Post from December 2019.
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon! (Edit 2022: it would not be soon. This was the start of a non-woodland path to an auto-immunity diagnosis that would wind its way through hospital stays and many monstrous moments!)
I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
The same path, though the other end and other direction, in the woods, in summer:
