Hot chocolate. Chocolate cake. Chocolatey books. I love these things. I need them. Especially in winter, and we’re nearly there now. This is the last post of the road to winter series; I’ve finally used up all the pictures!
Some colour clings on, though many trees are bare.
It looks like this wee tree lost all its leaves at once:
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!
I was really delighted when I learned that the publisher had used an image of a real 18th century chocolate cup on the cover.
Enjoy a kiss on the London tube in TENDU. Eat chocolate cake in Covent Garden and Scotland. Romp up and down the castle stairs! Dance in a stone circle. Attend a Ceilidh in the great hall. Have your brain studied in the dungeon. All fun, I assure you. Well, not quite all…
“If you enjoy mentions of chocolate and lots of cake, this book is for you.”From a recent review.
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Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
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But, for now, this morning, I’m off back into the manuscript of the moment. I’m working on the first title in the next book series, Castle Dancers. It begins ten years after TENDU – each book has a different main character – and the story starts like this:
It’s the night before I’m due to start at the most prestigious dance school in Scotland, so, of course, my mother tries to kill me.
Fun times!
TENDU: Dancing in the Castle
Dance, danger and desire collide in TENDU, a seductive tale set in the mystical landscape of Scotland. Will love conquer all?
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
I took a quiet walk through autumn leaves at Aden Park.
Peering through an old tree:
Up by the Mansion House:
Blue and green should most definitely be seen…
Some of the newer plantings have not survived:
But many have:
I love the Maples.
I feel like I don’t have many words left in me. They’ve been used up. They’re coming very soon in book form.
Newsletter
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These days, you don’t have to catch a boat or ferry and can drive straight over the large Skye bridge. That’s the Old Man of Storr in the hills above, a beautiful rock formation visible for miles around. This post details a holiday I took with my family in 2017, before chronic illness put paid to such things as holidays. For now. I have to believe, for now. But enough of that, over the sea to Skye we go!
Dun Hallin
The island is a place of fairies: there’s a castle and a glen and a bridge, much smaller than the one taken to get to the island. But first, back to another rock formation, specifically the one spied from the bedroom window of our holiday house.
‘That’s an interesting rocky outcrop,’ said I to husband.
‘Aye, we should walk up to it,’ he replied.
So we did.
And there was Dun Hallin, an Iron Age broch we had intended visiting but thought would be hard to find. Duns, or brochs, were a complex form of roundhouse, probably defensive, precursors to castles.
I loved Dun Hallin and the surprise of finding it like that. And the wonderful views of Trumpan Point.
The Trial Stone
Trumpan Kirkyard held surprise too. An ancient standing stone, Clach Deuchainn, the Trial Stone:
Trial stones were used to try a person. In this case if the accused could put their finger in the hole located on the stone, while blindfold, they were innocent. The stone is undoubtedly far older than this use. It is also known as the Priest Stone and the Heaven Stone.
There were some interesting graves too; these, and the gruesome history of the church can be read about here.
Fairies
But back to the fairies. Firstly the Fairy Glen, an unusual land formation, which sadly does not have anyfolklore associated with it, but it does feel otherworldly when you walk round it.
The rocky peak is known as Castle Ewen:
It’s Dunvegan Castle that we need for fairy legends!
Displayed inside the castle, so no photos, is the ancient and tattered Fairy Flag. There are many stories and traditions surrounding this relic and its origins. The tale favoured in the information provided to visitors is the one in which the Chief of Clan Macleod marries a fairy. The couple have a child together but the fairy knows she has to return to her people in Fairyland. She leaves the magical flag, imbued with protective powers, wrapped round the baby, and this she does a few miles away at the Fairy Bridge:
There are also Fairy Pools on Skye but we did not get to them this trip. We did manage a quick visit to Kilt Rock:
We also took in the Museum of Island Life, one of the few places on the island with good mobile internet which meant I was distracted by a sudden barrage of Twitter notifications!
Near to the museum is the memorial to Flora MacDonald:
One more fairy mention: the house we stayed in was previously owned by the writer Aileen P. Roberts, and full of books, so I read her novella Fairy Fire while there, which was set in Skye and surprising and perfect.
The sun rises over Dun Hallin:
And sets at Trumpan Point:
We’ll be back over the sea to Skye again one day!
Newsletter
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My Books
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
A couple of miles from the town of Forres in Moray is a mound known as Macbeth’s Hillock. Local folklore tells us that this is where Macbeth met with the three witches from the play.
‘By the pricking of my thumbs, Something wicked this way comes.’ So pronounces the second witch in Macbeth, Act 4, scene 1.
The Three Witches
The theme of the three witches is echoed in more folklore from the surrounding area. There are two stones in Forres that are both associated with them.
The Sueno’s Stone
In its glass case
This is a 9th-10th century Picto-Scottish stone depicting an ancient battle (I like to think it’s Mons Graupius as featured in SISTERS AT THE EDGE OF THE WORLD, but this is very unlikely given how long ago that battle took place). The stone is 6.5 metres tall and also lays claim, in local legend, to be situated where Macbeth met the witches. They are said to have been captured inside the stone, and should it ever be broken, they will be released.
Battle sideCeltic Cross side
The Witches Stone
A rather more gruesome stone, and story, sits outside the police station on the main road in Forres. It has become a small shrine.
