I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
Three little woodpeckers. Fighting in a tree. That’s what I encountered on my daily walk today. Turn up the sound and you can hear them, along with a distant pheasant.
#AWindowOnScotland is a nice little tag on Twitter at the moment. Lots of lovely views from Scottish windows. Mine:
Talking of Twitter, and good things, I’m collaborating in a great initiative to help small businesses, especially ones that have fallen through the gaps of governmental help. I’ll be retweeting lots of wonderful products and services between 9-10pm GMT tomorrow, Friday 17th April on the tag #CelebsForSmallBiz (yes, that is Mrs Fitz from Outlander!)
GWL Publishing have accepted my next historical novel, FIREFLIES AND CHOCOLATE, for publication in Spring 2021. I am lucky to have a publisher who is so understanding about my current health issues; all the deadlines for various edits are flexible.
The book was inspired by the 600 children who were kidnapped in Aberdeen during the 1740s and sold into indentured servitude in the American colonies. You will meet the Manteith family again, and see the castle and the stone circle, though the story doesn’t stay there long.
There’s some real historical figures again. There’s a love story again, though it’s quite different from the one in THE MERMAID AND THE BEAR. And, this time, there’s chocolate, in the form of hot chocolate 😀
I hope you’re all staying safe and well during these strange times of lockdown and isolation. I’m posting photos of #goodthings from my phone archives on Twitter and Instagram each day at the moment.
It feels like the world has changed dramatically since I last blogged at the end of February. I very much hope you are all safe and well. My pneumonia experience last year has left me with a damaged lung, so I am social distancing. Being at home. Writing. Editing. Actually getting round to cleaning the cooker!
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon!
I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
We’ve moved North and round the corner from the golden sands of Fraserburgh beach, and arrived at the rocky shores of Broadsea and a beautiful rock pool, the Museum of Scottish Lighthouses in the background.
But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:
It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!
That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.
So… deep breath…
Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
I came across this rather lovely little scene in the woods on a rainy day last week. It made me think of fairies…
Yesterday Paragraph Planet revealed the opening of The Mermaid and the Bear on their site. It’s gone now, but I took a screenshot, below. It was while walking in the same woods pictured above that the first line of the book came to me.
Dunnottar Castle sits high on the cliffs near Stonehaven in Aberdeenshire. It’s scenic and sprawling and, though peaceful now, it boasts a turbulent history.
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