“The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.”
The Performance: sometimes going home for Christmas is just one huge performance…
When Ariel returns home from dance college, her mother expects her to perform the Dance of the Sugar Plum Fairy in a pink, sequined tutu in front of many, many party guests. Ariel adjusts the costume and choreography to expose dark truths about her life, but, as it turns out, this is not the biggest performance of the night…
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“Told in first-person, all from Morragh’s perspective, be prepared to experience everything as she does. From her awakening out of muteness, to her embracing of her role as the spiritual leader of their tribe and eventually to her transition to the next stage. I will admit the final chapters had me emotional.” See the whole review here.
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All my novels are on Kindle Unlimited, Amazon’s lending service, and that always has a 30 day free trial, though some people are being offered 3 months for free just now. See all the books here. Also in paperback.
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“I stop now to properly observe and feel the gentle pink shade of the water. I try to breathe it in, to let it take me. All calm. All calm. But pink is not what I sense in the dwelling beyond the water. There’s no calm to be found there at all.”
About SISTERS
Having explored 16th century witch trials in THE MERMAID AND THE BEAR and 18th century child kidnappings in FIREFLIES AND CHOCOLATE, author Ailish Sinclair has now travelled far back in time to the Iron Age and the Roman invasion of Scotland.
From the provocative opening scene to the later dramatic and devastating events of the story, SISTERS AT THE EDGE OF THE WORLD is a book that will continually surprise, delight, and sometimes shock the reader. The novel features the beautiful hill of Bennachie, and the stone circles of Aberdeenshire, along with the cliffs and caves of Cullykhan Bay.
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland.
She’s soon dealing with her boyfriend’s obsessive ex, the strange research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the dank dark of the dungeon…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
Near the village of Pennan, Cullykhan is a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach lies an impressive promontory.
It’s been home to an Iron Age fort, now vitrified, and a medieval castle. Excavations have uncovered Neolithic and Roman finds (read more about these on the Canmore site).
From the promontory, you can see the Deil’s Lum (meaning devil’s chimney). This cave shoots sea spray with a roar during stormy weather.
It’s a place – promontory, bay and caves – that I write about quite a lot.
In THE MERMAID AND THE BEAR, Isobell, Jasper and Ian have to cross the inside of the Deil’s Lum before following a tunnel to the castle. The tunnel is fictional, and so is my description of the interior of the cave, or rather it’s stolen from just around the corner.
As is my way, in the name of research, I have explored every tunnel and cave that is remotely accessible by land at Cullykhan.
This one leads to a dark and seagull-filled space… and it’s this space that I made the characters traverse, after slipping and sliding across it myself, of course.
Isobell, at least, did not enjoy the experience:
The truth was that caves and tunnels were more fun when told of beside a fireside, in dry clothes with a full belly. The reality of them – the cold, the wet, the dripping and the echoing, and the smell of decay – was only startling. The roof looked as if a huge ogre had wielded a knife inside the cliffs, cutting and carving to his heart’s content, but the idea contained no mirth, nor even any interest. And what lay ahead in this new life of ours?
Excerpt from THE MERMAID AND THE BEAR
Climbing to the Cave
Staring at the entrance of the Deil’s Lum from across the divide wasn’t enough for me, so one day I slid down the hill and climbed up into it. This is foolhardy behaviour, and not recommended, but I made a short video so you can see the cave without risking your own life and limb.
Writing Cullykhan
Cullykhan features heavily in the 1st century story of SISTERS AT THE EDGE OF THE WORLD. I loved writing about this beautiful place, capturing the essence of it in words. I took its great magnificence, and its beauty, and swirled them around, adding terrible, strange and unexpected events into the mix.
Set in 1st century Scotland, and featuring the cliffs and caves of Cullykhan Bay, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book has a neurodivergent main character and some rather complicated romance…
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Last time I had a cover to reveal we journeyed down a rabbit hole to find it… but I haven’t been anywhere exciting like that lately, so we’ll have to stick closer to home, starting on the snowy track into the woods.
