“The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.”
The Performance: sometimes going home for Christmas is just one huge performance…
When Ariel returns home from dance college, her mother expects her to perform the Dance of the Sugar Plum Fairy in a pink, sequined tutu in front of many, many party guests. Ariel adjusts the costume and choreography to expose dark truths about her life, but, as it turns out, this is not the biggest performance of the night…
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The sun is low as we approach the end of the year; the loch, serene. The ghostberries, also known as snowberries or waxberries, are out in the woods like little lights in the dark.
Skies are dramatic at the beach but, again, somehow serene.
And that’s what I wish for us all in December and on into 2025. Serenity. Peace. Joy. The good things. And lots of them.
“Elizabeth has a lilting Scottish accent, so rich and natural I can hear it easily in my head. She speaks to us directly, and she’s a charming storyteller, though she goes through some troubled times... Dark days and nights lie ahead for Elizabeth, but there is light in the darkness: her own strong spirit, and good people around her (along with some thoroughly despicable characters, sadly quite believable).“
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his new school in Scotland.
She’s soon dealing with her boyfriend’s beautiful and obsessive ex, the sinister research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the deep dark of the dungeon…
Dark, witty, sexy and fun, Tendu is a seductive story of love, dance and obsession. Get your copy today.
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That’s how I feel today. Calm. Steadfast. A little like a tree.
I’m back in the place where I’m happy. Writing. Of course, writing.
Steadfast Writing Update
A Dancer’s Journey is basically complete. The third and final title comes out next week, and I’m now working on the connected series. These are gentler books, shorter books, so they can be cheaper books, and they feel peaceful somehow. Easier. There’s no dramatic violence or explicit naughtiness, though the characters are dealing with dark issues from their pasts. I’ll still be adding a wee content warning on them, vague again so as not to cause harm to those who shouldn’t even read certain words.
And then, once that series is out – my autoimmune body will have its say on the timing of that – I can write something new.
There’s another witchy historical beckoning, but I also love writing contemporary. So both may have to happen…
A Witchy Historical
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
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In TENDU (out now) some rather strange dance research takes place in the dungeon studio of the castle. Much has changed in the story that I first conceived thirteen years ago, but that part has stayed more or less the same.
Childhood Memories
My late father was a research scientist, and I grew up hearing about how scientific studies can be heavily influenced by those that finance them and how they can be geared to lead to desired results. They can sometimes be unscientific. And unethical. It was all very interesting, and it stuck with me.
I should note that Amalphia’s parents are not based on my parents. Lynn and James Treadwell (very minor characters) are an example of the narcissist/enabler dysfunction as described in the book Toxic Parents.
I do four grand pliés in fourth and fifth position every morning while I wait for the kettle to boil for tea. It feels like a strong way to start the day. I find it calming and grounding. And I need that just now, with a book release so close. For several years, due to illness, my legs were too weak to manage this exercise, so it’s joyous as well as beneficial.
The benefits of dance for conditions such as dementia and Parkinson’s disease are becoming quite well known, of course, and it’s dancers’ brains that get studied in my books. They have been studied quite a bit in the real world too. Examples below:
The fictional research I created is a bit different from these very serious studies. It had to have some instant and dramatic effects to be interesting as part of a novel. Different characters will believe different things about those effects over the series, and I hope it’s entertaining to read!
About the books
My dance background and love of history and spicy stories are what inspired this heady mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
A Dancer’s Journey is available in paperback and Kindle and on Kindle Unlimited.
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Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
It’s all golden and blue and warm and lovely here just now. There are different feelings in the air; sometimes it seems to be autumn with blustering winds and grey skies, but then it’s hot, hot summer again. The fields are cut, and ploughing has begun.
My writing schedule is quite extreme; all will be ready for October 20th. It feels golden, as I love working on all and any aspects of these books, and a little blue as I realise I’m almost at the end.
So, I run up and down the castle stairs with my characters. I dance with them in the deep dungeon studio, the stone circle and the great hall. I eat cake in Covent Garden and enjoy an unexpected kiss on the tube. Then there’s the bad things, the dark places and the relationship woes. I cry my way through those; you know I do. But I have my chocolate buttons and my tissues, and I’ll be okay…
Tendu: Dancing in the Castle
Explore the dark and sensual world of TENDU, where love, dance and obsession intertwine.
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The loch continues to inspire awe with its reflected beauty. But the writing cave has me now. I don’t want to leave it. I want to write and write and write. Even when my brain is too tired to do it well anymore, that’s where I want to be.
It’s all the fault of TENDU. This intense and obsessive behavior always happens when I’m working on it. But I’m nearly there now. I’m on the last pages of the final edit. It’ll be off to the proofreader soon. And then I’ll be diving into the second book in the series, CABRIOLE. I suspect it’s going to have the same effect. I can already feel the emotional pull of the first chapters.
Remnants of Autumn
There are still some wonderful autumn colours around, in places that are sheltered from the frost. I stare at their brilliance before rushing back home. To the cave. That last sex scene is not going to rewrite itself… These are somewhat naughtier books than my others.
I intend getting all three titles ready and rapid releasing them next year, a month apart. So, the schedule of the writing cave is all set for winter.
I’m over on Mastodon here. So far, it seems quite nice. Rather like Twitter was years ago with people sharing interesting things and chatting. No algorithm. Less drama.
A Deer
There was a deer in the frosty field this morning. It’s to the far left of the picture and is small and blurred. You might be able to see it if you click to enlarge.
SISTERS AT THE EDGE OF THE WORLD
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land.
What she does next constitutes a huge betrayal of her people, threatening her closest relationships and even her way of life itself.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD is a story of chosen sisters, fierce warriors, divided loyalties and love.
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