Share Your Books and Writing with Me!

Share your books with me!

And any other writing, such as poems, blogs and excerpts from your work in progress. I want to see it. My readers want to see it. Show us those heartfelt creative efforts.

Share your books!
In local bookshop Better Read Books in Ellon

No-nos

There’s so many no-nos in the online world of writing today. Review swaps are against the terms and conditions of Amazon and other places. ‘Buy my book!’ DMs on social media are just annoying and unprofessional, and thankfully much rarer than they used to be. This week a writer (big 5 publisher, famous agent) posted a ‘buy my book’ comment on one of my Instagram posts. We don’t follow each other. The book had nothing to do with the subject of my post, so it seemed a bit desperate and, again, unprofessional. It did not make me want to buy the book; in fact, it was off-putting. An invasion of space even.

But it got me thinking about spaces where it is good to share, and here we have this post.

Share you books! Witchy books.
Witchy books…

Share Your Books!

There’s no no-nos here today. The comment section of this post is a free for all sharing space. Post your own work and peruse that of others too. You’re also welcome to add links 🙂

And talking of adding links, if you have a book and a blog, it’s a good idea to post some way to see those books in the posts. I’ve quite often been impressed with writing on a blog and looked for a mentioned book to no avail.

I have a Facebook group for sharing any books that have a Scottish connection. See it here.

I want to see your books and writing, people! So post away…

And, of course, here’s mine:

the novels of Ailish Sinclair

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations, a handsome Laird, an ancient stone circle and a love story.

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society

feet

See my About Page here

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Just a wee description of a castle rooftop today…

castle roof
Photo taken at Castle Fraser

A castle rooftop from my work in progress:

The gable of the great hall rose high to the front, a huge chimney boasted diminutive battlements, and other lower layers of pink castle sprawled out haphazardly in front of me. There were three small turrets, upended cones that had been meticulously finished round and round with ever smaller and smaller lichen dotted tiles. Tiny mismatched windows blinked in the sun: circles, squares and one narrow bent rectangle. Sections of roof ended randomly, some with mossy little steps to nowhere; one jutting brick triangle had been shaped to fit the side of a sloping turret.

Excerpt from TENDU by Ailish Sinclair

And that really is all today. Because: busy writing. Been sucked in to the manuscript and am finding it hard to leave.

Other castle rooftops are available.

As are other thefts from castles.

Other books too

A Ballet Novel and a Tale of Publishing Woes

An aesthetic for TENDU, a ballet novel by Ailish Sinclair
Aesthetic for Tendu

I am now editing my ballet novel, a dark contemporary romance, TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.

I’m LOVING it. I’d forgotten quite how much FUN this book this. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.

It’s had a tumultuous publishing journey though. And I’m sharing that today.

pointe shoes, a ballet novel, TENDU, by Ailish Sinclair
Lovely Porselli Pointe Shoes

Publishers

I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.

Time went by.

MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised and always on the ball), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.

And more time went by.

After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.

Writers Group

Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.

But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…

ballet novel, TENDU, by Ailish Sinclair

And that’s where I am.

SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. I love the story of this ballet novel, dark as it sometimes is.

And it all feels good.

Books

books on pink

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the 1597 Aberdeen witchcraft panic and a love story.

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

My About Page

Mailing List

Blue Mind and Bare Feet on Pink Rocks

Blue MInd at New Aberdour Beach in Aberdeenshire

The term ‘blue mind’ describes the mild meditative state that we enter when in or close to natural bodies of water. It was coined by marine biologist Dr. Wallace J. Nichols. He wrote a book on the subject and did a Ted Talk too:

So ‘blue mind’ in mind, and encouraged by my wee trip to Rosehearty Harbour last week, I ventured out again. Travelling slightly further this time, I arrived at New Aberdour beach where everything was blue, blue, blue…

blue mind over the rockpools

Blue Mind to Pink Rocks

Feet bare, I sat on the pink rocks and stared out to sea.

blue mind, bare feet and pink rocks

I saw stones and pools and pink, lots of pink everywhere.

I used the transition from blue to pink in this post to symbolise levels of pain.

stones in a rock pool crevice

But in this context, the blue of ‘blue mind’ was not pain. It was perfect.

So I stared out over the rock pools.

And breathed in the blue of the sea.

blue mind and rockpools

And, hopefully, now, healing comes…

A coastal quote from SISTERS, my work in progress

I am just looking at the soft shapes of land, and the hard shapes of rock, as they drop away into the sea. No in-between places up on top here. No beach, no marsh. Here the space between life and death is painted clear. You could be walking on grass one moment and dead on the rocks the next. This is a place of instant transition from one state to another.

