Hot chocolate. Chocolate cake. Chocolatey books. I love these things. I need them. Especially in winter, and we’re nearly there now. This is the last post of the road to winter series; I’ve finally used up all the pictures!
Some colour clings on, though many trees are bare.
It looks like this wee tree lost all its leaves at once:
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!
I was really delighted when I learned that the publisher had used an image of a real 18th century chocolate cup on the cover.
Enjoy a kiss on the London tube in TENDU. Eat chocolate cake in Covent Garden and Scotland. Romp up and down the castle stairs! Dance in a stone circle. Attend a Ceilidh in the great hall. Have your brain studied in the dungeon. All fun, I assure you. Well, not quite all…
“If you enjoy mentions of chocolate and lots of cake, this book is for you.”From a recent review.
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Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
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But, for now, this morning, I’m off back into the manuscript of the moment. I’m working on the first title in the next book series, Castle Dancers. It begins ten years after TENDU – each book has a different main character – and the story starts like this:
It’s the night before I’m due to start at the most prestigious dance school in Scotland, so, of course, my mother tries to kill me.
Fun times!
TENDU: Dancing in the Castle
Dance, danger and desire collide in TENDU, a seductive tale set in the mystical landscape of Scotland. Will love conquer all?
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I took a quiet walk through autumn leaves at Aden Park.
Peering through an old tree:
Up by the Mansion House:
Blue and green should most definitely be seen…
Some of the newer plantings have not survived:
But many have:
I love the Maples.
I feel like I don’t have many words left in me. They’ve been used up. They’re coming very soon in book form.
Newsletter
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These days, you don’t have to catch a boat or ferry and can drive straight over the large Skye bridge. That’s the Old Man of Storr in the hills above, a beautiful rock formation visible for miles around. This post details a holiday I took with my family in 2017, before chronic illness put paid to such things as holidays. For now. I have to believe, for now. But enough of that, over the sea to Skye we go!
Dun Hallin
The island is a place of fairies: there’s a castle and a glen and a bridge, much smaller than the one taken to get to the island. But first, back to another rock formation, specifically the one spied from the bedroom window of our holiday house.
‘That’s an interesting rocky outcrop,’ said I to husband.
‘Aye, we should walk up to it,’ he replied.
So we did.
And there was Dun Hallin, an Iron Age broch we had intended visiting but thought would be hard to find. Duns, or brochs, were a complex form of roundhouse, probably defensive, precursors to castles.
I loved Dun Hallin and the surprise of finding it like that. And the wonderful views of Trumpan Point.
The Trial Stone
Trumpan Kirkyard held surprise too. An ancient standing stone, Clach Deuchainn, the Trial Stone:
Trial stones were used to try a person. In this case if the accused could put their finger in the hole located on the stone, while blindfold, they were innocent. The stone is undoubtedly far older than this use. It is also known as the Priest Stone and the Heaven Stone.
There were some interesting graves too; these, and the gruesome history of the church can be read about here.
Fairies
But back to the fairies. Firstly the Fairy Glen, an unusual land formation, which sadly does not have anyfolklore associated with it, but it does feel otherworldly when you walk round it.
The rocky peak is known as Castle Ewen:
It’s Dunvegan Castle that we need for fairy legends!
Displayed inside the castle, so no photos, is the ancient and tattered Fairy Flag. There are many stories and traditions surrounding this relic and its origins. The tale favoured in the information provided to visitors is the one in which the Chief of Clan Macleod marries a fairy. The couple have a child together but the fairy knows she has to return to her people in Fairyland. She leaves the magical flag, imbued with protective powers, wrapped round the baby, and this she does a few miles away at the Fairy Bridge:
There are also Fairy Pools on Skye but we did not get to them this trip. We did manage a quick visit to Kilt Rock:
We also took in the Museum of Island Life, one of the few places on the island with good mobile internet which meant I was distracted by a sudden barrage of Twitter notifications!
Near to the museum is the memorial to Flora MacDonald:
One more fairy mention: the house we stayed in was previously owned by the writer Aileen P. Roberts, and full of books, so I read her novella Fairy Fire while there, which was set in Skye and surprising and perfect.
