Chasing a Cover Reveal Along Snowy Pathways

snowy path to a cover reveal

The cover reveal for FIREFLIES AND CHOCOLATE!

Other reveals can be seen here for THE MERMAID AND THE BEAR, and more recently, SISTERS AT THE EDGE OF THE WORLD.


Last time I had a cover to reveal we journeyed down a rabbit hole to find it… but I haven’t been anywhere exciting like that lately, so we’ll have to stick closer to home, starting on the snowy track into the woods.

Reaching the end of the track, we nip up this narrow path:

narrow path to a cover reveal

Here we are on the loch-side walk now, sunshine to our left.

sunny path in the woods

Wait! What’s that? Something’s moving in the woods, running and leaping through the trees…

The Mermaid and the Bear by Ailish Sinclair in the snow by deer tracks

No, that’s not it. That’s the first book (out now!) and some foot prints left by a deer. We need to retrace our steps, I think…

Snowy track to a cover reveal

And yes – finally we come to it – the cover reveal for FIREFLIES AND CHOCOLATE, out April 1st 2021!

Fireflies and Chocolate by Ailish Sinclair, out 2021

The cup featured on the cover is an actual chocolate cup from the 1740s when the book is set.

Inspired by the 600 children and young people who were kidnapped from Aberdeen and sold into indentured servitude in the American Colonies, the story follows the adventures of Elizabeth Manteith and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas (as opposed to my previous metaphorical ones)! And there’s chocolate…

Amazon UK

Amazon Worldwide

Waterstones

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Crying While Writing: anyone else do this?

Crying while writing: Star of Bethlehem flowers
Star of Bethlehem in the meadow

Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!

So, am I the only one?

Tell me I’m not.

I can’t be.

Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?

crying while writing: Rhododendron flowers on the pink bench
Rhododendron flowers on the pink bench

Marketing

But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.

ox eye daisy
Ox Eye Daisy

So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.

Floods.

Breathlessness.

I’m welling up just looking at the line now, overcome by all that it references.

Rhoddies. Crying while writing

Editing

This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.

The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.

It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂

But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.

crying while writing, a candle outside
Lovely soothing candle from Tilly’s Candle Shop… sniff…

Giveaway

On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.

book giveaway

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

feet

About page updated

A Loch Through the Seasons: mist, sunsets and snow

loch at sunset
misty Aberdeenshire loch

Clouds of mist swirl over the surface of the loch.

The picture above was taken after an unexpectedly hot day led to unexpectedly beautiful conditions. Well, not completely unexpected. It’s always beautiful, always different.

Summer Loch

Summer brings lush green foliage and colour to the loch*. It’s not very deep so swimming can be warm, though muddy.

summer Aberdeenshire loch

Autumn

That glassy ‘stand and stare’ stillness can happen at any time of year, but it most commonly occurs in Autumn. Sunsets are pink, silver or even purple. Whatever the sky is doing is intensified in reflection.

sunset

The Loch in Winter

Scottish winters are fierce. One year layer upon layer of ice and snow built up so thick that people and dogs ran about on top of the loch. I watched a fox run right across from one side to the other. It was at once surreal and yet so very real, unconnected from civilisation as it feels up there in the woods. No TV, no computers, just life and joy and fun on a natural huge flat screen among the trees.

snowy Aberdeenshire loch

I hope I will be well enough to walk up there soon. And what will await? A liquid mirror? Slow moving ripples? The slightest change in airflow is made visible by water. If there’s blue in the sky, there will be blue in the loch. Maybe there’ll be whooping swans with their yellow beaks, or an otter leaping about on the banks. I love the sound of otters giggling in the evening… I miss it.

whooper swans flying up from the loch
Whooper swans over the loch

* I freely admit to having overused the word ‘loch’ in this post. The word ‘lake’ is not a suitable substitute. If you don’t come from Scotland you can have no idea how very wrong that notion is. And while we’re at it, let’s make sure you’re saying/thinking the word right. The ‘ch’ sound is like a Scottish wildcat (something I once saw up by the large expanse of water, but no one believes me) hissing in the back of your throat. There you are, got it.

fun on the loch
Boating days…

The books:

