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Love, Dance, Obsession, and Chocolate

An aesthetic for TENDU, a novel by Ailish Sinclair

2019 continues to be an exciting year for me on the bookish front! My contemporary novel, TENDU, is to be published by Black Opal Books.

Some aspects of the story:

  • It’s a tale of unconventional love, dance and obsession.
  • Much of the book is set in Scotland.
  • There’s a stone circle and a castle.
  • The central relationship is deeply tempestuous.
  • Ballet!
  • Dark and terrible happenings!
  • Hot chocolate and cake. Depending on era, you can’t always include chocolate in historical writing and, given all that I put them through, my characters both need and deserve it. So there’s lots of chocolate in this contemporary title. LOTS.

And there’ll obviously have to be lots at my desk too 🙂

The desk of Scottish author Ailish Sinclair

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The Land Girls Gate

The Women's Land Army Memorial in Clochan - Ailish Sinclair, author
The Women’s Land Army Memorial in Clochan

The Women’s Land Army was formed in 1917, and then again in 1939 when WWII broke out. Women as young as 17 signed up for the duration of the war and took on all forms of farming and food production. The Army was eventually disbanded in 1950. There’s lots more information about the Land Girls here.

The memorial at Clochan in Moray is a joyous piece of art, paying tribute to the women who served in the Land Army throughout Scotland. Stones from various farms across the country have been incorporated into the ground around the gate. The fact that the memorial is surrounded by working farmland feels perfectly fitting too.

If you visit on a Sunday morning, as I did, there’s a small car boot sale going on just down the road in Clochan, with pancakes and tea being served in the village hall. It’s rather lovely and feels a bit like stepping back into a simpler time.

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The Land Girls Gate in Clochan, colourful farmland beyond
The Land Girls, farmland beyond
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Walking the Witchy Ways of Aberdeen

cobbles, or cassies, as they are called in Aberdeen
Galllus Quines. Wonderful street art in Aberdeen honouring those persecuted for witchcraft.
Gallus Quines

I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.

Tile naming some of those accused of being witches in Aberdeen, Scotland

The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).

In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.

Continue reading “Walking the Witchy Ways of Aberdeen”
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My Debut Novel is Published

The Mermaid and the Bear Christmas

2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my debut novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!

Amazon

Waterstones

Barnes and Noble

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Cover of Ailish Sinclair's debut novel THE MERMAID AND THE BEAR

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 Further insight:

I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear, Ailish Sinclair's debut novel

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Over the Sea to the Fairies (and Skye)

Old Man of Storr on the Isle of Skye

The Isle of Skye. That’s the Old Man of Storr in the hills above, a beautiful rock formation visible for miles around. The island is a place of fairies: there’s a castle and a glen and a bridge… but first, back to another rock formation, specifically the one spied from the bedroom window of our holiday house.

‘That’s an interesting rocky outcrop,’ said I to husband.

‘Aye, we should walk up to it,’ he replied.

So we did.

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serendipity and stones and a little dance

seagull and serendipity

The first serendipitous happening of the day was the haar (Scottish word for mist that rolls in off the sea) and its silvery filtering of the sunlight. Then there was the seagull that flew by as I took the photo.

Inland we travelled, to bright sunshine and summer colours and the stones of Castle Fraser. I’ve made the picture below clickable to a larger version; to the left are two standing stones and to the right, in the distance by the trees, is Balgorkar stone circle.

Continue reading “serendipity and stones and a little dance”