At first I thought there was only a single line of daffodils in the snow. I stopped to take photos. Like I would do on any other day out. A day out just for fun. Not that there have been many of those lately.
I walked along the path and headed down the steps where I was met with this stunning bank of yellow.
GWL Publishing have accepted my next historical novel, FIREFLIES AND CHOCOLATE, for publication Spring 2021. I am lucky to have a publisher who is so understanding about my current health issues; all the deadlines for various edits are flexible.
The book was inspired by the 600 children who were kidnapped in Aberdeen during the 1740s and sold into indentured servitude in the American colonies. You will meet the Manteith family again, and see the castle and the stone circle, though the story doesn’t stay there long.
There’s some real historical figures again. There’s a love story again, though it’s quite different from the one in THE MERMAID AND THE BEAR. And, this time, there’s chocolate, in the form of hot chocolate 😀
I do seem to have a habit of running up and down the medieval cobbles of Aberdeen in the name of research. Here I am again, travelling down Correction Wynd, site of the 17th century House of Correction. But it’s not the old poorhouse/jail that I’m investigating. Not today anyway…
I pass St Nicholas Kirk, where people accused of witchcraft were held in the 16th century.
Researching and writing those times have led me to another.
Over the cobbles I go, glancing up at the modern city above.
Through the beam of light and into the, also rather modern seeming, Green.
The kidnapped children of Aberdeen were held here in the 1740s. In a barn.
Passers by sometimes heard music coming from the place, as the kidnappers tried to keep the children entertained.
The Green is mentioned in Fireflies and Chocolate (out today!):
“Another barn,” notes Peter, when we are ushered into a large ramshackle wooden building. Again we find a space to sit together, among the others. Again, we are on the floor, this time an earthen one. No chairs are provided for the likes of us anywhere now it seems. “I was kept in a barn in Aberdeen,” he tells me. “Down at The Green.”
I ken The Green. I used to think it was a nice place to walk through, a space between buildings, like a city version of a forest glade.
The children were also kept in the Tolbooth at times. There are tales of desperate parents trying to break down the door to get to them. Peter Williamson, who appears in the above quote, would be held there again in later life as punishment for his book, in which he accused the town magistrates of involvement in the kidnappings. You can read a large print version in the Tolbooth museum today beside a life size cut out of Peter!
He’s not the main character in Fireflies and Chocolate though. That’s Elizabeth Manteith, who is entirely fictional. But I love her. In their press release about the book the publisher describes her like this:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
Those dark cobbles do take me places!
FIREFLIES AND CHOCOLATE, inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies, is out now. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!
The huge Cumberland Stone sits in woodland very close to Culloden Moor. It is said that the Duke of Cumberland (the king’s son and leader of the government troops) ate his lunch, or in some accounts his breakfast, sitting atop the stone on the day of battle in 1746. It’s also said that he watched the battle from there.
There have been quite a few misty mornings of late and I’ve been out and about to see them. And they’ve all been beautiful. The sunrise above is over the Formartine area of Aberdeenshire. The wee tree below is in Strichen Community Park.
And there was one, quite common for Scotland really, morning in which all seasons seemed to happen at once. That was beautiful, though cold, too.
I’ll be posting some more photos of these misty mornings in my newsletter next week.
In other, non- weather related, news, I have finally, after many requests, organised a way for people to order signed copies of the books and/or signed bookmarks. See them here in the Ko-fi shop.
Yesterday, on International Women’s Day, the Scottish Government issued a formal apology for Scotland’s witchcraft trials. You can read more about it and watch the First Minister’s address to parliament here.
On this day in 1597, Bessie Thom and Christen Michell were executed in Aberdeen, having been found guilty of witchcraft. I wrote about both women in THE MERMAID AND THE BEAR, and remembered them today as I chased the sunrise round Strichen Lake.
Maria Robertson reviewed the performance ‘Witch Hunt’ here, which took place in St Nicolas Kirk in Aberdeen. “It made me think of Ailish Sinclair’s first novel The Mermaid And The Bear as there are a couple of chapters in that based around the treatment of witches in the Mither Kirk back in the days of yore.”