Reaching the end of the track, we nip up this narrow path:
Here we are on the loch-side walk now, sunshine to our left.
Wait! What’s that? Something’s moving in the woods, running and leaping through the trees…
No, that’s not it. That’s the first book (out now!) and some foot prints left by a deer. We need to retrace our steps, I think…
And yes – finally we come to it – the cover reveal for FIREFLIES AND CHOCOLATE, out April 1st 2021!
The cup featured on the cover is an actual chocolate cup from the 1740s when the book is set.
Inspired by the 600 children and young people who were kidnapped from Aberdeen and sold into indentured servitude in the American Colonies, the story follows the adventures of Elizabeth Manteith and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas (as opposed to my previous metaphorical ones)! And there’s chocolate…
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My Other Books
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
The sun is low as we approach the end of the year; the loch, serene. The ghostberries, also known as snowberries or waxberries, are out in the woods like little lights in the dark.
Skies are dramatic at the beach but, again, somehow serene.
And that’s what I wish for us all in December and on into 2025. Serenity. Peace. Joy. The good things. And lots of them.
“Elizabeth has a lilting Scottish accent, so rich and natural I can hear it easily in my head. She speaks to us directly, and she’s a charming storyteller, though she goes through some troubled times... Dark days and nights lie ahead for Elizabeth, but there is light in the darkness: her own strong spirit, and good people around her (along with some thoroughly despicable characters, sadly quite believable).“
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his new school in Scotland.
She’s soon dealing with her boyfriend’s beautiful and obsessive ex, the sinister research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the deep dark of the dungeon…
Dark, witty, sexy and fun, Tendu is a seductive story of love, dance and obsession. Get your copy today.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
That’s the Sea Gate at Eilean Donan Castle, in the Highlands of Scotland, above. It’s two things at once. In the present day, it’s beautiful. But it’s said that people used to be thrown out of it, in acts of punishment or coercion. So, it’s terrible too. Sad, even.
And it’s the same with writing stories. Yes, they can be sad, and dark, and terrible. But they’re not only that. Or they don’t have to be. As with many things, in writing or life, it’s all about how it’s done.
A view from Eilean Donan Castle
Writing Sad Stories
It was a recent review of FIREFLIES AND CHOCOLATE that got me thinking about this. Here’s the pertinent part of what the reviewer said:
I was somewhat hesitant to read this novel as I thought it would be too sad, but was glad to have chosen to read it as Sinclair did not disappoint with the telling of an exceptionally satisfying tale.
I felt the exact same hesitancy about writing the book. It was while researching local history for THE MERMAID AND THE BEAR that I stumbled across the information that 600 children and young people had been kidnapped from Aberdeen during the 1740s. They’d then been transported to the American colonies where they were sold into indentured servitude. It was terrible. It was sad. And, almost totally, overlooked. It wasn’t history that got talked about much. In fact, most people knew nothing about it. So, it was precisely the sort of story, sad or otherwise, that I liked to tell.
A photo taken somewhere between Glen Shiel and Eilean Donan Castle
Making Historical Characters Relatable
I wanted to bring those people from the past to life, to make them human and relatable. But, wouldn’t it be too depressing to open the door to those particular historical events?
The castle door…
The answer is: no. I don’t think so, anyway. I found the book great fun to write. In fact, I think it’s the least dark of my novels. The main character, Elizabeth, is so determined, and so easily enraged. She kicks sadness to the side. Mostly. She does have some despairing moments. I wrote about one of those times in response to a question on the Wee Writing Lassie Blog (see the whole interview here):
A young girl was found dead in First Mate Alexander Young’s bunk during the voyage from Aberdeen to America. History has not recorded her name so I called her Maggie, and her death has a deep impact on Elizabeth in several ways. It causes her terrible grief, informs her opinions of what ‘fine gentlemen’ can actually be, and provides a specific awareness of how much danger she and other women and girls are in at times.