Ailish's books

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

And coming soon…

SISTERS AT THE EDGE OF THE WORLD cover

Set in 2nd century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a tale of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. More…

Writing Update

I am back editing the manuscript now. My poor characters have moved on from the battle scene at last! Though the phrase ‘out of the frying pan, into the fire’ springs to mind…

My About Page

Mailing List

New Book: Sisters at the Edge of the World

Sisters at the Edge of the World by Ailish Sinclair
Aesthetic for the new book from Ailish Sinclair: Sisters at the Edge of the World.
Aesthetic for the book

Work on the new book is forging ahead nicely. The aim is for it to be released this summer, but that may be subject to change. Thank you to everyone who shared their thoughts on publishing options. My publisher, too, gave me lots of wonderful advice and information, and while they would have been willing to look at the manuscript, despite its shortness and strangeness, I am choosing to self-publish this novel.

Thanks also to everyone who has donated through Kofi. With traditional publishing there is no cost to the author (remember that, don’t be taken in by vanity presses posing as traditional pubs; there’s a lot of them about), but this time I’ll be paying for everything myself, so thank you so much!

Being ill, having chronic conditions and facing my own mortality have made me want to experience things while I can. And if those things can be accomplished sitting at my desk, all the easier. So, it’ll be an adventure! That’s how I’m thinking of it anyway…

Aspects of the book

  • The main characters are fiercely bonded chosen sisters. Can their bond survive betrayal and perhaps even death? (Already attempting to write the blurb here).
  • The story is set in the second century AD and features the battle of Mons Graupius between the Roman invaders and the Caledonian tribes.
  • There’s romance, but it’s rather complicated romance this time.
  • The stone circle is still there in all its glory.
  • The castle is not, obviously, but there is a great round house where it will be one day. And a wee hoosie in the woods.
sunshine and frost in the woods
Sunshine and frost in the woods

Edit in: and now it has a cover!

SISTERS AT THE EDGE OF THE WORLD cover

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The traditionally published books

Ailish's books

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

The Space Between Dunes

dunes silhouetted

Between the dunes. There’s just the sea breeze and me.

looking through the dunes at the sea

I’m looking out across the ocean. Walking down through the coarse grasses, feeling their roughness with my fingertips. As people must have done for as long as people have existed.

18th century.

16th century.

When the Romans were here.

Before.

sea

Then there’s listening. The incoming tide, the waves pulling back from the beach. It feels like a healing sound. I wish it could be prescribed to everyone as needed.

The light is silvery over the dunes now.

No health concerns. No book stuff.

Just me. And the sea.

silvery light over the dunes

I sometimes write more sensible things! Do sign up for my occasional newsletters if you would like to be kept abreast of these.

dunes silhouetted

Beach featured: Fraserburgh.

My About Page

Playing with Geography at Cullykhan Bay

I love Cullykhan Bay.

Near the village of Pennan in Aberdeenshire, it’s a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach is an impressive promontory.

It’s been home to an Iron Age fort, now vitrified, and a medieval castle. Excavations uncovered Neolithic and Roman finds there too (see Canmore).

From the promontory you can see the Deil’s Lum (meaning devil’s chimney), a cave which is also sometimes called Hell’s Lum. It shoots sea spray with a roar during stormy weather.

The Deil's Lum, a cave at Cullykhan Bay.

It’s a place – promontory, bay and caves – that I write about quite a lot.

In THE MERMAID AND THE BEAR, Isobell, Jasper and Ian have to cross the inside of the Deil’s Lum before following a tunnel to the castle. The tunnel is fictional and so is my description of the interior of the cave, or rather it’s stolen from just around the corner.

As is my way, I have explored every tunnel and cave that is remotely accessible by land at Cullykhan. In we go…

cave entrance at Cullykhan Bay

Through to this dark and seagull filled space… and it’s this space that I made my characters traverse, after struggling across it myself, of course!

Cave opening at Cullykhan Bay

Isobell, at least, did not enjoy it:

The truth was that caves and tunnels were more fun when told of beside a fireside, in dry clothes with a full belly. The reality of them – the cold, the wet, the dripping and the echoing, and the smell of decay – was only startling. The roof looked as if a huge ogre had wielded a knife inside the cliffs, cutting and carving to his heart’s content, but the idea contained no mirth, nor even any interest. And what lay ahead in this new life of ours?

