That’s what my son said of my little video attempt below. “Wow, that’s some depressing time travel.”
Romantic Time Travel
I do like those sad stories, though. Not that they’re sad, beginning to end, these books. There’s romance in them all, happy romance, sometimes a little bit naughty too. And one of them has chocolate… No actual time travel, though. None at all.
You can be depressed by them all here in the UK, or for worldwide depression, go here.
Writing with no time travel
I’ve been writing, writing, writing, living in the intense and sexy atmosphere of A Dancer’s Journey. I love it. I don’t want to leave it. It’s fun and romantic, if a little devastating and dramatic in places. But leave it, I will, later this year, when all three books finally get released.
There’s also this strange little post about what the characters get up to when I’m away from the keyboard.
Pink Things
I’ve been enjoying the pink phase of the garden…
Pink bench and cherry blossom
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Every so often I take a day off from writing. Not because I want to. I resist and avoid and cling to my desk in a desperate fashion. Friends persuade and entice me outside. And it is always good, always nourishing and refreshing. There’s a planned outing later this week, and I can just picture my characters’ reactions when they realise I’m not there at the keyboard…
Sharp-witted Justin notices first. He looks up, listens and checks again. “She’s gone out!”
Every character sags with relief. They go back to bed and sleep in till lunchtime. Later, they shuffle downstairs to get tea and food, and they sit in silence in the great hall of the castle.
People who usually snipe and gripe at each other, pass the sugar without word. Two of them exchange a wry smile, for without my omniscient presence to keep them busy, they can sense what’s coming; not the details, but the shadow of something bad ahead, something they would avoid if they could. But like my day out, it cannot be avoided. It has to happen.
They head to bed early, exhausted by the hours of doing nothing, tired from the rest and relaxation.
No arguments. No sex. No laughter.
How boring! These people need me. Maybe I shouldn’t take a day off from writing after all…
They didn’t get left alone for long, those poor characters. I soon pulled them all back into the drama and the story.
And that story will be out later in 2023, in the form of a contemporary three-book series called A Dancer’s Journey. As you can see from my editor’s comment below, Justin and the others were completely justified in being relieved that I was gone.
I put the characters through the proverbial wringer in these too!
SISTERS AT THE EDGE OF THE WORLD opens on a snowy winter solstice in 1st century Scotland. The main character is neurodivergent, and has been non-verbal until that first scene of the book.
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children of 18th century Aberdeen, and is set in both Scotland and Colonial Pennsylvania.
All novels are available in paperback, kindle and on kindle unlimited.
Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
I write contemporary romance and historical fiction, often set in the area of Scotland where I live, Aberdeenshire. My historical novels combine little-known dark events with love stories. There are witches, bears, kidnappers and Romans to be found in them, detailed below. My contemporary romance is a lot naughtier, though still dark, and coming soon.
I also take a LOT of photos, as is evidenced throughout the site.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features chosen sisters, fierce warriors, a neurodivergent main character and some rather complicated romance.
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story. There’s also six chapters of medieval-style Christmas.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle, and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Coming Soon: a Dark and Sexy Contemporary Romance Series
These books are so naughty that I’m worried nobody will be able to look me in the face again after reading them. But not that worried. A Dancer’s Journey is going to be released anyway, and I’m having immense fun working on it just now!
Short blurb for TENDU, the first book in the series.
Full blurbs and covers will be revealed in due course along with release dates which will be a month apart. No long waits between books, and no cliffhanger endings either. Each book completes a story, but then there is more. So much more.
Meanwhile, I’ve been writing bits and pieces about these stories, and the background from which they sprang, on the blog. See the posts:
Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
A snaggled and barbarous place. That’s where I am. No, I’m not ill again. In fact, I’m doing quite well. Well enough to sit at my desk and write every day, anyway. I’m deep in relationship conflict and development in CABRIOLE, the second book in my dark and romantic ballet series, A Dancer’s Journey. And I’m LOVING it.
Release
These books will be out later this year. I don’t want to rush them. And I also don’t want to put them, even the first one, TENDU, which is actually ready now, up for pre-order before they’re all finished. Because, what if I did become ill? And then there was a terribly long gap between books? No, no, no.
They’re going to be released a month apart, so there will be no long waits for readers. No cliffhanger endings either. Each book completes its story. But then there’s more. So much more.
Losing the Plot
My poor characters. They’re still recovering from a devastating event that happened in the first book, and now they’re struggling with yet more difficult and complicated things. It’s no wonder they like it when I have a day out. This time their problems are of their own making, though, as stated in the quote above. This was not the plot that I originally envisaged for them. They got away from me. But they’ll sort it all out, and they’ll think everything’s fine. And then a mysterious child will walk up some steps into book three, and turmoil will begin again 🙂
Snowdrops
And look what’s happened in the garden. The appearance of the snowdrops always feel so sudden. And so hopeful. Not snaggled in any way. Spring approaches.
My Historical Fiction
SISTERS AT THE EDGE OF THE WORLD opens on a snowy winter solstice in 1st century Scotland. The main character is neurodivergent, and has been non-verbal until that first scene of the book.
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children of 18th century Aberdeen, and is set in both Scotland and Colonial Pennsylvania.
They’re all available in paperback, kindle and on kindle unlimited.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
SISTERS AT THE EDGE OF THE WORLD has been out for three days now and I think it’s going quite well. I’m staying calm and mellow anyway…
Reviews
Review from Lizanne Lost in a Good Book: “This is a complex mystical tale of bloody conflict between two disparate civilisations, but also about sisterhood, romantic love and dramatic choices. Morragh is not like most of us. Her actions are instinctive and passionate, but her certainty is persuasive.” See the whole review here.
Out today! Paperback & kindle on Amazon. From the provocative opening scene to the later dramatic and devastating events of the story, SISTERS AT THE EDGE OF THE WORLD is a book that will continually surprise, delight, and sometimes shock the reader. #historicalfiction#booktok#romance#ancientworld#neurodiversity
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
I am now editing my ballet novel, a dark contemporary romance, TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m LOVING it. I’d forgotten quite how much FUN this book this. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised and always on the ball), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
And it all feels good.
Newsletter
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos.
Sisters at the Edge of the World
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character, and some rather complicated romance.
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle, and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
At first it doesn’t feel quite real… where is the white rabbit leading? To a book cover? That seems odd…
This Alice in Wonderland style post dates from the build up to the release of THE MERMAID AND THE BEAR in 2019.
The rabbit leads us down or, as is more accurate, through, a giant rabbit hole!
Things get stranger yet as we pass between a huge fork and knife…
We come to a place of unicorns.
We want to stay here with the unicorns, but we have to move on, to see…
A miniature castle! We go inside, and peer out like giants.
We hear sweet music, percussion. Everything feels dreamy and lovely.
And then, finally, this is where the rabbit has been taking us… to the book cover!
Set in a castle in Aberdeenshire, THE MERMAID AND THE BEAR features a fictional account of three real women who were accused of witchcraft in 1597. It’s also a love story. And the cover makes it all very real now to Ailish (the Gaelic form of Alice)…
She needs to have a nice lie down like the huge white rabbit (6.5 metres long) in the Playful Garden at Brodie Castle, featured in this post.
Don’t miss any of Ailish in Wonderland’s news; sign up to her mailing list 🙂
The Mermaid and the Bear is out now in both paperback and Kindle.
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