I mentioned the Wine Tower, Fraserburgh’s oldest building, in a previous post here along with the associated ghost story. It was also one of the 10 Mystical and Magical Sites in Aberdeenshire that I wrote about for the official tourism site of Aberdeen and Aberdeenshire.
Inside the Wine Tower
Through the door we go…
During one Doors Open Day, the tower was, indeed, open, and I finally got to have a look at the interior.
There was no humming and hawing from the guide as there sometimes is in official written histories of the place. The topmost room of the wine tower was a 16th century (post Reformation) Catholic Chapel owned by the Frasers of the nearby castle (now a lighthouse musuem).
The carving you can see above depicts Christ’s hands and feet. The one below is the Fraser crest, held by an ostrich.
There seems to have been little exploration of the two lower rooms. There was no information available on them anyway. The middle one can only be reached via this hatch in the floor:
Castle Kitchens
The old castle kitchens were also open for dark and creepy viewing.
Sunset
Let’s end on an autumnal painted sky over the loch.
My Historical Fiction
These novels combine little-known dark events with love stories and a hint of magic.
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Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
I write romantic suspense and historical fiction, often set in the area of Scotland where I live, Aberdeenshire. My historical novels combine little-known dark events with love stories. There are witches, bears, kidnappers and Romans to be found in them, detailed here. My contemporary work is much naughtier, though still dark, and available to pre-order now.
I take a LOT of photos as is evidenced throughout the site.
Romantic Suspense – A Dancer’s Journey – 3 book series
These books are so naughty that I’m worried nobody will be able to look me in the face again after reading them. But not that worried. A Dancer’s Journey is now available for pre-order, titles releasing in October, November and December 2023.
Sign up to the mailing list for news about my life and writing, and exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
Looking at Ox-eye daisies in the meadow, squinting against the sun with my strained eyes…
Strained Eyes
I have strained eyes. I’ve been writing, writing, writing. Or actually, editing, editing, editing. A Dancer’s Journey is progressing. It feels slow, but these books are long, long, long. And emotional. And diabolical and barbarous and sexy and witty and fun. Working on them is actually immense fun. I will miss it when they’re done.
And they will be soon. They are coming, I promise 🙂 Edit: Amazon!
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Provost Skene’s House nestles between the new buildings and giant plant pots of Aberdeen.
It’s been a long time since I’ve visited the 16th century townhouse. In fact, it’s been a very long time since I’ve been in the city centre. In recent years trips to Aberdeen have been illness or hospital related.
There have been a few changes.
Marischal College
The fountains in front of Marischal College are new:
My father worked in the building when I was a child, and there were regular family trips to the Anthropological Museum there. This was later called the Marischal Museum, and it’s no longer open to the public. You can, however, browse online exhibitions.
Provost Skene’s House
Provost Skene’s House door
History
Dating from 1545, the house has been lived in by a variety of people over the centuries. Provost Skene owned it in the 17th century, and Hanoverian troops used it during the Jacobite rebellion of 1745. The Duke of Cumberland stayed there on his way to Culloden. It’s been a museum since 1953. See a more thorough history of the house here.
Museum
The museum used to be set up with rooms furnished in different eras: Edwardian bedrooms and Victorian sitting rooms, that sort of thing. It now houses an exhibition of noteworthy people from Aberdeen, and many of the displays are digitised. I rather miss the harpsichords and harps of the previous arrangement.
The Glass Floor
The glass floor in the cellar is still there, and I’m glad about that. The room was previously a coffee shop, and walking over the floor was a highlight for me as a child. I may not have been frightened when locked in a witch’s hoosie, but this floor scared me in an exhilarating sort of way.
I put the scary floor into the castle of my books. The quote below is from Fouetté, the third and final title of the forthcoming series, A Dancer’s Journey, and it describes how the glass used to look in Provost Skene’s House.
Eerie green light still shone up from below the glass, showcasing the museum pieces in the floor: barrels, bottles, various metal implements, a cauldron. The glass had been replaced, of course, and part of it given proper hinges, not like back then when…
I had to cut the quote short there, because: spoilers. The floor is no longer lit up.
The Painted Gallery
The highlight of the house for me now is the Painted Gallery. It has not changed, apart from the removal of the Mouseman benches.
The ceiling depicts the life of Christ. Below is the Entombment, with a kilted gentleman standing to the right.
Something else that has not changed is the smell of Provost Skene’s House. It’s quite strong and distinctive. I think it might be caused by the use of some sort of speciality wood preserver or furniture polish.
I walk across the flagstone floor of Provost Skene’s.
And then stroll between the old and the new.
I prefer the old.
The Angry Man
Let’s finish with an angry man. He was originally situated on the wall of a 19th century bakery in the city. It was shut down due to its close proximity to a sewer; the baker blamed his neighbours for the closure, and pointed his angry face at them. He now glares at everyone as they walk past Provost Skene’s House.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
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It’s Midsummer, and I’m in celebratory mode and sounding my (imaginary) carnyx, a wind instrument of the Iron Age Celts.
