Stories and photos from Scotland
I crossed the boardwalk slowly, being careful not to catch my slippers in the gaps between wood. My foot is a lot better, though I still can’t wear proper shoes or put my heel right down on the ground, but I was determined to walk on the beach. So, on the way home from a hospital visit, I stopped at Balmedie.
Continue readingThree little woodpeckers. Fighting in a tree. That’s what I encountered on my daily walk today. Turn up the sound and you can hear them, along with a distant pheasant.
#AWindowOnScotland is a nice little tag on Twitter at the moment. Lots of lovely views from Scottish windows. Mine:
Talking of Twitter, and good things, I’m collaborating in a great initiative to help small businesses, especially ones that have fallen through the gaps of governmental help. I’ll be retweeting lots of wonderful products and services between 9-10pm GMT tomorrow, Friday 17th April on the tag #CelebsForSmallBiz (yes, that is Mrs Fitz from Outlander!)
The Evening Express have published a wee article on the next book, Fireflies and Chocolate here.
Meanwhile, The Mermaid and the Bear sits among the primroses, flowers that I ate while researching medieval foods for it! See research article.
Now free on Kindle Unlimited. Also available in paperback. Book info page here.
Stay safe and well. Look after yourselves. For me, this involves sitting in the sun, eating chocolate and listening to those woodpeckers!
GWL Publishing have accepted my next historical novel, FIREFLIES AND CHOCOLATE, for publication in Spring 2021. I am lucky to have a publisher who is so understanding about my current health issues; all the deadlines for various edits are flexible.
The book was inspired by the 600 children who were kidnapped in Aberdeen during the 1740s and sold into indentured servitude in the American colonies. You will meet the Manteith family again, and see the castle and the stone circle, though the story doesn’t stay there long.
There’s some real historical figures again. There’s a love story again, though it’s quite different from the one in THE MERMAID AND THE BEAR. And, this time, there’s chocolate, in the form of hot chocolate 😀
Article in The Evening Express
I hope you’re all staying safe and well during these strange times of lockdown and isolation. I’m posting photos of #goodthings from my phone archives on Twitter and Instagram each day at the moment.
THE MERMAID AND THE BEAR is now free to download on Kindle Unlimited here.
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon!
I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
The same path, though the other end and other direction, in the woods, in summer:
That’s the earthen floor of the medieval great hall at Drum Castle.
I love it.
So I took it!
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We’ve moved North and round the corner from the golden sands of Fraserburgh beach, and arrived at the rocky shores of Broadsea and a beautiful rock pool, the Museum of Scottish Lighthouses in the background.
But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:
It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!
That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.
So… deep breath…
Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
And it has a castle.
And a stone circle.
And medieval Christmas.
Out in paperback and Kindle NOW!
Universal links:
I came across this rather lovely little scene in the woods on a rainy day last week. It made me think of fairies…
Yesterday Paragraph Planet revealed the opening of The Mermaid and the Bear on their site. It’s gone now, but I took a screenshot, below. It was while walking in the same woods pictured above that the first line of the book came to me.
Women Writers, Women[‘s] Books have published my article Researching Historical Fiction: Immersing Oneself in the Past in which you can read about me setting off smoke alarms and eating primroses (yes, really) in the name of research.
At first it doesn’t feel quite real… where is the white rabbit leading?
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I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.
The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).
In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.
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I write Scottish historical fiction, mainly set in the area of Scotland where I live, Aberdeenshire.
2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!
Isobell needs to escape. She has to. Her life depends on it.
She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.
She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.
Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…
Until the past catches up with her.
Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.
I made a wee aesthetic for it, because: oh the fun!
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