Oh, to wander in the woods…

That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.

Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon!

I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.

Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”

On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”

And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized women, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”

Amazon

Waterstones

GoodReads

The same path, though the other end and other direction, in the woods, in summer:

Things I Stole From Castles

Earthen floor at Drum Castle

That’s the earthen floor of the medieval great hall at Drum Castle.

I love it.

So I took it!

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Rocky Shores for Release Day

rocky shores at Broadsea

We’ve moved North and round the corner from the golden sands of Fraserburgh beach, and arrived at the rocky shores of Broadsea and a beautiful rock pool, the Museum of Scottish Lighthouses in the background.

rocky shores and clouds

But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:

shells

It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!

Broadsea house

That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.

rocky shores

So… deep breath…

Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.

And it has a castle.

And a stone circle.

And medieval Christmas.

Out in paperback and Kindle NOW!

Universal links:

Kindle

Paperback

Mermaid blurb

A Fairy Scene, an Opening, and an Article

fairy scence: toadstool and wood sorrel

I came across this rather lovely little scene in the woods on a rainy day last week. It made me think of fairies…

Yesterday Paragraph Planet revealed the opening of The Mermaid and the Bear on their site. It’s gone now, but I took a screenshot, below. It was while walking in the same woods pictured above that the first line of the book came to me.

the opening of The Mermaid and the Bear

Women Writers, Women[‘s] Books have published my article Researching Historical Fiction: Immersing Oneself in the Past in which you can read about me setting off smoke alarms and eating primroses (yes, really) in the name of research.

The Mermaid and the Bear cover

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Waterstones

GoodReads

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Down the Rabbit Hole… to a Book Cover!

white rabbit

At first it doesn’t feel quite real… where is the white rabbit leading?

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Walking the Witchy Ways of Aberdeen

Galllus Quines. Wonderful street art in Aberdeen honouring those persecuted for witchcraft.
Gallus Quines

I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.

Tile naming some of those accused of being witches in Aberdeen, Scotland

The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).

In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.

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A Bookish Post

2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my historical novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!

Universal links:

Kindle

Paperback

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Cover of Ailish Sinclair's historical novel THE MERMAID AND THE BEAR

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 Further insight:

I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear, a historical novel

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