The sun rises over Dun Hallin:
And sets at Trumpan Point:
We’ll be back over the sea to Skye again one day!
Newsletter
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My Books
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
It always feels a little spooky at this time of year. The shops are full of monsters and items that have been ‘Halloweenified.’ The clocks go back an hour here in the UK, making the nights instantly much darker. I feel a little monstrous again, but I’m boring myself with that, so I won’t detail it here.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
Less Spooky, More Serendipitous
The Wee Writing Lassie asked me this question on her blog last week (about TENDU): Amalphia’s story takes place in the beautiful and cutthroat world of professional ballet – what inspired the decision to set her story in that particular backdrop?
My answer:When I was first considering writing a contemporary romance, I was unsure exactly where to place it. Inspiration struck while I was lying in the bath contemplating the issue. I saw a line of dancers in my mind. They were at the barre performing ronde de jambe, a circular leg exercise, and I knew the ballet world would be the setting for the story. My own dance training and career provided many of the details, and everything grew from there.
The serendipity: the picture above is almost identical to the image that appeared in my mind thirteen years ago. It arrived in my house, totally unexpectedly, in beautiful wall-mounted form, the day before TENDU released. Some lovely people, who I don’t even know that well, thought I might like it. I can see it from my desk now. And it’s a wonderful reminder that, even though bad or spooky things happen in this world, magic happens too.
The Books of this Post
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
“I fell in love with the book from the first page, and the love affair continued to the end.” Review from Lena on Goodreads.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
I walked across the stubbly field to Inverallochy Castle at the weekend. It’s one of the nine castles of the knuckle, a term coined by historian William Douglas Simpson. It refers to nine ancient castles built along the rocky (knuckle-like) coast of Buchan in NE Scotland. I’ve been to most of them, so here we go!
Close-up of Inverallochy, a Comyn family castle, dating from 1504:
Apparently there used to be a stone above the door stating that the land around the castle “was obtained by Jordan Comyn for building the abbey of Deer.” Deer Abbey and its older site are some miles away – I wrote about the Abbey here – so that’s a little odd. Maybe ancient plans changed, or the inscription was incorrect. The stone disappeared in the 18th century.
Medieval re enactor and ‘Man at Arms’ Andrew Spratt made this GIF showing how the castle used to look:
We’re going to head north from Inverallochy. There were two knuckle castles south of here – Lonmay and Rattray – but they have crumbled away to nothing. I have written about the ancient chapel at Rattray, and its pirate steps, here.
Cairnbulg Castle
Next up the coast is Cairnbulg Castle, one of the oldest buildings in Aberdeenshire still to be inhabited by the family that built it. It’s home to Lady Saltoun, Chief of the name and arms of Fraser.
The Wine Tower
Not actually a castle, but one of the nine anyway, the Wine Tower in Fraserburgh is a post-reformation Catholic chapel. See my post here
On we go to Pittulie Castle, thought to date from 1596, the year that my novel The Mermaid and the Bear begins, so I have an extra fondness for this castle. In the 18th century the owner was friends with the lovely Lord Pitsligo who lived next door.
Pitsligo Castle
This castle started out as a keep (the high part on the right above) in 1424 but expanded greatly over the centuries. See my post on it here.
Dundarg Castle
Sadly, I have no photos of the last of the nine castles of the knuckle, Dundarg, as it’s on private land right by a house. It sits on a promontory within the ramparts of an Iron Age fort. It’s referenced from the 10th century, though only the gatehouse remains today.
The Mermaid and the Bear
Lost in ancient woodlands and caught up in whispers of witchcraft, Isobell must navigate danger to reclaim her life. Can she find her happily ever after?
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
The two-tonne dragon head in Castle Fraser’s secret garden
In between dark and romantic writing sessions, I’ve been taking little breaks of fairy-tale fun, in memory, and in the garden which is just entering its pink phase.