The publisher had this to say about Elizabeth, or Beth as she becomes, in their press release:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate! Paperback and kindle on Amazon. “Filled with excitement and suspense…” Historical Novel Society Editor’s Pick #HistoricalFiction#romance#KindleUnlimited#booktok#kidnapstory
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this wild mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise that castle and the stone circle in these books.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more. Read all the blurbs here
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land…
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Go here to sign up for my (roughly monthly) newsletter. It’s a more intimate space than the blog and always includes some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
That’s how I feel today. Calm. Steadfast. A little like a tree.
I’m back in the place where I’m happy. Writing. Of course, writing.
Steadfast Writing Update
A Dancer’s Journey is basically complete. The third and final title comes out next week, and I’m now working on the connected series. These are gentler books, shorter books, so they can be cheaper books, and they feel peaceful somehow. Easier. There’s no dramatic violence or explicit naughtiness, though the characters are dealing with dark issues from their pasts. I’ll still be adding a wee content warning on them, vague again so as not to cause harm to those who shouldn’t even read certain words.
And then, once that series is out – my autoimmune body will have its say on the timing of that – I can write something new.
There’s another witchy historical beckoning, but I also love writing contemporary. So both may have to happen…
A Witchy Historical
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
I mentioned the Wine Tower, Fraserburgh’s oldest building, in a previous post here along with the associated ghost story. It was also one of the 10 Mystical and Magical Sites in Aberdeenshire that I wrote about for the official tourism site of Aberdeen and Aberdeenshire.
Inside the Wine Tower
Through the door we go…
During one Doors Open Day, the tower was, indeed, open, and I finally got to have a look at the interior.
There was no humming and hawing from the guide as there sometimes is in official written histories of the place. The topmost room of the wine tower was a 16th century (post Reformation) Catholic Chapel owned by the Frasers of the nearby castle (now a lighthouse musuem).
The carving you can see above depicts Christ’s hands and feet. The one below is the Fraser crest, held by an ostrich.
There seems to have been little exploration of the two lower rooms. There was no information available on them anyway. The middle one can only be reached via this hatch in the floor:
Castle Kitchens
The old castle kitchens were also open for dark and creepy viewing.
Sunset
Let’s end on an autumnal painted sky over the loch.
My Historical Fiction
These novels combine little-known dark events with love stories and a hint of magic.
Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
Bennachie is a large hill that can be seen from many places in Aberdeenshire. Its craggy peaks seem to loom out of nowhere as you drive round twisty corners of country roads. I once climbed it three times in one day for charity. This, and the climb detailed below, were both done some time ago, obviously.
The top of Harthill Castle, which was owned and restored by the late American writer Ann Savage, is just visible over the trees in the photo above.
Bennachie in my writing
Bennachie, and the stone circle at Daviot, both feature in my book, SISTERS AT THE EDGE OF THE WORLD, a tale of chosen sisters, fierce warriors, divided loyalties and love.
The start of any Bennachie climb – we took the easiest ‘Rowan Tree’ route – starts with a misleading forest stroll.
Then you’re out into the baking sun (sometimes; you are equally as likely to emerge to a dense Stephen King style mist) and the views expand.
Parts of the path are pure exposed rock. It feels like standing on the bare face of the planet. I like to kneel and kiss the stone. You do see some strange people on Bennachie…
The ascent gradually gets steeper, the sun gets hotter, and the Mither Tap nears.
Big cairn, little cairn:
Picts!
There’s a Pictish hillfort near the top. You pass between its ancient walls…
And then you cling, terrified, to the side of the uppermost rocks as the strong wind threatens to knock you over. That bit passes quickly. The landscape soon owns your attention.
A Pictish Beast
The Maiden Stone stands near the foot of the hill, a ninth century Pictish stone displaying a good example of the mysterious, much debated ‘Pictish beast’. Swimming elephant? Dolphin? Kelpie?
Go here to sign up for occasional emails that always include some exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
More Historical Fiction from me
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the 1597 Aberdeen witchcraft panic, a stone circle, and a love story.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.
These books are so naughty that I’m a little worried nobody will be able to look me in the face again after reading them. But not that worried. They’re out in the world anyway.
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
