Stories and photos from Scotland
I love Cullykhan Bay.
Near the village of Pennan in Aberdeenshire, it’s a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach is an impressive promontory.
Continue reading “Playing with Geography at Cullykhan Bay”
I do seem to have a habit of running up and down the medieval cobbles of Aberdeen in the name of research. Here I am again, travelling down Correction Wynd, site of the 17th century House of Correction. But it’s not the old poorhouse/jail that I’m investigating. Not today anyway…
I pass St Nicholas Kirk, where people accused of witchcraft were held in the 16th century.
It’s time to move on from that now.
On from THE MERMAID AND THE BEAR.
Researching and writing those times have led me to another.
Over the cobbles I go, glancing up at the modern city above.
Through the beam of light and into the, also rather modern seeming, Green.
The kidnapped children of Aberdeen were held here in the 1740s. In a barn.
Passers by sometimes heard music coming from the place, as the kidnappers tried to keep the children entertained.
The Green is mentioned in Fireflies and Chocolate (out today!):
“Another barn,” notes Peter, when we are ushered into a large ramshackle wooden building. Again we find a space to sit together, among the others. Again, we are on the floor, this time an earthen one. No chairs are provided for the likes of us anywhere now it seems. “I was kept in a barn in Aberdeen,” he tells me. “Down at The Green.”
I ken The Green. I used to think it was a nice place to walk through, a space between buildings, like a city version of a forest glade.
The children were also kept in the Tolbooth at times. There are tales of desperate parents trying to break down the door to get to them. Peter Williamson, who appears in the above quote, would be held there again in later life as punishment for his book, in which he accused the town magistrates of involvement in the kidnappings. You can read a large print version in the Tolbooth museum today beside a life size cut out of Peter!
He’s not the main character in Fireflies and Chocolate though. That’s Elizabeth Manteith, who is entirely fictional. But I love her. In their press release about the book the publisher describes her like this:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
Those dark cobbles do take me places!
FIREFLIES AND CHOCOLATE, inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies, is out today. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!
I write Scottish historical fiction, often set in the area of Scotland where I live, Aberdeenshire. I also take a LOT of photos, as is evidenced throughout the blog.
Keep up with all my news by signing up to the mailing list. It’s occasional and always contains some exclusive photos.
My debut novel was published by GWL Publishing in October 2019, and is available in paperback and on Kindle.
See The Mermaid and the Bear page for full details including blurb and quotes and links to reviews.
My second novel, also published by GWL Publishing, was released on April 1st 2021 and is available in paperback and on Kindle.
See the Fireflies and Chocolate page for full details including blurb and quotes and links to reviews.
Those are the letter seals of Lord Pitsligo, a man I have written about before:
His forward thinking ways inspired aspects of the Laird in THE MERMAID AND THE BEAR and a similar set of letter seals feature in FIREFLIES AND CHOCOLATE.
The seals were shown to me by a direct descendant of Lord Pitsligo. I got to hold them and turn them on their hinges, which was wonderfully informative (and exciting!).
FIREFLIES AND CHOCOLATE will be out now!
Blurb:
Elizabeth craves adventure… excitement… love…
For now though, she has to settle for a trip from her family’s castle, to the port in Aberdeen, where her father has promised she’ll be permitted to buy a horse… all of her own.
Little does she suspect this simple journey will change her life, forever. And as she dreams of riding her new mount through the forests and glens of the Manteith estate, she can have no idea that she might never see them again.
For what lies ahead is danger, unimagined… and the fearful realities of kidnap and slavery.
But even when everything seems lost, most especially the chance of ever getting home again, Elizabeth finds friendship, comfort… and that much prized love, just where she least expected it.
Set in the mid eighteenth century, Fireflies and Chocolate is a story of strength, courage and tolerance, in a time filled with far too many prejudices.
It’s all getting a bit too exciting for me again… I need a nice calming walk in the woods below the witch’s brooms (growth abnormalities caused by a fungus in the trees)!
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, features an often overlooked event in history, the 1597 Aberdeen witchcraft panic, and a love story.
Just a small post. It’s been snowing. Quite a lot. Above are fox tracks in the woods. Below, an oak leaf.
I’ve been proofreading Fireflies and Chocolate (out April 1st 2021! Amazon – and Waterstones), desperately seeking any errors, making tiny tweaks. Last chance to change anything. Last chance to get it right before it goes back to the publisher. It’s a little bit scary, this final stage of writing a novel.
So, I hold my face up to the sun, follow the fox tracks and hope all will be well.
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, features an often overlooked event in history, the 1597 Aberdeen witchcraft panic, and a love story.
Last time I had a cover reveal we journeyed down a rabbit hole to find it… but I haven’t been anywhere exciting like that lately, so we’ll have to stick closer to home, starting on the snowy track into the woods.
Reaching the end of the track, we nip up this narrow path:
Here we are on the loch-side walk now, sunshine to our left.
Wait! What’s that? Something’s moving in the woods, running and leaping through the trees…
No, that’s not it. That’s the first book (out now!) and some foot prints left by a deer. We need to retrace our steps, I think…
And yes – finally we come to it – the cover reveal for FIREFLIES AND CHOCOLATE, out April 1st 2021!
The cup featured on the cover is an actual chocolate cup from the 1740s when the book is set. Inspired by the 600 children and young people who were kidnapped from Aberdeen and sold into indentured servitude in the American Colonies, the story follows the adventures of Elizabeth Manteith and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas (as opposed to my previous metaphorical ones)! And there’s chocolate…
Keep up with all my news by signing up to the mailing list. It’s occasional and always contains some exclusive photos.
I crossed the boardwalk slowly, being careful not to catch my slippers in the gaps between wood. My foot is a lot better, though I still can’t wear proper shoes or put my heel right down on the ground, but I was determined to walk on the beach. So, on the way home from a hospital visit, I stopped at Balmedie.
Continue reading “Walking on Balmedie Beach in my Slippers”
I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
Continue reading “On Monsters: being one, writing one…”
I am lost in writing. I am in the Iron Age. Second draft. Rough edges. Rough middle. Super rough ending. Full of raw emotion. Ragged with it, as am I.
Continue reading “Timeless Woodland Pictures from the Time of Lockdown”
The dense block of pine trees that partially encircled the stones on Aikey Brae has been felled, leaving the site feeling like a windswept wasteland.
I knew it had happened but it was still a shock when I visited the circle at the weekend.
Continue reading “Aikey Brae: the North Wind Doth Blow”
