Stories and photos from Scotland
Just that. Nothing else. All that’s needed 🙂
The snowdrops have arrived, and with them the knowledge that spring is on the horizon.
They can be found nestling by old trees.
Small clumps of beauty abound in the garden. There are carpets of them in the woods, but I don’t have a recent picture. I will endeavour to take one before their short season is done.
I love the blue-grey of their stems and their perfect white blooms. Snowdrops rule the land at the moment, being the only flower, the only brightness, on the ground.
Cabriole received a beautiful review from Molly on Amazon and Goodreads. She does warn of spoilers at the start, so I’ll just quote a couple of her more general comments here:
I couldn’t put this book down. It was so good I didn’t even stop reading while brushing my teeth… I laughed out loud many times! I cackled twice. I cursed at characters in my head a few times. It’s truly one of the best books I’ve ever read and made me feel SO MANY FEELINGS.
Read the series that’s been shocking people! It’s available in paperback, kindle and on kindle unlimited.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
See the Page here
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I have strained eyes. I’ve been writing, writing, writing. Or actually, editing, editing, editing. A Dancer’s Journey is progressing. It feels slow, but these books are long, long, long. And emotional. And diabolical and barbarous and sexy and witty and fun. Working on them is actually immense fun. I will miss it when they’re done.
And they will be soon. They are coming, I promise 🙂 Edit: Amazon!
I’m on there. Just. Here I am. It will be part of the fediverse, like Mastodon (there too, sometimes).
I’m closing my strained eyes and putting my feet in the pool in my, very slanting, summer garden.
These novels feature little-known dark events, romance and a hint of magic.
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Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!
So, am I the only one?
Tell me I’m not.
I can’t be.
Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?
But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.
So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.
Floods.
Breathlessness.
I’m welling up just looking at the line now, overcome by all that it references.
This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.
The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.
It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂
But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.
On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.
Paperbacks and kindle: Amazon UK or Amazon Worldwide
“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick
About page updated
Rosehearty harbour, pretty with pink thrift growing in the foreground.
So, I’m out.
In the car.
Whizzing through the countryside.
Seeing things that are not my garden, not my house: ripening crops, winding roads, people, tractors, dogs…
I’ve moved on from the small blue ball I was before. In my excitement to be out, I overestimate the level of moving on that has occurred. Going into a shop turns out to be a mistake that leads to pain and shaking and a slow hobbling retreat.
But sitting by Rosehearty harbour, on a bench, in the sun, is perfect.
It’s progress, and it’s good.
Read more about the harbour at Rosehearty, one of the oldest seaports in Scotland, here.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
“Ethereal and spellbinding….” Historical Novel Society
See the press release here
Read the article Roman Aberdeenshire features in author’s new book from Grampian Online.
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
See the press release here
From the Press and Journal: New book by Fraserburgh author highlights horrific extent of witch trials in Scotland
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
See the publisher’s Press Release here
“Filled with excitement and suspense…” Historical Novel Society
See my About Page here
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[kofi}
Summer in Scotland can be cold. Sometimes it’s hot. But, whatever the weather, bluebells always herald the start of the season (photos and post from May 2021). And just look at them!
Vibrant patches of purple abound in the forest. The scent is rich and heady, luxurious even.
It calls to mind the fairy folklore of bluebell woods, but I am not spirited off to fairyland, not this time.
It gets quite floral in the garden too. Cherry blossom falls like pink snow and gathers everywhere creating a carpet of petals.
I walk the pink carpet to the pink bench.
Then I run into the bluebell woods to wait for the fairies.
Terry Tyler has written a wonderful review of FIREFLIES AND CHOCOLATE: “A ghastly accident of circumstance leads to her being imprisoned on an Aberdeen slave ship, taking children and young people to the tobacco plantations of North America. A round of applause to Ms Sinclair for using fiction to highlight little-known history – I knew nothing about this.“
See the whole review here on Rosie Amber’s blog.
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the 1597 Aberdeen witchcraft panic and a love story.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.
Paperbacks and kindle: Amazon UK or Amazon Worldwide
“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick
See more photos from summer in Scotland in the post about pain, small blue ball.
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