The ground is solid, all the ruts and bumps, hard and crunchy under my feet as I climb the hill. And there on the top, small from this angle, is the Witch Stone.
It’s said that witches were burned there in the past.
It’s quiet now. Cold. Peaceful.
Ladybirds are hibernating on the Witch Stone today! I hope they survive the season.
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Go here to sign up for my occasional emails that include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
Below is a post from this time last year when I was wrestling with those tricksy ballet terms. TENDU is finally out, the release of the more notorious title draws near, and I’m busy with the next series. So, despite autoimmunity being flared, I’m happy.
Notoriety included… out November 24th
Writing Ballet Terms: October 2022
I took a little walk on St Combs beach. It was beautiful and blustery and entirely free from ballet terms. I needed to get away from them for a bit. There’s too many in TENDU, and in the current edit, I am removing, changing or explaining them so as not to confuse the reader. It’s not the most fun. It feels a little like dumbing down, though I know it’s not really. I just have to be less technically specific, and more generally descriptive. I’d much rather be working on all the relationship nuances, but of course, I am doing that too.
The Beach
It was great to just stand and stare across the ocean and breathe in all that fresh sea air.
I made a little TikTok of the sea too, if you would like to hear the waves and see the movement.
So goodbye port de bras and grand jeté. Arabesque penchée, I have tried to save (describe) you:
We worked on arabesque penchée. Standing on one leg, the other high behind, fingertips almost touching the floor, the world seemed to stand still around me in a perfect moment of balance and extension.
But back to the beach. Away from the ballet terms. And breathe.
There’s also this strange little post about what the characters of A Dancer’s Journey get up to when I’m away from the keyboard.
TENDU: Dancing in the Castle
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, steamy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
The dense block of pine trees that partially encircled the stones on Aikey Brae has been felled, leaving the site feeling like a windswept wasteland.
I knew it had happened but it was still a shock when I visited the circle at the weekend.
Originally posted 2020.
This was the first sighting of the stones after walking up the, admittedly, much improved and cleared, track:
Gone is the path through the dark forest.
Gone is the experience of stepping out into the sunlight and the stones.
Traversing the, now rough, ground at the top of the hill, I got a bit closer, the taller uprights coming into better view.
Running to the circle
I ran the last bit of the way, wanting to be within the circle to get my bearings, so the place could feel like it used to. I sought views that would not have changed, having been open to the countryside all along.
Facing the great recumbent:
It still felt different. With no treeline at the side of my eye, everything seemed bright and glaring. I never fully appreciated just how much the trees sheltered the site before, till I was buffeted by wind at every turn. That shelter contributed to the calm feel of the place.
Now it feels stormy.
Cold.
Things Change
But I’m going to stop my complaining now. Because… well… things change. I’m sure the circle has looked like this many times during its 4000 year lifespan. Trees will have grown. People will have harvested them. Current thinking is that the surrounding land would have been tree-less when the circle was built.
And improvements have been made to the place. There’s a new path round the hill, boasting benches and a picnic table; a shiny new sign announces this upon arrival. I didn’t explore the path and the views it offers, still being a bit post-pneumonia feeble, but I will go back and walk it later in the year.
I’ve spent so much time at this stone circle, both physically and at my desk while writing, because though the circle in my books is fictional, it’s Aikey Brae it’s based on. The change will take time to settle. I need to notice the new beauty it brings. The light is different, I see that already. There are plans in place to plant indigenous trees; I will enjoy watching those grow large over the coming years.
And, no matter what changes we make around them, the stones still stand tall and majestic against the sky.
THE MERMAID AND THE BEAR has a new sexy review from Grumpytyke: “Not far into the second half it became pretty sexy! I didn’t expect that, not from the first half of the story nor from Ailish’s blog posts.” See the whole review here.
My Books
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
Go here to sign up for my occasional emails that always include exclusive photos and news of my writing and life. If you would rather just hear about new books and offers, you can follow my Amazon author page.
It always feels a little spooky at this time of year. The shops are full of monsters and items that have been ‘Halloweenified.’ The clocks go back an hour here in the UK, making the nights instantly much darker. I feel a little monstrous again, but I’m boring myself with that, so I won’t detail it here.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
Less Spooky, More Serendipitous
The Wee Writing Lassie asked me this question on her blog last week (about TENDU): Amalphia’s story takes place in the beautiful and cutthroat world of professional ballet – what inspired the decision to set her story in that particular backdrop?
