Stories and photos from Scotland
Originally posted 2020.
I am lost in writing. I am in the Iron Age. Second draft. (2022 edit: coming soon now!) Rough edges. Rough middle. Super rough ending. Full of raw emotion. Ragged with it, as am I.
Continue reading “Timeless Woodland Pictures from the Time of Lockdown”
Originally published April 2021.
At first I thought there was only a single line of daffodils in the snow. I stopped to take photos. Like I would do on any other day out. A day out just for fun. Not that there have been many of those lately.
I walked along the path and headed down the steps where I was met with this stunning bank of yellow.
Continue reading “Daffodils in Snow, and History Lessons”
Duffus Castle looms, majestic and huge against the skyline as you approach. It’s imposing and impressive… dramatic too…
On the day I visited – Easter Sunday – it was busy, really busy, and the air contained a mysterious hint of sulphur. This medieval fortress of the Moray family, one of Scotland’s most beautiful motte and bailey castles, had become a giant playground for the seasonal pastime of ‘egg rolling’.
Continue reading “A Tentative Tiptoe Round Duffus Castle”
Originally posted 2020.
The dense block of pine trees that partially encircled the stones on Aikey Brae has been felled, leaving the site feeling like a windswept wasteland.
I knew it had happened but it was still a shock when I visited the circle at the weekend.
Continue reading “Aikey Brae: the North Wind Doth Blow”
Buchan Ness Lighthouse in Boddam, Aberdeenshire, shining its light out into the sunrise.
We’ve reached the point in the year, here in Northern Scotland, where light is scarce. It arrives late in the day and leaves early, by about 4pm. But that wintry low sun does some special things, especially at the beach…
Continue reading “Wintry Aberdeenshire: Sparks of Light”
A beautiful winter wonderland. Sparkling. Fresh. Perfect.
And then there’s the monster. Me. Again. Yes, I have succumbed to some of my old monstrous ways. But it’s not as bad as before. I’m not in hospital this time. I’m in a winter wonderland!
Storm Arwen pulled down some of our old pines and left us with no electricity for a couple of days. But we were cosy and well fed. We played board games and stoked the fire. We listened to audio books in the dark till the iPad ran out of power.
Before that, when I could feel the beginnings of monstrosity happening, I ran round doing things I knew I might not be able to do for long. I bought festive food in the shops. I visited Berrybrae Stone Circle.
The trees around the circle looked dark and forbidding.
I found it hard to climb up onto the wee wall around it with my gammy leg. But I made it…
It was still autumnal then. Unlike now.
The Historical Novel Society published a very nice review of FIREFLIES AND CHOCOLATE here which cheered me up.
Quote:
Like Elizabeth wrapped in a plaid, savor the pages of Fireflies and Chocolate and wait for that “bonny” feeling, “I’ve come home.”
Dorothy, the reviewer, also put the review up on her website here with some lovely Scottish photos.
So, for now, I’m content to read blogs and reviews and take short hobbles through the beautiful snow, feeling glad to be able to return to electricity and the cosy fire… and maybe even a bit of writing.
Aberdeen’s 1597 witchcraft panic (mermaid) and 18th century kidnappings (fireflies) combine with love and hope in THE MERMAID AND THE BEAR & FIREFLIES AND CHOCOLATE. Christmas features in both books !
Originally posted 2020.
I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
Continue reading “On Monsters: being one, writing one…”
I get easily distracted by the places and things that I write about here and forget to mention other writerly bits and pieces of note in some posts. So here goes!
I recently did an interview with the lovely Tonya Ulynn Brown on her blog The Rose and the Thistle here. Tonya’s review of THE MERMAID AND THE BEAR came out while I was in hospital last year and it really cheered me up. I tweeted about it from my bed very early in the morning, having finally worked out how to use the WiFi. I remember the scene so clearly: the dimmed light in the ward, the wall clock with its strange night and day depiction, the quiet padding about of nurses, and the prick of the blood sugar checking device. At least I had performed some worthwhile task from my bed. I was almost working! A man instantly tweeted back to me that I was being too ‘self congratulatory’ in mentioning the review. And that only encouraged me…
In the interview I ask such questions as: Is it really good enough? Is it, in fact, bilge? Or nonsense? Or the worst thing that has ever been written in the whole history of the world?