The dragon pictured at the top of this post is located in Castle Fraser’s secret garden, which also contains this rather lovely little castle:
And a hobbit-style door…
Castle Fraser itself:
Castle Fraser
Then, of course, there’s the playful garden at Brodie Castle.
Brodie Castle
It features a huge white rabbit. I used lots of pictures of this garden for the cover reveal of THE MERMAID AND THE BEAR, here in this Alice in Wonderland themed post, almost four years ago now. There’s unicorns to be found there too.
But it’s time for me to head back down to my own darker fairy tale again. I pass the knight in the medieval hall at Drum Castle as I leave bright places behind.
Down the secret stairway I go…
The candles snuff out as I enter the dungeon. Yes, it’s the same one that features in Mermaid. It’s still there in the modern day, in my contemporary work.
So, I type away at my desk, lost in the dramatic events of the story once more.
Meanwhile, back out in the garden, where lighter fairy-tale fun still exists, Frogbert waits patiently to be kissed.
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SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story. There’s 6 chapters of medieval Christmas too.
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… and there’s chocolate!
I write Scottish fiction (quick link to Amazon), often set in Aberdeenshire, the area of Scotland where I live. My historical novels combine little-known dark events with love stories. There are witches, bears and Romans to be found in them, detailed here. I have two contemporary series, the spicy, spicy Dancer’s Journey and the coming-of-age Castle Dancers.
I take a LOT of photos as is evidenced throughout the site.
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome new teacher, she has no idea of the danger that lurks in his school in Scotland…
“POV: You thought it was just another ballet book… then it emotionally body-slammed you in pointe shoes. Slow burn, enemies to lovers, fate, and a Scottish setting that delivered.”See this TikTok review here
Castle Dancers (completed series)
The night before Ariel, a sixteen-year-old girl with a deformed hand, starts at the most prestigious dance school in Scotland, her mother tries to kill her…
“Knowing how beautiful each of Ailish Sinclair’s novels are, I tucked into Ariel giddily. Boy, did she deliver! I read this book with indulgent haste. Returning to the setting of previous novels, it was comforting to read this book. The way Sinclair writes makes it feel like the main character is speaking directly to the reader, making Ariel feel like a friend.”Goodreads review
Sisters at the Edge of the World
From the misty hills of ancient Scotland emerges a tale of love, betrayal, and the fight for freedom. Join Morragh in SISTERS AT THE EDGE OF THE WORLD for an unforgettable journey.
Set in the 1st century, the story includes the battle of Mons Graupius between the Romans and the Caledonian tribes. There’s a neurodivergent main character and some rather complicated romance!
Isobell needs to escape. She has to. Her life depends on it.
Set in a fictional castle in Aberdeenshire, Ailish’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Torn out of an isolated life in a Scottish castle, Elizabeth embarks on a determined quest to return home. Exhilarating adventures unfold on the high seas, love blossoms, and the chocolate, purchased in Benjamin Franklin’s printing shop, is delicious!
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies.
The term ‘blue mind’ describes the mild meditative state that we enter when in or close to natural bodies of water. It was coined by marine biologist Dr. Wallace J. Nichols. He wrote a book on the subject and did a Ted Talk too:
So ‘blue mind’ in mind, and encouraged by my wee trip to Rosehearty Harbour, I ventured out again. Travelling slightly further this time, I arrived at New Aberdour beach where everything was blue, blue, blue…
Blue Mind to Pink Rocks
Feet bare, I sat on the pink rocks and stared out to sea.
I saw stones and pools and pink, lots of pink everywhere.
I am just looking at the soft shapes of land, and the hard shapes of rock, as they drop away into the sea. No in-between places up on top here. No beach, no marsh. Here the space between life and death is painted clear. You could be walking on grass one moment and dead on the rocks the next. This is a place of instant transition from one state to another.
There’s more ‘blue mind’ photos in the older post Going Coastal.
Set in 1st century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a story of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. It features a neurodivergent main character, the battle of Mons Graupius between the Romans and the Caledonian tribes, and some rather complicated romance!
Go here to sign up for my occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would like to hear about new books and offers, you can follow my Amazon author page.
