Kelly’s Cats adorn Union Bridge in Aberdeen. Commissioned by architect William Kelly, and designed by artist Sidney Boyes, they were added to the bridge in 1910. They’re leopards, taken from the Aberdeen Coat of Arms. Two leopards are said to have been gifted to the city by James I to thank them for helping him when he was captured by the English.
Below is the Coat of Arms displayed in Duthie Park. Missing, possibly obscured by foliage, are the words, and city motto, Bon Accord, meaning good agreement. This was a secret password used by soldiers of Robert the Bruce when they retook Aberdeen Castle (long gone now) from, again, the English.
An older photo of Kelly’s Cats, taken before the golden safety railings were in place:
Leopards are also represented in the nearby Union Terrace Gardens.
As are unicorns, Scotland’s national animal (yes, really).
Globe thistles, His Majesty’s Theatre in background:
Anemones:
Larger view of the gardens, where wild flowers now abound. Bon Accord!
Sisters at the Edge of the World
From the misty hills of ancient Scotland emerges a tale of love, betrayal, and the fight for freedom.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Provost Skene’s House nestles between the new buildings and giant plant pots of Aberdeen. This post details a visit from 2023.
It’s been a long time since I’ve visited the 16th century townhouse. In fact, it’s been a very long time since I’ve been in the city centre. In recent years trips to Aberdeen have been illness or hospital related.
There have been a few changes.
Marischal College
The fountains in front of Marischal College are new:
My father worked in the building when I was a child, and there were regular family trips to the Anthropological Museum there. This was later called the Marischal Museum, and it’s no longer open to the public. You can, however, browse online exhibitions.
Provost Skene’s House
Provost Skene’s House door
History
Dating from 1545, the house has been lived in by a variety of people over the centuries. Provost Skene owned it in the 17th century, and Hanoverian troops used it during the Jacobite rebellion of 1745. The Duke of Cumberland stayed there on his way to Culloden. It’s been a museum since 1953. See a more thorough history of the house here.
Museum
The museum used to be set up with rooms furnished in different eras: Edwardian bedrooms and Victorian sitting rooms, that sort of thing. It now houses an exhibition of noteworthy people from Aberdeen, and many of the displays are digitised. I rather miss the harpsichords and harps of the previous arrangement.
The Glass Floor
The glass floor in the cellar is still there, and I’m glad about that. The room was previously a coffee shop, and walking over the floor was a highlight for me as a child. I may not have been frightened when locked in a witch’s hoosie, but this floor scared me in an exhilarating sort of way.
I put the scary floor into the castle of my books. The quote below is from Fouetté, the third and final title of A Dancer’s Journey, and it describes how the glass used to look in Provost Skene’s House.
Eerie green light still shone up from below the glass, showcasing the museum pieces in the floor: barrels, bottles, various metal implements, a cauldron. The glass had been replaced, of course, and part of it given proper hinges, not like back then when…
I had to cut the quote short there, because: spoilers. The floor is no longer lit up.
The Painted Gallery
The highlight of the house for me now is the Painted Gallery. It has not changed, apart from the removal of the Mouseman benches.
The ceiling depicts the life of Christ. Below is the Entombment, with a kilted gentleman standing to the right.
Something else that has not changed is the smell of Provost Skene’s House. It’s quite strong and distinctive. I think it might be caused by the use of some sort of speciality wood preserver or furniture polish.
I walk across the flagstone floor of Provost Skene’s.
And then stroll between the old and the new.
I prefer the old.
The Angry Man
Let’s finish with an angry man. He was originally situated on the wall of a 19th century bakery in the city. It was shut down due to its close proximity to a sewer; the baker blamed his neighbours for the closure, and pointed his angry face at them. He now glares at everyone as they walk past Provost Skene’s House.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Go here to sign up for my occasional emails that always include some exclusive photos and news of my writing and life. If you would rather just hear about new books and offers, you can follow my Amazon author page.
Near the village of Pennan, Cullykhan is a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach lies an impressive promontory.
It’s been home to an Iron Age fort, now vitrified, and a medieval castle. Excavations have uncovered Neolithic and Roman finds (read more about these on the Canmore site).
From the promontory, you can see the Deil’s Lum (meaning devil’s chimney). This cave shoots sea spray with a roar during stormy weather.
It’s a place – promontory, bay and caves – that I write about quite a lot.
In THE MERMAID AND THE BEAR, Isobell, Jasper and Ian have to cross the inside of the Deil’s Lum before following a tunnel to the castle. The tunnel is fictional, and so is my description of the interior of the cave, or rather it’s stolen from just around the corner.
As is my way, in the name of research, I have explored every tunnel and cave that is remotely accessible by land at Cullykhan.
This one leads to a dark and seagull-filled space… and it’s this space that I made the characters traverse, after slipping and sliding across it myself, of course.