And dispense advice like: Don’t let other people tear you down and tell you you’re doing it wrong. People have strange agendas when it comes to the writing of others. Do your own thing. Go your own way.
There’s been quite a few. Two of the most recent for FIREFLIES AND CHOCOLATE are from Elisabeth on the writer’s tip jar site Kofi here. I found her mention of language very interesting.
And then over on Goodreads, this one from Alex came in yesterday. “I was moved and shocked by what I read but also took solace from the portrayal of genuine historic figures in the book such as the vile Alexander Young and the decent Benjamin Lay, Peter Williamson and Benjamin Franklin whose kindness and determination make a difference to those reduced to the status of chattels.”
I’ve started a wee Facebook Group to promote Scottish books. Your own or those you’ve read, fiction or non-fiction, about or set in Scotland or written by a Scottish author. If you’re interested feel free to join here.
For more cobbled streets and old stones, sign up to the mailing list.
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
See the publisher’s Press Release here
Originally posted October 2019.
We’ve moved North and round the corner from the golden sands of Fraserburgh beach, and arrived at the rocky shores of Broadsea and a beautiful rock pool, the Museum of Scottish Lighthouses in the background.
But the book is out! Released! That’s all that’s really on my mind today… though I can be momentarily distracted by shells:
It’s a strange feeling this, like opening a window and letting something precious and secret fly away to where it can now be seen by anyone who wants to see it!
That’s my favourite little house at Broadsea, right beside the rugged rocky coastline.
So… deep breath…
Set in a fictional castle in Aberdeenshire, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
And it has a castle.
And a stone circle.
And medieval Christmas.
Out in paperback and Kindle NOW!
Universal links:
Originally posted 2020.
The start of the title is a bit of a lie. In fact it’s a total fabrication. There’s no derring-dos on the high seas recounted here. I do have crutches, so am a bit peg-legged and I like to think there’s an (imaginary) parrot on my shoulder. I have been diagnosed with an autoimmune disorder, so my body has basically been trying to kill me. I’m now on medication to stop those efforts, but I have to be checked once a week in case the drug makes its own attempts to kill me. So there are elements of a thriller genre at work in my life.
During my month of cannulas, needles, tests and scary procedures I sought beauty where I could find it. Through the hospital windows. I woke the first morning to a beautiful pink sunrise and a rather wonderful view of St Nicholas Kirk steeple, the church that features in THE MERMAID AND THE BEAR. Despite the fact that I wrote of truly terrible events involving that steeple, I found it somewhat comforting to see it there. I felt a connection to the place. It lit up in the evening sun too.
But I was soon moved. This was something that was being done due to Covid. Constant rearranging of patients between wards. Decisions made by ‘bed managers’, not medics. It didn’t make any sense to me, and the medical staff were pretty unimpressed by it too.
However, I saw through many different windows. This next ward had the worst view, just a small box of buildings, but the best bed. Air mattresses are magical things; lying in them is a little bit like being hugged as they inflate and deflate to maximise your comfort.
I was soon off to sparkling chimney sunrises and sunsets:
Then, finally, the last of the hospital windows. At first I was quite annoyed about this move. Diagnosed and treated, just awaiting final tests, I was shunted away to what felt like a far flung area of the hospital, and I no longer had my own room. I posted a somewhat morose quote from Lord of the Rings about the sunrise that morning on Instagram.
But, it really worked out very well. The other three ladies I was with were lovely. There was kindness and understanding between us all and we shared frequent laughing conversations, our room being referred to as the party room by the nurses.
And it had a swashbuckling sea view… just.
While I was in, a rather wonderful review went up on The Rose and the Thistle blog. Reading the opening line cheered me up instantly! “Before I go any further, I just have to say, this is one of the most beautifully written books I have ever read. Yes, it is written in one of my favorite time periods, and yes it takes place in one of my favorite places in all the world, but when you combine that with the almost poetic style of Sinclair’s writing—sigh!” See the whole review here.
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, features an often overlooked event in history, the 1597 Aberdeen witchcraft panic, and a love story.
