SISTERS AT THE EDGE OF THE WORLD has been out for three days now and I think it’s going quite well. I’m staying calm and mellow anyway…
Reviews
Review from Lizanne Lost in a Good Book: “This is a complex mystical tale of bloody conflict between two disparate civilisations, but also about sisterhood, romantic love and dramatic choices. Morragh is not like most of us. Her actions are instinctive and passionate, but her certainty is persuasive.” See the whole review here.
Out today! Paperback & kindle on Amazon. From the provocative opening scene to the later dramatic and devastating events of the story, SISTERS AT THE EDGE OF THE WORLD is a book that will continually surprise, delight, and sometimes shock the reader. #historicalfiction#booktok#romance#ancientworld#neurodiversity
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodiverse main character and some rather complicated romance!
Sisters is out on the 21st of September in both paperback and kindle, so it’s getting close now.
I’m calmer this time. It doesn’t feel like quite such a great big worrying thing. And, as you can see, I’m having fun playing with imagery for marketing.
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations, a handsome Laird, an ancient stone circle and a love story.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.
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This post details a day in 2014 when we set off to find Balgorkar Stone Circle and visited two castles and another circle too.
We headed off to look for the stones. But first, there was a quick stop at Fraserburgh beach where the haar (Scottish word for mist that rolls in off the sea) hung low and filtered the sunlight in a silvery way. A seagull flew by as I took the photo.
Balgorkar Stone Circle
Inland we travelled, to bright sunshine and summer colours and the stones of Castle Fraser.
To the left in the picture below (click to see larger image) are two standing stones and to the right, in the distance by the trees, is Balgorkar Stone Circle (also known as Castle Fraser Stone Circle). The stones were visible from the road, so quite easily found.
Up the side of the field we walked.
I thought we’d have to just view the stones from there, but no, some naughty person had trampled a pathway through the crop, so we did no further damage by walking it.
The recumbent and flankers, dark against the field:
Castle Fraser
Next we visited Castle Fraser, where I was meant to be doing research for writing on heraldry, historic dates and architecture. This took the form of running about taking photos:
Then, after picnicking, with only half the day gone, we decided to head to ruinous Kildrummy Castle, a few miles further on.
There in the reception was an old friend who I hadn’t seen for years. There was hugging and much talking. Other people got fed up waiting to be served… We kept saying it was amazing. My friend is currently doing a PhD in history, so some of our conversation became spontaneous research.
We finally moved on to look around:
I do appreciate the use of the adverb ‘treacherously’ there; without it we might think Osbourne the Blacksmith to have merely made a mistake or had an unfortunate accident such as tripping with a pot of molten metal or dropping a freshly forged sword.
Broomend of Crichie Stone Circle
The day ended with a visit to Broomend of Crichie stone circle, Pictish stone placed in the middle.
This blog post is ending in a rather unrelated way, with some ballet. It’s beautiful and romantic and only two minutes long. It’s Scottish Ballet performing at the opening of the Commonwealth Games in Glasgow in 2014.
Historical Fiction featuring a castle and a stone circle!
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.
There’s love. There’s derring-dos on the high seas… And there’s chocolate!
A Byronic hero is a type of fictional character who is a moody, brooding rebel, often one haunted by a dark secret from his past. The term describes the type of main character found in many fictional works by Lord Byron, who is said to have had this type of personality.
I love Byronic heroes. I love reading them. And I love writing them. He is very naughty though, and I will have to punish him for the rest of his life. Oh, the FUN!
The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.
Excerpt from TENDU by Ailish Sinclair
And that really is all today. Because: busy writing. Been sucked in to the manuscript and am finding it hard to leave.
At first it doesn’t feel quite real… where is the white rabbit leading? To a book cover? That seems odd…
This Alice in Wonderland style post dates from the build up to the release of THE MERMAID AND THE BEAR in 2019.
The rabbit leads us down or, as is more accurate, through, a giant rabbit hole!
Things get stranger yet as we pass between a huge fork and knife…
We come to a place of unicorns.
We want to stay here with the unicorns, but we have to move on, to see…
A miniature castle! We go inside, and peer out like giants.
We hear sweet music, percussion. Everything feels dreamy and lovely.
And then, finally, this is where the rabbit has been taking us… to the book cover!
Set in a castle in Aberdeenshire, THE MERMAID AND THE BEAR features a fictional account of three real women who were accused of witchcraft in 1597. It’s also a love story. And the cover makes it all very real now to Ailish (the Gaelic form of Alice)…
She needs to have a nice lie down like the huge white rabbit (6.5 metres long) in the Playful Garden at Brodie Castle, featured in this post.
