First lines. They’re important, right? I know they are. When I click on the ‘look inside’ facility on Amazon, I’m already judging the quality of the writing from those initial words.
Dickens
The full line from A Tale of Two Cities, quoted above, is actually much longer than just those first dramatic words. In full:
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.”
It breaks a few modern writing rules, but I really like it 🙂
Show Me Your First Lines
The last sharing post I did was quite a success, with people buying and discussing the books. Feel free to add to it too if you like. These posts will be brought to the front of the blog every so often, so they won’t just vanish into oblivion.
But for today, here, let’s see those first lines. They can be lines from your published books, or works in progress, or from a book that you love. I think it would be fun to not say much more about the book other than the title and author. Feel free to add buy or information links too though, so we can click through if we like what we read.
I’ll share the first line of THE MERMAID AND THE BEAR.
“The first time the sea killed me, my brother brought me back to life.”
Autumn in Scotland is brief. One day you’re in the midst of the wild and overgrown end of summer, and then – it always feels sudden and surprising – the trees are full of brilliant and bright colours.
There’s also berries. And misty mornings. And apples.
I’m walking through that hot afternoon sunshine, between the trees and the toadstools. There’s so many of those this year.
The end of autumn in Scotland
It all feels rather magical. But it could be over at any moment. When the first hard frost comes, which could happen any time in the next month, the leaves will turn brown and fall off. The dragonflies and butterflies will disappear. And it will be winter. Like the onset of autumn, this always feels sudden, but at the same time sneaky. Like, when did this cold, cold change occur?
So, I treasure sweet autumnal moments for as long as I can. Look at the sunshine shining through those red leaves. Glorious, isn’t it?
I’m writing, or editing, autumn at the moment too, as that’s where TENDU (part one of a dark romantic ballet series; all three should be out next spring) begins.
“Those who are looking for a strong female protagonist, love lyrical and expressive writing styles, and favour stories with a touch of magic and ancient mythology, particularly set in Scotland, should put it on their list. They are bound to discover a new author to follow, and a protagonist they’ll never forget.”
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodiverse main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
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