Isobell, at least, did not enjoy the experience:
The truth was that caves and tunnels were more fun when told of beside a fireside, in dry clothes with a full belly. The reality of them – the cold, the wet, the dripping and the echoing, and the smell of decay – was only startling. The roof looked as if a huge ogre had wielded a knife inside the cliffs, cutting and carving to his heart’s content, but the idea contained no mirth, nor even any interest. And what lay ahead in this new life of ours?
Excerpt from THE MERMAID AND THE BEAR
Climbing to the Cave
Staring at the entrance of the Deil’s Lum from across the divide wasn’t enough for me, so one day I slid down the hill and climbed up into it. This is foolhardy behaviour, and not recommended, but I made a short video so you can see the cave without risking your own life and limb.
Writing Cullykhan
Cullykhan features heavily in the 1st century story of SISTERS AT THE EDGE OF THE WORLD. I loved writing about this beautiful place, capturing the essence of it in words. I took its great magnificence, and its beauty, and swirled them around, adding terrible, strange and unexpected events into the mix.
Set in 1st century Scotland, and featuring the cliffs and caves of Cullykhan Bay, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book has a neurodivergent main character and some rather complicated romance…
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I stopped to take a photo of Fedderate Castle near New Deer on my little road to winter journey. It dates from 1474, but there’s not much left of it today. The castle is a protected monument now, but before it gained that status, there was an attempt to blow it up as it was seen “as an impediment to agriculture.” It stands tall, a beautiful and distinctive shape in the landscape. The over-wintering crop around it is only slightly impeded, I think.
Medieval re-enactor Andrew Spratt took an older image of mine and created this rather wonderful GIF of the castle through the ages and the seasons:
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
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I’ve visited Pitfour Estate many times over the years. It’s a great place to walk, though less well known than the nearby Aden Park. I have photos from various years and various seasons. That’s summer above. Remember summer?
History of Pitfour Estate
The estate was purchased in 1700 by James Ferguson of Badifurrow, who became the first Laird of Pitfour. He and his descendants developed the land, building various bridges and follies. The observatory in Drinnie’s Wood used to be part of the estate too, having been built to watch horse racing on the nearby race track (now a forest).
The Temple of Theseus
One of the follies was a bathhouse built to look like a Temple of Theseus, seen from across the lake below.
The fifth Laird, an extravagant man who liked his luxuries, is said to have kept pet alligators in it. The interior:
Looking out over the lake from behind the pillars of the temple, on another summer’s day:
Pitfour in the Mist
The lake is used by a local fishing club today. You often see jumping fish.
I have a great many pictures, so I intend to share some more of them in my next newsletter: swans, another folly and some more mist. Hopefully that’ll go out in the next few days, if my current writing project releases me for long enough to do it! Go here to sign up for the newsletter.
Mermaid and Fireflies Reviews
Mallee Stanley shared reviews of THE MERMAID AND THE BEAR and FIREFLIES AND CHOCOLATE on her Read and Write blog recently. “”What makes both these books fascinating reads, is that they are based on dark historical events relating to Aberdeen.” See the whole review here.
A couple of miles from the town of Forres in Moray is a mound known as Macbeth’s Hillock. Local folklore tells us that this is where Macbeth met with the three witches from the play.
‘By the pricking of my thumbs, Something wicked this way comes.’ So pronounces the second witch in Macbeth, Act 4, scene 1.
The Three Witches
The theme of the three witches is echoed in more folklore from the surrounding area. There are two stones in Forres that are both associated with them.
The Sueno’s Stone
In its glass case
This is a 9th-10th century Picto-Scottish stone depicting an ancient battle (I like to think it’s Mons Graupius as featured in SISTERS AT THE EDGE OF THE WORLD, but this is very unlikely given how long ago that battle took place). The stone is 6.5 metres tall and also lays claim, in local legend, to be situated where Macbeth met the witches. They are said to have been captured inside the stone, and should it ever be broken, they will be released.
Battle sideCeltic Cross side
The Witches Stone
A rather more gruesome stone, and story, sits outside the police station on the main road in Forres. It has become a small shrine.
There were originally meant to be have been three stones marking the final resting places of three women who were executed for witchcraft. The one remaining stone is held together with a piece of metal.
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It always feels a little spooky at this time of year. The shops are full of monsters and items that have been ‘Halloweenified.’ The clocks go back an hour here in the UK, making the nights instantly much darker. I feel a little monstrous again, but I’m boring myself with that, so I won’t detail it here.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
Less Spooky, More Serendipitous
The Wee Writing Lassie asked me this question on her blog last week (about TENDU): Amalphia’s story takes place in the beautiful and cutthroat world of professional ballet – what inspired the decision to set her story in that particular backdrop?