Excerpt from THE MERMAID AND THE BEAR

Staring at the entrance of the Deil’s Lum from across the divide wasn’t enough for me so I slid down the hill and climbed up into it. This is foolhardy behaviour and not recommended, but I made a short video so you can see the cave without risking life and limb!

Now I’m back in my Iron Age manuscript (see below), Cullykhan features much more heavily, and I love that too. Trying to capture the essence of the place in words, its magnificence, its beauty, and swirl all that round with the terrible things that I have happen there.

Cave opening at Cullykhan
Light and dark at Cullykhan…

I was honoured to appear on two wonderful websites recently: in an interview on Sue’s Musings here and on Sally Cronin’s Smorgasbord Cafe and Bookstore.

Fireflies and Chocolate by Ailish Sinclair, out 2021

FIREFLIES AND CHOCOLATE, inspired by the kidnapped children of Aberdeen, is out now. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!

Amazon

Waterstones 

Cover of Ailish Sinclair's 'The Mermaid and the Bear'

THE MERMAID AND THE BEAR features three real women who were accused of witchcraft during the 1597 Aberdeen witchcraft panic. There’s also a love story.

Amazon

Waterstones

And, coming soon… (body allowing, this year surely?!):

SISTERS AT THE EDGE OF THE WORLD cover

When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land. 

What she does next constitutes a huge betrayal of her people, threatening her closest relationships and even her way of life itself.

As the conflict between the Caledonian tribes and the Roman Sons of Mars intensifies, can she use her high status in the community to lessen the coming death toll or even prevent outright war?

Set in 2nd century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a story of chosen sisters, fierce warriors, divided loyalties and, ultimately, love.


Keep up with all my news by signing up to the mailing list. It’s occasional and always contains some exclusive photos.

Small Blue Ball, Big Golden Orb: cover reveal

sisters
oorange tulip behind barbed wire
Tulip behind barbed wire

I am a small blue ball of pain.

Curled up.

Can’t eat. Can’t sleep. Can’t write.

Life on hold.

Wondering what went wrong. Why I am here again.

bluebells, small blue ball

A pause by the bluebell woods on the way back from hospital. A biopsy may provide answers to the mystery of me and my strange body, who knows?

The flowers smell sweet. I breathe them in.

lilac. small blue ball.

An easing comes. A moving on from the small blue ball. A sort of pinkening. Lilac flowers are taken in from the garden and I sit in a delicately scented cloud of beauty.

Then, a few steps, and I am outside.

Camelia. Small blue ball.

It is glorious. Painful still, but better. I can envision being well again.

pink bench and blossom
Blossom caught in the pink bench.

The sunshine. The breeze. I love it all.

Thoughts of writing come. I left my poor characters in the middle of the battle of Mons Graupius between the Romans and the Caledonian tribes. War. A situation far worse than my own. I must release them from it soon.

Before all this, before I became ill, I got here – to the golden orb – with my ‘fun project‘:

SISTERS AT THE EDGE OF THE WORLD cover

The main character in the book is neuro-diverse.

As am I.

Illness makes me open, bared and true. Pain peels back layers of politeness and hesitancy and doubt. I just say things. I just am.

I still hope for a summer release, a later one obviously, maybe early autumn. My body will have its say in the matter. But it will come 🙂

My books:

Ailish's books

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the 1597 Aberdeen witchcraft panic, a stone circle, and a love story.

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society

My Witchy Debut Novel is Published, 2019

The Mermaid and the Bear Christmas

2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my debut novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!

Amazon UK

Amazon Worldwide

Waterstones

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Cover of Ailish Sinclair's debut novel THE MERMAID AND THE BEAR

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 Further insight:

I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear, Ailish Sinclair's debut novel

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Daffodils in Snow, and History Lessons

A line of daffodils in snow
Daffodils in snow

Originally published April 2021.

At first I thought there was only a single line of daffodils in the snow. I stopped to take photos. Like I would do on any other day out. A day out just for fun. Not that there have been many of those lately.

I walked along the path and headed down the steps where I was met with this stunning bank of yellow.

Continue reading “Daffodils in Snow, and History Lessons”