2019 continues to be an exciting year for me on the bookish front! My contemporary novel, TENDU, is to be published by (redacted – ooh, like a name in an Epstein file… but not really; the crime of slowness in publishing is actually quite easy to understand, and also forgivable).
Some aspects of the story:
It’s a tale of unconventional love, dance and obsession.
Much of the book is set in Scotland.
There’s a stone circle and a castle.
The central relationship is deeply tempestuous.
Ballet!
Dark and terrible happenings!
Hot chocolate and cake. Depending on era, you can’t always include chocolate in historical writing and, given all that I put them through, my characters both need and deserve it. So there’s lots of chocolate in this contemporary title. LOTS.
And there’ll obviously have to be lots at my desk too 🙂
Tendu Update
The series came out in the end!
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome new teacher, she has no idea of the danger that lurks in his school in Scotland…
“POV: You thought it was just another ballet book… then it emotionally body-slammed you in pointe shoes. Slow burn, enemies to lovers, fate, and a Scottish setting that delivered.”See this TikTok review here
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Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
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I’ve been lucky to catch a few beautiful ones lately. And to manage a few short walks upon the sand. I’m back to my usual routine of first thing in the morning writing sessions. It’s good. The writing gets the best of my brain then, I think.
Thinking
I’ve been doing lots of that. Between the beach sunrises.
Waves…
I’ve been very happy being published by a traditional small press. But this next book I’m working on is a bit strange. And short. It does not conform. And I don’t want to change it to make it do so. I like it the way it is. It’s how the story needs to be. So I’m wondering about self publishing.
Maybe.
I think.
I’m indecisive.
I need the process to be as stress-free as possible. My health issues are exacerbated by stress. So, I’m thinking just to Kindle first. For ease. And learning.
Maybe.
I think…
Feel free to share your advice and insights!
Silvery sands.
Though really, before any of that, I need to focus on the writing and the refining and the rewriting and the relationships in the story and trying not to write run on sentences… and just tap tap tap away at that keyboard.
Early morning gloves do make me feel a bit Dickensian!
Update: I published it in both paperback and kindle
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
“Ailish Sinclair spins this Scottish tale filled with excitement and suspense…” Historical Novel Society
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Set in 1st century Scotland, my latest historical novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Keep up with all my news by signing up to the newsletter. It’s a more intimate space than the blog, only occasional, and always contains some exclusive photos.
