It incorporates the 1597 Aberdeen witchcraft panic.
There’s a stone circle.
There’s 16th century Christmas.
And there’s a love story.
Cover:
A witchy debut novel: THE MERMAID AND THE BEAR
Blurb:
Isobell needs to escape. She has to. Her life depends on it.
She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.
She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.
Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…
Until the past catches up with her.
Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.
Review from Tonya Ulynn Brown: Yes, it is written in one of my favorite time periods, and yes it takes place in one of my favorite places in all the world, but when you combine that with the almost poetic style of Sinclair’s writing—sigh!
Review on Terry Tyler Book Reviews: Suddenly I realised that I’d gone from thinking ‘yes, this is a pleasant enough, easy-read’ to ‘I’m loving this’.
This is an excellent piece from @NeilDrysdale in which I cite the case of Bessie Thom, a real woman who features in THE MERMAID AND THE BEAR: Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.
Aesthetic
I made a wee aesthetic for the book, because: oh the fun!
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That’s how I feel today. Calm. Steadfast. A little like a tree.
I’m back in the place where I’m happy. Writing. Of course, writing.
Steadfast Writing Update
A Dancer’s Journey is basically complete. The third and final title comes out next week, and I’m now working on the connected series. These are gentler books, shorter books, so they can be cheaper books, and they feel peaceful somehow. Easier. There’s no dramatic violence or explicit naughtiness, though the characters are dealing with dark issues from their pasts. I’ll still be adding a wee content warning on them, vague again so as not to cause harm to those who shouldn’t even read certain words.
And then, once that series is out – my autoimmune body will have its say on the timing of that – I can write something new.
There’s another witchy historical beckoning, but I also love writing contemporary. So both may have to happen…
A Witchy Historical
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
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Did I take a pair of old pointe shoes and do some ballet in a stone circle? Yes. Yes, I did. (This is a post from 2023 that’s making me want to get out there and dance again!)
The reason for the oddly set ballet? Well, there’s more than one. Firstly, I’m well enough to dance around a bit. I am enduring one or two monstrous autoimmunity symptoms, but they don’t stop me dancing. And secondly, all three books of A Dancer’s Journey are now ready to dance out into the world!
Look at the pretty covers! And the less bashed (less good) pointe shoes…
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his school in Scotland.
She’s soon dealing with her boyfriend’s beautiful and obsessive ex, the sinister research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the deep dark of the dungeon…
Dark, witty, steamy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
More Ballet in a Stone Circle
The books do include some of this. It’s fun, and I highly recommend it. I hope you can all enjoy a celebratory dance too.
Originally posted 2023. We’ve reached the cusp between autumn and winter. The blue loch reflects dark skies. There’s pumpkins and wind and rain and piles of leaves everywhere. Autumn is almost over.
And yet, we still have brighter days and blue skies. Sometimes.
Sisters at the Edge of the World
The main characters are fiercely bonded chosen sisters, one of them neurodivergent.
The story is set in 1st century Scotland and features the battle of Mons Graupius between the Roman invaders and the Caledonian tribes.
There’s romance, but it’s rather complicated romance this time.
The stone circle is still there in all its glory.
The castle is not, obviously, but there is a great round house where it will be one day. And a wee hoosie in the woods.
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Originally posted November 2023. We’re firmly on that road to winter now. There’s been no frost or snow, but it’s coming.
I went out. Briefly. I took some pictures. Quickly. My current illness/medication situation is still preventing sleep and making me a bit hyperactive, and I thought I might attempt some daily blogging this week. So, there will be some seasonal Scottish photos being shared over the next few days.
First Review of Cabriole
Cabriole, the second book in the Dancer’s Journey series, is out now. This is the notorious one, the one that a publisher wanted me to change. To be fair, they did assure me that it wasn’t because they were bigoted or prudish, but because it had to have set tropes to fit their romance line. But still, I have wondered how people would react to this more unusual story.
From emmalolly13 on TikTok: “This series has a special place in my heart… I feel so blessed to continue reading Amalphia’s story… Her journey with love has been rough… this is such a soul-touching series.”
See you a little further down the road to winter soon!
Newsletter, Updates and ARCs
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Elizabeth, the main character, uses a slightly simpler method, back in the 18th century, in this quote from the book:
“I shave slivers of chocolate from the block and stir them into hot water over the fire. I add sugar and mix until it is all well blended. Then I pour it all into the pot with the warm milk and whisk and whisk until it’s frothy and perfect.”
Whatever century you’re in… yum!
The first 75 words of the novel were up on Paragraph Planet in 2021. I took a wee screen shot:
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is choc full of historical hot chocolate!
Not to be forgotten, my debut novel THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.
The sun is low as we approach the end of the year; the loch, serene. The ghostberries, also known as snowberries or waxberries, are out in the woods like little lights in the dark.
Skies are dramatic at the beach but, again, somehow serene.
And that’s what I wish for us all in December and on into 2025. Serenity. Peace. Joy. The good things. And lots of them.
“Elizabeth has a lilting Scottish accent, so rich and natural I can hear it easily in my head. She speaks to us directly, and she’s a charming storyteller, though she goes through some troubled times... Dark days and nights lie ahead for Elizabeth, but there is light in the darkness: her own strong spirit, and good people around her (along with some thoroughly despicable characters, sadly quite believable).“
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his new school in Scotland.
She’s soon dealing with her boyfriend’s beautiful and obsessive ex, the sinister research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the deep dark of the dungeon…
Dark, witty, sexy and fun, Tendu is a seductive story of love, dance and obsession. Get your copy today.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
From the misty hills of ancient Scotland emerges a tale of love, betrayal, and the fight for freedom. Join Morragh in Sisters at the Edge of the World for an unforgettable journey.