Writing Update
All major edits have been completed on all three books of A Dancer’s Journey. There’s still a couple of smaller edits and proofing to be done, but great progress has been made. I’m not announcing publication dates just yet, in case autoimmunity causes delays, but I am delighted to have come so far with what is really rather a personal magnum opus! Edit: Amazon!
Sound of the Carnyx
In the video below, a musician plays a reconstruction of the Deskford Carnyx. The original was discovered in this area of Scotland and dates from the time of my Iron Age novel, SISTERS AT THE EDGE OF THE WORLD.
SISTERS
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Midsummer, or High Summer, is important to the people of the book. There’s dancing, singing, storytelling and other, naughtier, activities in the stone circle. There’s also feasting and fighting, and the sound of a newly constructed carnyx.
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A castle rooftop from the forthcoming contemporary series, A Dancer’s Journey:
“The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.”
The Red Well by Whitehills in Aberdeenshire is protected by an unusual building. On the autumn equinox, at sunrise, a beam of light shines through the doorway of this beehive-shaped shelter and illuminates the well within. This happens on the spring equinox too. The well, and the building, are said to date from Roman times.
A Witch’s Hoosie
When I was a small child, I lived with my grandparents in Whitehills for a while. One day, playing with my cousins, I was locked in that building to see if the witch would get me. The place was referred to as the ‘witch’s hoosie’ back then, by children at least. There were scary stories of an old lady witch ghost. I was quite interested to see if she would show up. She didn’t, and I was eventually freed, my lack of fear having disappointed my companions somewhat.
The door is kept locked now.
Since then, I’ve always viewed the well as rather a magical place, and keenly look out for the quick glimpse of it in the landscape that you get when driving along the main Banff to Portsoy road.
Thistles by the well
It’s in a particularly beautiful spot, the Red Well. The town of Banff can just be seen in the distance below.
It was seven years in the making, this book. Both the novel and I went through a lot as the story developed: severe editing, hospitalisations, deleting, pain, rewriting, crying and being monstrous.
It’s on Kindle Unlimited too so can be read for free (there’s a 30 day free trial).
Newsletter
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Near the village of Pennan in Aberdeenshire, Cullykhan is a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach lies an impressive promontory.
It’s been home to an Iron Age fort, now vitrified, and a medieval castle. Excavations have uncovered Neolithic and Roman finds (read more about these on the Canmore site).
From the promontory, you can see the Deil’s Lum (meaning devil’s chimney). This cave shoots sea spray with a roar during stormy weather.
It’s a place – promontory, bay and caves – that I write about quite a lot.
In THE MERMAID AND THE BEAR, Isobell, Jasper and Ian have to cross the inside of the Deil’s Lum before following a tunnel to the castle. The tunnel is fictional, and so is my description of the interior of the cave, or rather it’s stolen from just around the corner.
As is my way, in the name of research, I have explored every tunnel and cave that is remotely accessible by land at Cullykhan.
This one leads to a dark and seagull-filled space… and it’s this space that I made the characters traverse, after slipping and sliding across it myself, of course.
Isobell, at least, did not enjoy the experience:
The truth was that caves and tunnels were more fun when told of beside a fireside, in dry clothes with a full belly. The reality of them – the cold, the wet, the dripping and the echoing, and the smell of decay – was only startling. The roof looked as if a huge ogre had wielded a knife inside the cliffs, cutting and carving to his heart’s content, but the idea contained no mirth, nor even any interest. And what lay ahead in this new life of ours?
Excerpt from THE MERMAID AND THE BEAR
Climbing to the Cave
Staring at the entrance of the Deil’s Lum from across the divide wasn’t enough for me so, one day, I slid down the hill and climbed up into it. This is foolhardy behaviour, and not recommended, but I made a short video so you can see the cave without risking your own life and limb.
Writing Cullykhan
Cullykhan features heavily in the Iron Age story of SISTERS AT THE EDGE OF THE WORLD. I loved writing about this beautiful place, capturing the essence of it in words. I took its great magnificence, and its beauty, and swirled them around, adding terrible, strange and unexpected events into the mix.
Set in 1st century Scotland, and featuring the cliffs and caves of Cullykhan Bay, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Go here to sign up for my occasional emails that always include some exclusive photos and news of my writing and life. If you would rather just hear about new books and offers, you can follow my Amazon author page.
That’s what my son said of my little video attempt below. “Wow, that’s some depressing time travel.”
Romantic Time Travel
I do like those sad stories, though. Not that they’re sad, beginning to end, these books. There’s romance in them all, happy romance, sometimes a little bit naughty too. And one of them has chocolate… No actual time travel, though. None at all.
You can be depressed by them all here in the UK, or for worldwide depression, go here.
Writing with no time travel
I’ve been writing, writing, writing, living in the intense and sexy atmosphere of A Dancer’s Journey. I love it. I don’t want to leave it. It’s fun and romantic, if a little devastating and dramatic in places. But leave it, I will, later this year, when all three books finally get released.
There’s also this strange little post about what the characters get up to when I’m away from the keyboard.
Pink Things
I’ve been enjoying the pink phase of the garden…
Pink bench and cherry blossom
Newsletter and Updates
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