traditional publishing Archives

Thinking

I’ve been doing lots of that. Between the beach sunrises.

Waves…

I’ve been very happy being published by a traditional small press. But this next book I’m working on is a bit strange. And short. It does not conform. And I don’t want to change it to make it do so. I like it the way it is. It’s how the story needs to be. So I’m wondering about self publishing.

Maybe.

I think.

I’m indecisive.

I need the process to be as stress-free as possible. My health issues are exacerbated by stress. So, I’m thinking just to Kindle first. For ease. And learning.

Maybe.

I think…

Feel free to share your advice and insights!

Silvery sands.

Though really, before any of that, I need to focus on the writing and the refining and the rewriting and the relationships in the story and trying not to write run on sentences… and just tap tap tap away at that keyboard.

Early morning gloves do make me feel a bit Dickensian!

The traditionally published books:

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

“Ailish Sinclair spins this Scottish tale filled with excitement and suspense…” Historical Novel Society

An aesthetic for TENDU, a ballet novel by Ailish Sinclair — Aesthetic for Tendu

The Ballet Novel

I am now editing my ballet novel, a dark contemporary romance, TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.

I’m LOVING it. I’d forgotten quite how much FUN this book this. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.

It’s had a tumultuous publishing journey though. And I’m sharing that today.

pointe shoes, a ballet novel, TENDU, by Ailish Sinclair — Lovely Porselli Pointe Shoes

Publishers

I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.

Time went by.

MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised and always on the ball), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.

And more time went by.

After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.

Writers Group

Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.

But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…

And that’s where I am.

SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.

And it all feels good.

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My Books

Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!

“Ethereal and spellbinding….” Historical Novel Society

Amazon UK

Amazon Worldwide

See the press release here

Read the article Roman Aberdeenshire features in author’s new book from Grampian Online.

Cover of Ailish Sinclair's 'The Mermaid and the Bear'

Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.

See the press release here

Amazon UK

Amazon Worldwide

From the Press and Journal: New book by Fraserburgh author highlights horrific extent of witch trials in Scotland

Fireflies and Chocolate by Ailish Sinclair, out 2021

FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!

See the publisher’s Press Release here

Amazon UK

Amazon Worldwide

Review from the Historical Novel Society