the book, and also my article on Women Writers, Women[‘s] Books about the research involved in writing historical fiction.

And I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear

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Walking in the Moonlight

Moonlight through the trees. Ailish Sinclair | Writer

Above: a scene from a walk in the moonlight, because I so appreciate being able to go on walks now that I can’t wait for daylight!

It’s been a strange summer. I spent much of it being ill, properly ‘can’t do anything, go anywhere, just have to sit still‘ ill. I feel changed by it. I have such huge appreciation for the good in my world now: the wonderful people I share my life with, the amazing place I live.

Seriously, there was no better place to lie around being ill than in my garden. Bats and giant dragonflies kept coming out of the pond and trees to peer at me. Tall trees rustled protectively around me. And the sun shone and shone this summer, didn’t it?

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