My answer:When I was first considering writing a contemporary romance, I was unsure exactly where to place it. Inspiration struck while I was lying in the bath contemplating the issue. I saw a line of dancers in my mind. They were at the barre performing ronde de jambe, a circular leg exercise, and I knew the ballet world would be the setting for the story. My own dance training and career provided many of the details, and everything grew from there.
The serendipity: the picture above is almost identical to the image that appeared in my mind thirteen years ago. It arrived in my house, totally unexpectedly, in beautiful wall-mounted form, the day before TENDU released. Some lovely people, who I don’t even know that well, thought I might like it. I can see it from my desk now. And it’s a wonderful reminder that, even though bad or spooky things happen in this world, magic happens too.
The Books of this Post
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
“I fell in love with the book from the first page, and the love affair continued to the end.” Review from Lena on Goodreads.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
This was the first time I’d ever been in this circle. It’s right beside farm buildings, and you have to ask permission to walk through the farmyard to the stones. There’s a great farm shop, so I shopped for local tatties and asked in there.
The circle had a wall and fence round it. No gate. I hoisted myself over these barricades and into the wilderness that surrounds the stones. It was rather lovely. Muted light. Pink granite everywhere. Trees that seemed to be the same colour as the stones.
The Bear
I noticed that one of the photos I’d taken had that paw print icon, indicating that Siri had spotted an animal. Thinking I’d maybe missed a farm cat, I clicked on it.
It looks like there may have been a few cases of mistaken identity!
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I walked across the stubbly field to Inverallochy Castle at the weekend. It’s one of the nine castles of the knuckle, a term coined by historian William Douglas Simpson. It refers to nine ancient castles built along the rocky (knuckle-like) coast of Buchan in NE Scotland. I’ve been to most of them, so here we go!
Close-up of Inverallochy, a Comyn family castle, dating from 1504:
Apparently there used to be a stone above the door stating that the land around the castle “was obtained by Jordan Comyn for building the abbey of Deer.” Deer Abbey and its older site are some miles away – I wrote about the Abbey here – so that’s a little odd. Maybe ancient plans changed, or the inscription was incorrect. The stone disappeared in the 18th century.
Medieval re enactor and ‘Man at Arms’ Andrew Spratt made this GIF showing how the castle used to look:
We’re going to head north from Inverallochy. There were two knuckle castles south of here – Lonmay and Rattray – but they have crumbled away to nothing. I have written about the ancient chapel at Rattray, and its pirate steps, here.
Cairnbulg Castle
Next up the coast is Cairnbulg Castle, one of the oldest buildings in Aberdeenshire still to be inhabited by the family that built it. It’s home to Lady Saltoun, Chief of the name and arms of Fraser.
The Wine Tower
Not actually a castle, but one of the nine anyway, the Wine Tower in Fraserburgh is a post-reformation Catholic chapel. See my post here
On we go to Pittulie Castle, thought to date from 1596, the year that my novel The Mermaid and the Bear begins, so I have an extra fondness for this castle. In the 18th century the owner was friends with the lovely Lord Pitsligo who lived next door.
Pitsligo Castle
This castle started out as a keep (the high part on the right above) in 1424 but expanded greatly over the centuries. See my post on it here.
Dundarg Castle
Sadly, I have no photos of the last of the nine castles of the knuckle, Dundarg, as it’s on private land right by a house. It sits on a promontory within the ramparts of an Iron Age fort. It’s referenced from the 10th century, though only the gatehouse remains today.
The Mermaid and the Bear
Lost in ancient woodlands and caught up in whispers of witchcraft, Isobell must navigate danger to reclaim her life. Can she find her happily ever after?
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
That’s definitely not the real Stone of Scone above. It’s an ancient standing stone at Finlaggan on the Isle of Islay.
But is the official stone, the one pictured below, the real stone? See BBC article about this stone as it heads south to be used in the latest coronation.
History of the Real Stone of Scone
The Stone of Scone, or Stone of Destiny, was used in the inauguration of Scottish Kings for centuries. In 1296 the English King, Edward I, took the stone from Scotland and incorporated it as part of his new ‘Coronation Chair’. Or did he?
Fobbed Off and Spirited Off?
Early mentions of the stone describe it as black and shiny, polished and beautiful. It’s rumoured that Edward was fobbed off with a worthless rock that was actually a drain cover, while the real stone was spirited off and hidden safely away.
Finlaggan is a quiet and remote place. It’s easy to believe that it might hide secrets.
An archaeological dig there was abandoned when money ran out.
If the stone is at Finlaggan, I suspect it might be on the Council Island, the place of important discussions and decisions. Maybe the island was also the site of a few laughs about kingly bottoms sitting over what was actually a drain plug?
“In the vein of Lucy Holland’s Sistersong with the narrative style of Rena Rossner’s The Sisters of the Winter Wood, Sinclair’s novel centers on two sisters and is told from Morragh’s point of view. The prose is deeply personal to Morragh’s struggles.”
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