My answer:When I was first considering writing a contemporary romance, I was unsure exactly where to place it. Inspiration struck while I was lying in the bath contemplating the issue. I saw a line of dancers in my mind. They were at the barre performing ronde de jambe, a circular leg exercise, and I knew the ballet world would be the setting for the story. My own dance training and career provided many of the details, and everything grew from there.
The serendipity: the picture above is almost identical to the image that appeared in my mind thirteen years ago. It arrived in my house, totally unexpectedly, in beautiful wall-mounted form, the day before TENDU released. Some lovely people, who I don’t even know that well, thought I might like it. I can see it from my desk now. And it’s a wonderful reminder that, even though bad or spooky things happen in this world, magic happens too.
The Books of this Post
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
“I fell in love with the book from the first page, and the love affair continued to the end.” Review from Lena on Goodreads.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
At first I thought there was only a single line of daffodils in the snow. I stopped to take photos. Like I would do on any other day out. A day out just for fun. Not that there have been many of those lately.
I walked along the path and headed down the steps where I was met with this stunning bank of yellow.
I do. I write romps. I can’t seem to help myself. I try to write a thriller: romp. A sweet romance? Nope. That quickly went dark and rompy.
When THE MERMAID AND THE BEAR was on submission, one publisher told me they felt they were reading ‘a medieval romp’ and that they were looking for something more serious. It was a fair comment, though I assume they didn’t reach the witchcraft accusations of the story. That press has since gone out of business, so it was a lucky escape for me.
The latest of the romps is OUT TODAY!
TENDU: Dancing in the Castle
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland.
She’s soon dealing with her boyfriend’s obsessive ex, the strange research taking place at the castle school and her own ever-evolving relationship issues.
Amalphia works hard to be the best dancer she can be, but as tension builds within the old walls of the castle, she begins to wonder if she will ever escape the dank dark of the dungeon…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more.
“This book has so much representation in its characters with autism, dyslexia, medical issues and LGBTQ+ characters…” Emma-Louise on Goodreads and TikTok
“Knowing there are two more books in the series made it easier to accept that the tale was coming to an end. It can be so hard to finish a book when you are loving the story so much.” Molly on Amazon.com
“So there we have it: mad experiments, paranormal powers, exciting dance sequences and lots and lots of sex. And did I mention the mystical forces in the old stone circle?” Tom Williams on his blog, author of the James Burke historical novels.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
In TENDU (out now) some rather strange dance research takes place in the dungeon studio of the castle. Much has changed in the story that I first conceived thirteen years ago, but that part has stayed more or less the same.
Childhood Memories
My late father was a research scientist, and I grew up hearing about how scientific studies can be heavily influenced by those that finance them and how they can be geared to lead to desired results. They can sometimes be unscientific. And unethical. It was all very interesting, and it stuck with me.
I should note that Amalphia’s parents are not based on my parents. Lynn and James Treadwell (very minor characters) are an example of the narcissist/enabler dysfunction as described in the book Toxic Parents.
I do four grand pliés in fourth and fifth position every morning while I wait for the kettle to boil for tea. It feels like a strong way to start the day. I find it calming and grounding. And I need that just now, with a book release so close. For several years, due to illness, my legs were too weak to manage this exercise, so it’s joyous as well as beneficial.
The benefits of dance for conditions such as dementia and Parkinson’s disease are becoming quite well known, of course, and it’s dancers’ brains that get studied in my books. They have been studied quite a bit in the real world too. Examples below:
The fictional research I created is a bit different from these very serious studies. It had to have some instant and dramatic effects to be interesting as part of a novel. Different characters will believe different things about those effects over the series, and I hope it’s entertaining to read!
About the books
My dance background and love of history and spicy stories are what inspired this heady mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
A Dancer’s Journey is available in paperback and Kindle and on Kindle Unlimited.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
I’m also pale. Pale like a ghost.
A Historical Monster
However, being a monster on the outside, in appearance, is nothing to being truly monstrous. While researching witch-hunting in preparation for writing THE MERMAID AND THE BEAR, I wanted to find a real monster, a person so enthused for the brutal activity that they could become a focal point for that dark energy in the story. History did not give him up easily. There was no obvious individual in the court documents or confessions. But I hunted him down and finally cornered the rogue in the financial accounts of Aberdeen.