Paperback and Kindle and on Kindle Unlimited here on Amazon
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land...
The Performance: sometimes going home for Christmas is just one huge performance…
When Ariel returns home from dance college, her mother expects her to perform the Dance of the Sugar Plum Fairy in a pink, sequined tutu in front of many, many party guests. Ariel adjusts the costume and choreography to expose dark truths about her life, but, as it turns out, this is not the biggest performance of the night…
New Books and Special Offers
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This ‘writing a monster’ post was originally posted in 2020. I’m doing much better now, though still writing and researching those historical monsters!
Being a Monster
I don’t need a Halloween costume this year (2020). I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia, so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
I’m also pale. Pale like a ghost.
Writing a Monster
However, being a monster on the outside, in appearance, is nothing to being truly monstrous. While researching witch-hunting in preparation for writing THE MERMAID AND THE BEAR, I wanted to find a real monster, a person so enthused for the brutal activity that they could become a focal point for that dark energy in the story. History did not give him up easily. There was no obvious individual in the court documents or confessions. But I hunted him down and finally cornered the rogue in the financial accounts of Aberdeen.
In September 1597 William Dunn, Dean of Guild, was awarded, £47 3s 4d (the equivalent of £6000 in today’s money) for taking ‘extraordinary pains in the burning of a great number of witches’. It was unusual for someone to be given a large lump sum like this. With the exception of some witch prickers and those who sought to escheat their rich relatives, money was not commonly a motivating factor in the witch trials. William Dunn’s job was being in charge of the public money of the town, so he basically gave the cash to himself. I found you, Sir, and I made you smell of rotten fish! If you read the historical notes section of the book, you’ll see that I’ve also cast him as a metaphorical, though very real, devil.
Bandage action!
So now I’m editing FIREFLIES AND CHOCOLATE and, 150 years later, there is brief mention of the Dean of Guild again. It does seem to be a role associated with making money from the suffering of others, at least, historically, in Aberdeen. And, again, I am writing a monster.
Mermaid Review
There’s a review I forgot to mention earlier, being rather distracted by the task of becoming a monster. It’s from Undiscovered Scotland: “The Mermaid and the Bear is a delight from end to end. There is a superb level of description in the book, that transports the reader back to the sights, sounds and smells of 16th Century life in a Scottish castle.” See the whole review here.
A spooky wee quote for this spooky old season:
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, my latest book, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
That’s the Sea Gate at Eilean Donan Castle, in the Highlands of Scotland, above. It’s two things at once. In the present day, it’s beautiful. But it’s said that people used to be thrown out of it, in acts of punishment or coercion. So, it’s terrible too. Sad, even.
And it’s the same with writing stories. Yes, they can be sad, and dark, and terrible. But they’re not only that. Or they don’t have to be. As with many things, in writing or life, it’s all about how it’s done.
A view from Eilean Donan Castle
Writing Sad Stories
It was a recent review of FIREFLIES AND CHOCOLATE that got me thinking about this. Here’s the pertinent part of what the reviewer said:
I was somewhat hesitant to read this novel as I thought it would be too sad, but was glad to have chosen to read it as Sinclair did not disappoint with the telling of an exceptionally satisfying tale.
I felt the exact same hesitancy about writing the book. It was while researching local history for THE MERMAID AND THE BEAR that I stumbled across the information that 600 children and young people had been kidnapped from Aberdeen during the 1740s. They’d then been transported to the American colonies where they were sold into indentured servitude. It was terrible. It was sad. And, almost totally, overlooked. It wasn’t history that got talked about much. In fact, most people knew nothing about it. So, it was precisely the sort of story, sad or otherwise, that I liked to tell.
A photo taken somewhere between Glen Shiel and Eilean Donan Castle
Making Historical Characters Relatable
I wanted to bring those people from the past to life, to make them human and relatable. But, wouldn’t it be too depressing to open the door to those particular historical events?
The castle door…
The answer is: no. I don’t think so, anyway. I found the book great fun to write. In fact, I think it’s the least dark of my novels. The main character, Elizabeth, is so determined, and so easily enraged. She kicks sadness to the side. Mostly. She does have some despairing moments. I wrote about one of those times in response to a question on the Wee Writing Lassie Blog (see the whole interview here):
A young girl was found dead in First Mate Alexander Young’s bunk during the voyage from Aberdeen to America. History has not recorded her name so I called her Maggie, and her death has a deep impact on Elizabeth in several ways. It causes her terrible grief, informs her opinions of what ‘fine gentlemen’ can actually be, and provides a specific awareness of how much danger she and other women and girls are in at times.
The publisher had this to say about Elizabeth, or Beth as she becomes, in their press release:
Fiery and forthright, Elizabeth isn’t someone to be argued with. She knows her own mind, and isn’t afraid to speak it. Through her experiences, the reader sees her grow from a girl, into a woman with a powerful voice… a woman of her time, but very much of ours too.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate! Paperback and kindle on Amazon. “Filled with excitement and suspense…” Historical Novel Society Editor’s Pick #HistoricalFiction#romance#KindleUnlimited#booktok#kidnapstory
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this wild mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise that castle and the stone circle in these books.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more. Read all the blurbs here
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land…
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Go here to sign up for my (roughly monthly) newsletter. It’s a more intimate space than the blog and always includes some exclusive photos. If you would rather just hear about new books and offers, you can follow my Amazon author page.
