The coffin bridge is a striking sight as you walk or drive over the modern road bridge in the Highland village of Carrbridge. The old packhorse bridge was built in 1717 for the price of £100 to allow funeral processions to cross the River Dulnain.
The bridge has suffered much damage from weather and high waters over the years. It used to have both sides and parapets. Image from the informational sign on site:
It’s a beautiful piece of architecture, about 2 metres wide between the old sides.
The river beyond:
I hope the coffin bridge doesn’t crumble away too soon…
Sisters at the Edge of the World
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land…
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
The Map of Accused Scottish Witches is a wonderful resource from the University of Edinburgh, utilising the extensive data collected in their Survey of Scottish Witchcraft Database. See it here.
It’s a clickable map of over 3000 people accused of witchcraft in Scotland. It’s both fascinating and terrible as this subject always is. My three quines from THE MERMAID AND THE BEAR are included (see Isobell’s entry above) as are a disturbing Witch Pricker’s Journey and various other stories. You can choose to view a modern map or a historical one, the latter suiting it better, I think.
The map and database were extremely useful to me when researching and writing about this subject.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
The Beauty of Autumn
After peering into the dark, I need to look at beauty, so here’s some golden autumnal goodness:
And the path up to St Drostan’s well, shining in the golden sunlight:
Newsletter
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Contemporary Fiction
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this heady mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more. Read all the blurbs here
Historical Fiction
These novels combine little-known dark events with love stories and a hint of magic.
I wandered through the woods to the 18th century Duff House Mausoleum.
It’s about a mile away from majestic Duff House, which is now an art gallery, and about two miles from the Bridge of Alvah. When I was a child, the house was in quite a rough state. Furniture was covered in sheets, paint was peeling off the walls, and spooky music floated up from the lower levels.
I loved it.
I still do.
Duff House
The Mausoleum
Round the back…
The effigy of a knight is not Robert the Bruce as once purported by the Earl who built the mausoleum. The skulls, crossbones and wheat are quite common on older graves in Aberdeenshire.
Below: the interior of the mausoleum.
The River Deveron
During autumn in Scotland the days seem to be either golden or grey, sunny or dreich. It didn’t get properly light at all on this day, but autumn added its gold regardless.
Dickensian Dog Graves
I came upon an old dog grave in the lower parts of Wrack Wood. The dogs had lovely Dickensian sounding names.
Grey and golden, the colours of the day:
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
I do seem to have a habit of running up and down the medieval cobbles, or ‘cassies’, of Aberdeen in the name of research.
Correction Wynd
Here I am again, travelling down Correction Wynd, site of the 17th century House of Correction. But it’s not the old poorhouse/jail that I’m investigating. Not today anyway…
I pass St Nicholas Kirk, where people accused of witchcraft were held in the 16th century.
Researching and writing those times have led me to another.
Over the cobbles I go, glancing up at the modern city above.
Over the Cobbles to the Green
Through the beam of light and into the, also rather modern seeming, Green.
The kidnapped children of Aberdeen were held here in the 1740s. In a barn.
Passers by sometimes heard music coming from the place as the kidnappers tried to keep the children entertained.
These events inspired my novel Fireflies and Chocolate, and the Green is specifically mentioned:
“Another barn,” notes Peter, when we are ushered into a large ramshackle wooden building. Again we find a space to sit together, among the others. Again, we are on the floor, this time an earthen one. No chairs are provided for the likes of us anywhere now it seems. “I was kept in a barn in Aberdeen,” he tells me. “Down at the Green.”
I ken the Green. I used to think it was a nice place to walk through, a space between buildings, like a city version of a forest glade.
The Tolbooth
The children were also kept in the Tolbooth at times. There are tales of desperate parents trying to break down the door to get to them. Peter Williamson, who appears in the above quote, would be held there again in later life as punishment for his book, in which he accused the town magistrates of involvement in the kidnappings. You can read a large print version in the Tolbooth museum today beside a life size cut out of Peter!
He’s not the main character in Fireflies and Chocolate, though. That’s Elizabeth Manteith, who is entirely fictional. But I love her. In their press release about the book the publisher describes her like this:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
Those dark cobbles of Aberdeen do take me places!
The Book
Torn out of her isolated life in a Scottish castle, Elizabeth embarks on a determined quest to return home. Exhilarating adventures unfold on the high seas, love blossoms, and the chocolate, purchased in Ben Franklin’s printing shop, is delicious!
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies.
My daughter and I took a little trip to London, baby! (originally posted 2014). It was a heady mix of excitement, fun, sore feet, poignant memories, ballet and food. This post is a veritable photo bomb, so continue reading only if you possess extreme picture viewing fortitude.
Covent Garden in London, baby!
Above is the bridge that joins the Royal Ballet School to the Opera House. Below is bronze of a little dancer opposite the Opera House.