In September 1597 William Dunn, Dean of Guild, was awarded, £47 3s 4d (the equivalent of £6000 in today’s money) for taking ‘extraordinary pains in the burning of a great number of witches’. It was unusual for someone to be given a large lump sum like this. With the exception of some witch prickers and those who sought to escheat their rich relatives, money was not commonly a motivating factor in the witch trials. William Dunn’s job was being in charge of the public money of the town, so he basically gave the cash to himself. I found you Sir, and I made you smell of rotten fish! If you read the historical notes section of the book, you’ll see that I’ve also cast him as the devil.
Bandage action!
So now I’m editing FIREFLIES AND CHOCOLATE and, 150 years later, there is brief mention of the Dean of Guild again. It does seem to be a role associated with making money from the suffering of others, at least, historically, in Aberdeen.
Mermaid Review
There’s a review I forgot to mention earlier, being rather distracted by the task of becoming a monster. It’s from Undiscovered Scotland: “The Mermaid and the Bear is a delight from end to end. There is a superb level of description in the book, that transports the reader back to the sights, sounds and smells of 16th Century life in a Scottish castle.” See the whole review here.
A spooky wee quote for this spooky old season:
Chosen Sisters, Romans and Romance
Set in 1st century Scotland, my latest book, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
Bessie had shown me the great hall, a huge room that put one in mind of a church. Sunlight fell through twelve windows, making narrow shapes on the earthen floor of that place…
I did rather fill up my writer’s swag bag at Drum.
Below is a beautiful bedpost…
Chapter 34:
“It’s beautiful, Thomas,” I said, walking into the room and running my hands up and down the dark smooth wood of the bedposts which were swirled with infinite oak leaves.
I don’t have a good picture of the dungeon there, though I pilfered that too. It’s a terrible place with a narrow stairway leading down, down, down into the dank. However, bats were roosting in it the last couple of times I visited the castle, and they’re a protected species so it was absolutely forbidden to disturb them. Which was quite a relief really…
Here is a pictorial quote from the book:
And into the swagbag goes…
A forest view from a high window at Crathes Castle
From Chapter 38:
I sat up on my seat by the three thin windows and watched the first golden shafts of morning light creep over the tops of the trees in the forest.
A Secret Stairway
From beautiful Craigievar I took the secret stairway that runs from top to bottom of the castle, strictly no photos allowed inside…
From Chapter 28:
We were in another passage, small and stony and grey, and after a short way it led to a narrow stairwell that was not lit by torches and sconces like the big one, but dark and shadowy and hidden. Secret. Indeed safe. For now.
The Laird’s Lug
Castle Fraser gave me its triangular peep-hole and ‘Laird’s Lug’.
From Chapter 28:
I told the Laird, and he took his turn at the peephole and gave the scene a long assessing look. “It is a pity there is so much noise tonight; we could have made out their words otherwise, the walls of the lug are thinned in places and shaped to augment speech made in the hall.”
I think that’s enough of my rampant thievery for one post – there may be others – so I’ll leave you with this review of the book from Terry Tyler, a brilliant writer herself. Actually – I can’t help myself – I’ll just steal a quote from that too:
Ailish Sinclair’s portrayal of 16th century, wild rural Scotland is quite magical. On one recent evening I was curled up in bed, head on cushions and lights dimmed, and I found that I was revelling in every description of the countryside, the day-to-day life at the castle (particularly the Christmas revellry; this made me long to be in the book myself!), the suggestion of ancient spirituality, and the hopes and dreams of the characters. Suddenly I realised that I’d gone from thinking ‘yes, this is a pleasant enough, easy-read’ to ‘I’m loving this’.
And here’s a wee picture of my author copies, or castle swag bags, if you will. Buy your own here on Amazon in paperback or on Kindle.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this heady mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
Keep up to date with all my news, witchy and otherwise, by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
Yes, Fraserburgh boasts its very own lighthouse in a castle! The 16th century Kinnaird Castle, on the left, was converted into a lighthouse in 1787 and is now part of the Museum of Scottish Lighthouses. On the right is the modern automated lighthouse.
Before we go in, let’s walk on a bit to the wine tower, the oldest building in Fraserburgh. The photo may not be the best of the tower, but look at that sky!
The Love Story
The wine tower is thought to have been a secret post-reformation Catholic Chapel, and has a sad love story attached to it. Strain your eyes and you can just see the red paint on the ground there in the picture above.
