Stories and photos from Scotland
Originally posted 2020.
The dense block of pine trees that partially encircled the stones on Aikey Brae has been felled, leaving the site feeling like a windswept wasteland.
I knew it had happened but it was still a shock when I visited the circle at the weekend.
Continue reading “Aikey Brae: the North Wind Doth Blow”
I write Scottish historical fiction, often set in the area of Scotland where I live, Aberdeenshire. I also take a LOT of photos, as is evidenced throughout the blog.
Keep up with all my news by signing up to the mailing list. It’s occasional and always contains some exclusive photos.
My debut novel was published by GWL Publishing in October 2019, and is available in paperback and on Kindle.
Review on Terry Tyler Book Reviews
See The Mermaid and the Bear page for full details including blurb and quotes and links to more reviews.
My second novel, also published by GWL Publishing, was released on April 1st 2021 and is available in paperback and on Kindle.
Review from the Historical Novel Society
See the Fireflies and Chocolate page for full details including blurb and quotes and links to more reviews.
Originally posted 2020.
I crossed the boardwalk slowly, being careful not to catch my slippers in the gaps between wood. My foot is a lot better, though I still can’t wear proper shoes or put my heel right down on the ground, but I was determined to walk on the beach. So, on the way home from a hospital visit, I stopped at Balmedie.
Continue reading “Walking on Balmedie Beach in my Slippers”
Post from December 2019.
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon! (Edit 2022: it would not be soon. This was the start of a non-woodland path to an auto-immunity diagnosis that would wind its way through hospital stays and many monstrous moments!)
I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
The same path, though the other end and other direction, in the woods, in summer:
A beautiful winter wonderland. Sparkling. Fresh. Perfect.
And then there’s the monster. Me. Again. Yes, I have succumbed to some of my old monstrous ways. But it’s not as bad as before. I’m not in hospital this time. I’m in a winter wonderland!
Storm Arwen pulled down some of our old pines and left us with no electricity for a couple of days. But we were cosy and well fed. We played board games and stoked the fire. We listened to audio books in the dark till the iPad ran out of power.
Before that, when I could feel the beginnings of monstrosity happening, I ran round doing things I knew I might not be able to do for long. I bought festive food in the shops. I visited Berrybrae Stone Circle.
The trees around the circle looked dark and forbidding.
I found it hard to climb up onto the wee wall around it with my gammy leg. But I made it…
It was still autumnal then. Unlike now.
The Historical Novel Society published a very nice review of FIREFLIES AND CHOCOLATE here which cheered me up.
Quote:
Like Elizabeth wrapped in a plaid, savor the pages of Fireflies and Chocolate and wait for that “bonny” feeling, “I’ve come home.”
Dorothy, the reviewer, also put the review up on her website here with some lovely Scottish photos.
So, for now, I’m content to read blogs and reviews and take short hobbles through the beautiful snow, feeling glad to be able to return to electricity and the cosy fire… and maybe even a bit of writing.
Aberdeen’s 1597 witchcraft panic (mermaid) and 18th century kidnappings (fireflies) combine with love and hope in THE MERMAID AND THE BEAR & FIREFLIES AND CHOCOLATE. Christmas features in both books !
Originally posted 2020.
I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
Continue reading “On Monsters: being one, writing one…”
I get easily distracted by the places and things that I write about here and forget to mention other writerly bits and pieces of note in some posts. So here goes!
I recently did an interview with the lovely Tonya Ulynn Brown on her blog The Rose and the Thistle here. Tonya’s review of THE MERMAID AND THE BEAR came out while I was in hospital last year and it really cheered me up. I tweeted about it from my bed very early in the morning, having finally worked out how to use the WiFi. I remember the scene so clearly: the dimmed light in the ward, the wall clock with its strange night and day depiction, the quiet padding about of nurses, and the prick of the blood sugar checking device. At least I had performed some worthwhile task from my bed. I was almost working! A man instantly tweeted back to me that I was being too ‘self congratulatory’ in mentioning the review. And that only encouraged me…
In the interview I ask such questions as: Is it really good enough? Is it, in fact, bilge? Or nonsense? Or the worst thing that has ever been written in the whole history of the world?
And dispense advice like: Don’t let other people tear you down and tell you you’re doing it wrong. People have strange agendas when it comes to the writing of others. Do your own thing. Go your own way.
There’s been quite a few. Two of the most recent for FIREFLIES AND CHOCOLATE are from Elisabeth on the writer’s tip jar site Kofi here. I found her mention of language very interesting.
And then over on Goodreads, this one from Alex came in yesterday. “I was moved and shocked by what I read but also took solace from the portrayal of genuine historic figures in the book such as the vile Alexander Young and the decent Benjamin Lay, Peter Williamson and Benjamin Franklin whose kindness and determination make a difference to those reduced to the status of chattels.”
I’ve started a wee Facebook Group to promote Scottish books. Your own or those you’ve read, fiction or non-fiction, about or set in Scotland or written by a Scottish author. If you’re interested feel free to join here.
For more cobbled streets and old stones, sign up to the mailing list.
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
See the publisher’s Press Release here
Originally posted October 2019.
We’ve moved North and round the corner from the golden sands of Fraserburgh beach, and arrived at the rocky shores of Broadsea and a beautiful rock pool, the Museum of Scottish Lighthouses in the background.
But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:
It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!
That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.
So… deep breath…
Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
And it has a castle.
And a stone circle.
And medieval Christmas.
Out in paperback and Kindle NOW!
Universal links:
Dunnottar Castle sits high on the cliffs near Stonehaven in Aberdeenshire. It’s scenic and sprawling and, though peaceful now, it boasts a turbulent history.
Continue reading “Staring Out to Sea from Dunnottar Castle”
The Lang Stane (long stone) of Aberdeen is situated close to busy and bustling Union Street. Many places in the city are named after this stone, but most people don’t know that it’s there. It’s hidden away on the corner of Langstane Place and Dee Street. The Music Hall can be seen in the background of the above photo.
Continue reading “The Mysterious Lang Stane of Aberdeen”