We stayed in Covent Garden. We saw Bill Nighy in the street in Covent Garden. He frowned at us. We like Covent Garden.
Neal’s Yard
The Tube
The Moomin Shop
Quirky Streets
Brydges Place is the narrowest alleyway in London, measuring just 15 inches across where it comes out beside The Coliseum theatre.
This one had fun shops:
Self-indulgent memory alert
The Freed shop was one of the last places I visited before leaving London many years ago. It was to buy a pair of shoes to teach in rather than to dance in, after my body had crumbled… A much happier, sunnier day is shown below, for us if not the staff; there was an angry man in there trying to buy many pairs of shoes in sizes they didn’t have. It was all very dramatic.
Ballet Shoes
Trafalgar Square
I don’t get the blue cock (that is what it’s called) in Trafalgar Square. I’ve read the various excuses explanations for it and they don’t make sense. It’s like a blue joke in an otherwise dignified play… but it is photogenic, so my dislike is not total:
But I prefer the mermaids:
Theatre
We saw the Kings of the Dance at The Coliseum. They were phenomenal, but of course, no photos, other than this pre-show one:
The bar sold chocolate. Just thought I would mention because that impressed me. Right, high heeled boots are abandoned in favour of Bloch dance trainers (an emergency purchase) and on we go.
Shakespeare in Leicester Square. Prime London, Baby!
M&M store
Piccadilly Circus
Chinatown
Year of the Horse
The Rudest Restaurant in London (and one of the best and cheapest)
Wong Kei, formerly the ‘rudest restaurant in London’ (still quite curt and bossy to be honest), and a haunt of my youth due to the excellent and cheap food:
The jasmine tea is free and unlimited, just leave the lid of your pot open and it will be replaced.
British Museum
This iron age helmet was found in the River Thames beside Waterloo Bridge. I want one.
Naked statues in Soho Square
And finally (I promise)…
The London Eye
My camera really doesn’t do night.
Well done. One and all.
Series: A Dancer’s Journey
My dance background and love of history and spicy stories are what inspired this heady mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
A Dancer’s Journey is available in paperback, Kindle and on Kindle Unlimited.
Enjoy a kiss on the London tube in TENDU. Romp up and down the castle stairs! Dance in a stone circle. Attend a Ceilidh in the great hall. Have your brain studied in the dungeon. All fun, I assure you. Well, not quite all…
Go here to sign up for occasional emails that always include some exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
It incorporates the 1597 Aberdeen witchcraft panic.
There’s a stone circle.
There’s 16th century Christmas.
And there’s a love story.
Cover:
A witchy debut novel: THE MERMAID AND THE BEAR
Blurb:
Isobell needs to escape. She has to. Her life depends on it.
She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.
She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.
Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…
Until the past catches up with her.
Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.
Review from Tonya Ulynn Brown: Yes, it is written in one of my favorite time periods, and yes it takes place in one of my favorite places in all the world, but when you combine that with the almost poetic style of Sinclair’s writing—sigh!
Review on Terry Tyler Book Reviews: Suddenly I realised that I’d gone from thinking ‘yes, this is a pleasant enough, easy-read’ to ‘I’m loving this’.
This is an excellent piece from @NeilDrysdale in which I cite the case of Bessie Thom, a real woman who features in THE MERMAID AND THE BEAR: Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.
Aesthetic
I made a wee aesthetic for the book, because: oh the fun!
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
This ‘writing a monster’ post was originally posted in 2020. I’m doing much better now, though still writing and researching those historical monsters!
Being a Monster
I don’t need a Halloween costume this year (2020). I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia, so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
I’m also pale. Pale like a ghost.
Writing a Monster
However, being a monster on the outside, in appearance, is nothing to being truly monstrous. While researching witch-hunting in preparation for writing THE MERMAID AND THE BEAR, I wanted to find a real monster, a person so enthused for the brutal activity that they could become a focal point for that dark energy in the story. History did not give him up easily. There was no obvious individual in the court documents or confessions. But I hunted him down and finally cornered the rogue in the financial accounts of Aberdeen.
In September 1597 William Dunn, Dean of Guild, was awarded, £47 3s 4d (the equivalent of £6000 in today’s money) for taking ‘extraordinary pains in the burning of a great number of witches’. It was unusual for someone to be given a large lump sum like this. With the exception of some witch prickers and those who sought to escheat their rich relatives, money was not commonly a motivating factor in the witch trials. William Dunn’s job was being in charge of the public money of the town, so he basically gave the cash to himself. I found you, Sir, and I made you smell of rotten fish! If you read the historical notes section of the book, you’ll see that I’ve also cast him as a metaphorical, though very real, devil.
Bandage action!
So now I’m editing FIREFLIES AND CHOCOLATE and, 150 years later, there is brief mention of the Dean of Guild again. It does seem to be a role associated with making money from the suffering of others, at least, historically, in Aberdeen. And, again, I am writing a monster.