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The Mermaid and the Bear is out now in both paperback and Kindle.
Rosehearty harbour, pretty with pink thrift growing in the foreground.
So, I’m out.
In the car.
Whizzing through the countryside.
Seeing things that are not my garden, not my house: ripening crops, winding roads, people, tractors, dogs…
I’ve moved on from the small blue ball I was before. In my excitement to be out, I overestimate the level of moving on that has occurred. Going into a shop turns out to be a mistake that leads to pain and shaking and a slow hobbling retreat.
But sitting by Rosehearty harbour, on a bench, in the sun, is perfect.
It’s progress, and it’s good.
Read more about the harbour at Rosehearty, one of the oldest seaports in Scotland, here.
My books:
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations, a handsome Laird, an ancient stone circle and a love story.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.
Set in 1st century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a tale of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. More…
Beautiful Loch Morlich, Cairngorms beyond, still with patches of snow in June.
Little Blog
This blog was originally sent from holiday in June 2019. I was completely depleted by my autoimmune conditions, at that point undiagnosed, and spent most of the holiday lying in bed reading books.
It seems strange, looking back on it now, that I tried to keep my health problems a secret. Only happy pictures got posted on socials, such as ones of Aviemore Stone Circle and Reindeer in the Cairngorms. The gargantuan effort it took to get to these places, or how I hardly left the car, did not get mentioned.
I didn’t want it to be true. I wanted to ‘snap out of it’. I didn’t want that to be the way of me.
I still don’t of course, and it is generally better now, flare ups aside. I guess I’m becoming more open and accepting of the situation, and I like to write honestly everywhere, not just in my books.
Big Blog
From bed I shared the news of my guest post on the official tourism site for Aberdeen and Aberdeenshire: 10 Mystical and Magical Places in Aberdeenshire. Below is Pitsligo Castle, one of the sites featured in that post.
Loch Morlich
On the pictured morning I walked very slowly from the car to the loch, and it was wonderful to be out among such beauty. I was on the banks of Loch Morlich before the ducks were up! And probably back in bed before they were too…
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Set in 1st century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a tale of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. More…
Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!
So, am I the only one?
Tell me I’m not.
I can’t be.
Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?
Rhododendron flowers on the pink bench
Marketing
But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.
Ox Eye Daisy
So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.
Floods.
Breathlessness.
I’m welling up just looking at the line now, overcome by all that it references.
Editing
This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.
The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.
It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂
But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.
On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.
Clouds of mist swirl over the surface of the loch.
The picture above was taken after an unexpectedly hot day led to unexpectedly beautiful conditions. Well, not completely unexpected. It’s always beautiful, always different.
Summer Loch
Summer brings lush green foliage and colour to the loch*. It’s not very deep so swimming can be warm, though muddy.
Autumn
That glassy ‘stand and stare’ stillness can happen at any time of year, but it most commonly occurs in Autumn. Sunsets are pink, silver or even purple. Whatever the sky is doing is intensified in reflection.
The Loch in Winter
Scottish winters are fierce. One year layer upon layer of ice and snow built up so thick that people and dogs ran about on top of the loch. I watched a fox run right across from one side to the other. It was at once surreal and yet so very real, unconnected from civilisation as it feels up there in the woods. No TV, no computers, just life and joy and fun on a natural huge flat screen among the trees.
I hope I will be well enough to walk up there soon. And what will await? A liquid mirror? Slow moving ripples? The slightest change in airflow is made visible by water. If there’s blue in the sky, there will be blue in the loch. Maybe there’ll be whooping swans with their yellow beaks, or an otter leaping about on the banks. I love the sound of otters giggling in the evening… I miss it.
Whooper swans over the loch
* I freely admit to having overused the word ‘loch’ in this post. The word ‘lake’ is not a suitable substitute. If you don’t come from Scotland you can have no idea how very wrong that notion is. And while we’re at it, let’s make sure you’re saying/thinking the word right. The ‘ch’ sound is like a Scottish wildcat (something I once saw up by the large expanse of water, but no one believes me) hissing in the back of your throat. There you are, got it.
Set in 1st century Northern Scotland, SISTERS AT THE EDGE OF THE WORLD is a tale of chosen sisters, fierce warriors, divided loyalties and, ultimately, love. More…
Writing Update
I am back editing the manuscript now. My poor characters have moved on from the battle scene at last! Though the phrase ‘out of the frying pan, into the fire’ springs to mind…
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