There were originally meant to be have been three stones marking the final resting places of three women who were executed for witchcraft. The one remaining stone is held together with a piece of metal.
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It always feels a little spooky at this time of year. The shops are full of monsters and items that have been ‘Halloweenified.’ The clocks go back an hour here in the UK, making the nights instantly much darker. I feel a little monstrous again, but I’m boring myself with that, so I won’t detail it here.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
Less Spooky, More Serendipitous
The Wee Writing Lassie asked me this question on her blog last week (about TENDU): Amalphia’s story takes place in the beautiful and cutthroat world of professional ballet – what inspired the decision to set her story in that particular backdrop?
My answer:When I was first considering writing a contemporary romance, I was unsure exactly where to place it. Inspiration struck while I was lying in the bath contemplating the issue. I saw a line of dancers in my mind. They were at the barre performing ronde de jambe, a circular leg exercise, and I knew the ballet world would be the setting for the story. My own dance training and career provided many of the details, and everything grew from there.
The serendipity: the picture above is almost identical to the image that appeared in my mind thirteen years ago. It arrived in my house, totally unexpectedly, in beautiful wall-mounted form, the day before TENDU released. Some lovely people, who I don’t even know that well, thought I might like it. I can see it from my desk now. And it’s a wonderful reminder that, even though bad or spooky things happen in this world, magic happens too.
The Books of this Post
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
“I fell in love with the book from the first page, and the love affair continued to the end.” Review from Lena on Goodreads.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
This was the first time I’d ever been in this circle. It’s right beside farm buildings, and you have to ask permission to walk through the farmyard to the stones. There’s a great farm shop, so I shopped for local tatties and asked in there.
The circle had a wall and fence round it. No gate. I hoisted myself over these barricades and into the wilderness that surrounds the stones. It was rather lovely. Muted light. Pink granite everywhere. Trees that seemed to be the same colour as the stones.
The Bear
I noticed that one of the photos I’d taken had that paw print icon, indicating that Siri had spotted an animal. Thinking I’d maybe missed a farm cat, I clicked on it.
It looks like there may have been a few cases of mistaken identity!
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I walked across the stubbly field to Inverallochy Castle at the weekend. It’s one of the nine castles of the knuckle, a term coined by historian William Douglas Simpson. It refers to nine ancient castles built along the rocky (knuckle-like) coast of Buchan in NE Scotland. I’ve been to most of them, so here we go!
Close-up of Inverallochy, a Comyn family castle, dating from 1504:
Apparently there used to be a stone above the door stating that the land around the castle “was obtained by Jordan Comyn for building the abbey of Deer.” Deer Abbey and its older site are some miles away – I wrote about the Abbey here – so that’s a little odd. Maybe ancient plans changed, or the inscription was incorrect. The stone disappeared in the 18th century.
Medieval re enactor and ‘Man at Arms’ Andrew Spratt made this GIF showing how the castle used to look:
We’re going to head north from Inverallochy. There were two knuckle castles south of here – Lonmay and Rattray – but they have crumbled away to nothing. I have written about the ancient chapel at Rattray, and its pirate steps, here.
Cairnbulg Castle
Next up the coast is Cairnbulg Castle, one of the oldest buildings in Aberdeenshire still to be inhabited by the family that built it. It’s home to Lady Saltoun, Chief of the name and arms of Fraser.
The Wine Tower
Not actually a castle, but one of the nine anyway, the Wine Tower in Fraserburgh is a post-reformation Catholic chapel. See my post here
On we go to Pittulie Castle, thought to date from 1596, the year that my novel The Mermaid and the Bear begins, so I have an extra fondness for this castle. In the 18th century the owner was friends with the lovely Lord Pitsligo who lived next door.
Pitsligo Castle
This castle started out as a keep (the high part on the right above) in 1424 but expanded greatly over the centuries. See my post on it here.
Dundarg Castle
Sadly, I have no photos of the last of the nine castles of the knuckle, Dundarg, as it’s on private land right by a house. It sits on a promontory within the ramparts of an Iron Age fort. It’s referenced from the 10th century, though only the gatehouse remains today.
The Mermaid and the Bear
Lost in ancient woodlands and caught up in whispers of witchcraft, Isobell must navigate danger to reclaim her life. Can she find her happily ever after?
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
We’ve reached it. That brief, liminal space between seasons. There’s a chill to the morning and evening air, but the sunshine blazes hot during the day.
I march along between forest and hedgerow, towards cooler, crisper weather. But, for today, the brambles of autumn are bright and shiny, and the summer honeysuckle smells divine.
Castle Dancers Series
Meet Ariel and her classmates, Bubbles and Alexander, along with a whole cast of vibrant characters, as they experience love, life and adventure at the most prestigious dance school in Scotland.
Each book in this coming-of-age series delves into the personal struggles and heartfelt romances of a different student over the course of a school year. As the spotlight shifts its focus within the old walls of the castle, there are television shows to be made and dark truths to be faced.
Join these young dancers as they whirl through their challenges, forge unbreakable bonds, and discover the power within themselves. Are you ready to travel to Northern Scotland, step into the castle school and dance through the deep dark of the dungeon?