Mermaid Review
There’s a review I forgot to mention earlier, being rather distracted by the task of becoming a monster. It’s from Undiscovered Scotland: “The Mermaid and the Bear is a delight from end to end. There is a superb level of description in the book, that transports the reader back to the sights, sounds and smells of 16th Century life in a Scottish castle.” See the whole review here.
A spooky wee quote for this spooky old season:
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, my latest book, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
Kelly’s Cats adorn Union Bridge in Aberdeen. Commissioned by architect William Kelly, and designed by artist Sidney Boyes, they were added to the bridge in 1910. They’re leopards, taken from the Aberdeen Coat of Arms. Two leopards are said to have been gifted to the city by James I to thank them for helping him when he was captured by the English.
Below is the Coat of Arms displayed in Duthie Park. Missing, possibly obscured by foliage, are the words, and city motto, Bon Accord, meaning good agreement. This was a secret password used by soldiers of Robert the Bruce when they retook Aberdeen Castle (long gone now) from, again, the English.
An older photo of Kelly’s Cats, taken before the golden safety railings were in place:
Leopards are also represented in the nearby Union Terrace Gardens.
As are unicorns, Scotland’s national animal (yes, really).
Globe thistles, His Majesty’s Theatre in background:
Anemones:
Larger view of the gardens, where wild flowers now abound. Bon Accord!
Sisters at the Edge of the World
From the misty hills of ancient Scotland emerges a tale of love, betrayal, and the fight for freedom.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Provost Skene’s House nestles between the new buildings and giant plant pots of Aberdeen. This post details a visit from 2023.
It’s been a long time since I’ve visited the 16th century townhouse. In fact, it’s been a very long time since I’ve been in the city centre. In recent years trips to Aberdeen have been illness or hospital related.
There have been a few changes.
Marischal College
The fountains in front of Marischal College are new:
My father worked in the building when I was a child, and there were regular family trips to the Anthropological Museum there. This was later called the Marischal Museum, and it’s no longer open to the public. You can, however, browse online exhibitions.
Provost Skene’s House
Provost Skene’s House door
History
Dating from 1545, the house has been lived in by a variety of people over the centuries. Provost Skene owned it in the 17th century, and Hanoverian troops used it during the Jacobite rebellion of 1745. The Duke of Cumberland stayed there on his way to Culloden. It’s been a museum since 1953. See a more thorough history of the house here.
Museum
The museum used to be set up with rooms furnished in different eras: Edwardian bedrooms and Victorian sitting rooms, that sort of thing. It now houses an exhibition of noteworthy people from Aberdeen, and many of the displays are digitised. I rather miss the harpsichords and harps of the previous arrangement.
The Glass Floor
The glass floor in the cellar is still there, and I’m glad about that. The room was previously a coffee shop, and walking over the floor was a highlight for me as a child. I may not have been frightened when locked in a witch’s hoosie, but this floor scared me in an exhilarating sort of way.
I put the scary floor into the castle of my books. The quote below is from Fouetté, the third and final title of A Dancer’s Journey, and it describes how the glass used to look in Provost Skene’s House.
Eerie green light still shone up from below the glass, showcasing the museum pieces in the floor: barrels, bottles, various metal implements, a cauldron. The glass had been replaced, of course, and part of it given proper hinges, not like back then when…
I had to cut the quote short there, because: spoilers. The floor is no longer lit up.
The Painted Gallery
The highlight of the house for me now is the Painted Gallery. It has not changed, apart from the removal of the Mouseman benches.
The ceiling depicts the life of Christ. Below is the Entombment, with a kilted gentleman standing to the right.
Something else that has not changed is the smell of Provost Skene’s House. It’s quite strong and distinctive. I think it might be caused by the use of some sort of speciality wood preserver or furniture polish.
I walk across the flagstone floor of Provost Skene’s.
And then stroll between the old and the new.
I prefer the old.
The Angry Man
Let’s finish with an angry man. He was originally situated on the wall of a 19th century bakery in the city. It was shut down due to its close proximity to a sewer; the baker blamed his neighbours for the closure, and pointed his angry face at them. He now glares at everyone as they walk past Provost Skene’s House.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Go here to sign up for my occasional emails that always include some exclusive photos and news of my writing and life. If you would rather just hear about new books and offers, you can follow my Amazon author page.
I stopped to take a photo of Fedderate Castle near New Deer on my little road to winter journey. It dates from 1474, but there’s not much left of it today. The castle is a protected monument now, but before it gained that status, there was an attempt to blow it up as it was seen “as an impediment to agriculture.” It stands tall, a beautiful and distinctive shape in the landscape. The over-wintering crop around it is only slightly impeded, I think.
Medieval re-enactor Andrew Spratt took an older image of mine and created this rather wonderful GIF of the castle through the ages and the seasons:
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and special offers, you can follow my Amazon author page.
