GWL Publishing have accepted my next historical novel, FIREFLIES AND CHOCOLATE, for publication in Spring 2021. I am lucky to have a publisher who is so understanding about my current health issues; all the deadlines for various edits are flexible.
The book was inspired by the 600 children who were kidnapped in Aberdeen during the 1740s and sold into indentured servitude in the American colonies. You will meet the Manteith family again, and see the castle and the stone circle, though the story doesn’t stay there long.
There’s some real historical figures again. There’s a love story again, though it’s quite different from the one in THE MERMAID AND THE BEAR. And, this time, there’s chocolate, in the form of hot chocolate 😀
It feels like the world has changed dramatically since I last blogged at the end of February. I very much hope you are all safe and well. My pneumonia experience last year has left me with a damaged lung, so I am social distancing. Being at home. Writing. Editing. Actually getting round to cleaning the cooker!
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon!
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:
It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!
That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.
So… deep breath…
Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
2019 continues to be an exciting year for me on the bookish front! My contemporary novel, TENDU, is coming out in 2020 with Black Opal Books.
Some aspects of the story:
It’s a tale of unconventional love, dance and obsession.
Much of the book is set in Scotland.
There’s a stone circle and a castle.
The central relationship is deeply tempestuous.
Dark and terrible happenings!
Hot chocolate and cake. Depending on era, you can’t always include chocolate in historical writing and, given all that I put them through, my characters both need and deserve it. So there’s lots of chocolate in this contemporary title. LOTS.
And there’ll obviously have to be lots at my desk too 🙂
I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.
The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).
In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.
It’s mainly set in a fictional castle in Aberdeenshire.
It incorporates the 1597 Aberdeen witchcraft panic.
There’s a stone circle.
There’s 16th century Christmas.
And there’s a love story.
Isobell needs to escape. She has to. Her life depends on it.
She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.
She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.
Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…
Until the past catches up with her.
Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.