There’s a public art project going on in Aberdeen for the next ten weeks: Wild Dolphins (post from 2014).
Fifty life size beasties lurk in streets, parks, museums and shopping centres. My twitter stream is full of them; I excitedly tweeted and scanned (there’s an app) my way round the city so will try to post mainly different pictures here. This first one is a collage of Aberdeen’s Leopard magazine, I love its eye below.
The next two are near Marischal College, previously part of Aberdeen University, the building now houses Aberdeen City Council, which means I can’t wander in to look at the mummies in the museum anymore. Those are its spires behind this dotty boy:
Glad they’ve kept the old gate though, seems suitably forbidding and ‘keepy-outy’:
In front of the College sits a dolphin called ‘Bon Accord Beauty’; he displays the city coat of arms with its three castles and two leopards (more on it here). To the right is Provost Skene’s house, closed just now due to the surrounding demolition. Shame, I could have done with a cup of tea in the dungeon-esque cellar cafe.
On we go, past the leopards of Union Bridge…
…into the Victorian amphitheartre of Union Terrace Gardens, where there are two dolphins. The statue of William Wallace looks down from above, in front of His Majesty’s Theatre. You may have to look hard to spot the leopards in this photo but they are there, as, less fortunately, is the rear end of a park attendant.
Finally, we head off to the beach to look at nautical creations:
One inspired by the fauna of the riverside:
And, contrary to the title though it is, let’s end this exploration of art in Aberdeen with the beautiful detail of the dolphin’s nose: moths.
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Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.