In other news (less dramatic and much less historic than an apology for Scotland’s Witchcraft Trials) the new book is now with the editor. So, progress towards publication is being made. And, apparently, I can now chase sunrises round lakes so health progress is happening too.
There were some lovely spring flowers planted along the path through the woods. They seemed like wreaths to me, today. Purple and white. Beautiful and sombre.
Work on the new book is forging ahead nicely. The aim is for it to be released this summer, but that may be subject to change. Thank you to everyone who shared their thoughts on publishing options. My publisher, too, gave me lots of wonderful advice and information, and while they would have been willing to look at the manuscript, despite its shortness and strangeness, I am choosing to self-publish this novel.
Thanks also to everyone who has donated through Kofi. With traditional publishing there is no cost to the author, but this time I’ll be paying for everything myself, so thank you so much!
Being ill, having chronic conditions and facing my own mortality have made me want to experience things while I can. And if those things can be accomplished sitting at my desk, all the easier. So, it’ll be an adventure! That’s how I’m thinking of it anyway…
Aspects of the book
The main characters are fiercely bonded chosen sisters. Can their bond survive betrayal and perhaps even death? (Already attempting to write the blurb here).
The story is set in the second century AD and features the battle of Mons Graupius between the Roman invaders and the Caledonian tribes.
There’s romance, but it’s rather complicated romance this time.
The stone circle is still there in all its glory.
The castle is not, obviously, but there is a great round house where it will be one day. And a wee hoosie in the woods.
I ran through St Nicholas Kirkyard, and down and round Correction Wynd, an old medieval lane in Aberdeen, to see this recent street art. I was due to meet people for breakfast, but determined to see the ‘Quine Shrine’ first. The reason being? That first part, on the left, honours those who were persecuted for witchcraft in Aberdeen, and one tile names a few of them, including the three women I chose to write about in The Mermaid and the Bear.
The spellings are different, because spellings weren’t set back then, not like they are today. I chose to go with the way the names are recorded in the Survey Of Scottish Witchcraft from Edinburgh University. It was there that I learned, contrary to popular belief, that only a tiny proportion of those accused were midwives or folk healers; a mere 9 of the 3837 ‘witches’ in Scotland were midwives, and only 141 had some mention of healing in their cases (see the background page of the database).
In my fictional account of these women’s lives, one of them is a midwife and healer, but this is not the reason for the accusations brought against the three quines.
So, with the quine shrine admired and appreciated, on to breakfast:
Now fortified, off to gaol we go! It’s difficult to get good pictures in the 17th century Tolbooth, what with it being so dark due to having windows like this:
I think I did a better job with photos the last time I was there, blogged here. That was when I first read these words:
I remember feeling overcome and distressed by the information, but it was then that I decided I was definitely going to write the book. Here’s that steeple, or its replacement, standing tall against the blue sky:
Back in 1597, there were two large bells in the original steeple. Now there’s an impressive carillon, and it started to play while I was eating my lunchtime chocolate ice cream in the kirkyard. This is not as creepy and strange as it sounds; there are benches and lots of people go there for lunch! I took a short video, so you can hear the bells:
I’ve been lucky to catch a few beautiful ones lately. And to manage a few short walks upon the sand. I’m back to my usual routine of first thing in the morning writing sessions. It’s good. The writing gets the best of my brain then, I think.
I’ve been doing lots of that. Between the beach sunrises.
I’ve been very happy being published by a traditional small press. But this next book I’m working on is a bit strange. And short. It does not conform. And I don’t want to change it to make it do so. I like it the way it is. It’s how the story needs to be. So I’m wondering about self publishing.
I need the process to be as stress-free as possible. My health issues are exacerbated by stress. So, I’m thinking just to Kindle first. For ease. And learning.
Feel free to share your advice and insights!
Though really, before any of that, I need to focus on the writing and the refining and the rewriting and the relationships in the story and trying not to write run on sentences… and just tap tap tap away at that keyboard.
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