The Published Books on the pink bench…

books on pink

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

Newsletters

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blue mind

There’s more Blue Mind photos in the older post Going Coastal

Writer’s Tip Jar

Crying While Writing: anyone else do this?

Crying while writing: Star of Bethlehem flowers
Star of Bethlehem in the meadow

Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!

So, am I the only one?

Tell me I’m not.

I can’t be.

Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?

crying while writing: Rhododendron flowers on the pink bench
Rhododendron flowers on the pink bench

Marketing

But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.

ox eye daisy
Ox Eye Daisy

So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.

Floods.

Breathlessness.

I’m welling up just looking at the line now, overcome by all that it references.

Rhoddies. Crying while writing

Editing

This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.

The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.

It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂

But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.

crying while writing, a candle outside
Lovely soothing candle from Tilly’s Candle Shop… sniff…

Giveaway

On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.

book giveaway

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick

feet

About page updated

My Witchy Debut Novel is Published, 2019

The Mermaid and the Bear Christmas

2019 got off to an exciting start for me when I signed a contract with GWL Publishing for my debut novel, The Mermaid and the Bear. It’s out in both paperback and Kindle NOW!

Amazon UK

Amazon Worldwide

Waterstones

Aspects of the book:

  • It’s mainly set in a fictional castle in Aberdeenshire.
  • It incorporates the 1597 Aberdeen witchcraft panic.
  • There’s a stone circle.
  • There’s 16th century Christmas.
  • And there’s a love story.

Cover:

Cover of Ailish Sinclair's debut novel THE MERMAID AND THE BEAR

Blurb:

Isobell needs to escape. She has to. Her life depends on it.

She has a plan and it’s a well thought-out, well observed plan, to flee her privileged life in London and the cruel man who would marry her, and ruin her, and make a fresh start in Scotland.

She dreams of faery castles, surrounded by ancient woodlands and misty lochs… and maybe even romance, in the dark and haunted eyes of a mysterious Laird.

Despite the superstitious nature of the time and place, her dreams seem to be coming true, as she finds friendship and warmth, love and safety. And the chance for a new beginning…

Until the past catches up with her.

Set in the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

 Further insight:

I made a wee aesthetic for it, because: oh the fun!

Aesthetic for The Mermaid and the Bear, Ailish Sinclair's debut novel

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Beach Sunrises and Thoughts on Publishing

beach sunrises: Fraserburgh beach
Tiger Hill, Fraserburgh

Beach sunrises

I’ve been lucky to catch a few beautiful ones lately. And to manage a few short walks upon the sand. I’m back to my usual routine of first thing in the morning writing sessions. It’s good. The writing gets the best of my brain then, I think.

Thinking

I’ve been doing lots of that. Between the beach sunrises.

beach
Waves…

I’ve been very happy being published by a traditional small press. But this next book I’m working on is a bit strange. And short. It does not conform. And I don’t want to change it to make it do so. I like it the way it is. It’s how the story needs to be. So I’m wondering about self publishing.

Maybe.

I think.

I’m indecisive.

I need the process to be as stress-free as possible. My health issues are exacerbated by stress. So, I’m thinking just to Kindle first. For ease. And learning.

Maybe.

I think…

Feel free to share your advice and insights!

beach sunrise
Silvery sands.

Though really, before any of that, I need to focus on the writing and the refining and the rewriting and the relationships in the story and trying not to write run on sentences… and just tap tap tap away at that keyboard.

writing in fingerless gloves
Early morning gloves do make me feel a bit Dickensian!

My (traditionally published so far) books:

Ailish's books

FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.

Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.

Paperbacks and kindle: Amazon UK or Amazon Worldwide

“Ailish Sinclair spins this Scottish tale filled with excitement and suspense…” Historical Novel Society

  • Go here to sign up for my occasional emails that include exclusive photos and news of my writing and life.
Buy Me a Coffee at ko-fi.com

Writerly Roundup: interview, reviews, group

writerly places, a cobbled street with flowers
A rather distracting cobbled street in Aberdeen. It features here and here.

I get easily distracted by the places and things that I write about here and forget to mention other writerly bits and pieces of note in some posts. So here goes!

Interview

I recently did an interview with the lovely Tonya Ulynn Brown on her blog The Rose and the Thistle here. Tonya’s review of THE MERMAID AND THE BEAR came out while I was in hospital last year and it really cheered me up. I tweeted about it from my bed very early in the morning, having finally worked out how to use the WiFi. I remember the scene so clearly: the dimmed light in the ward, the wall clock with its strange night and day depiction, the quiet padding about of nurses, and the prick of the blood sugar checking device. At least I had performed some worthwhile task from my bed. I was almost working! A man instantly tweeted back to me that I was being too ‘self congratulatory’ in mentioning the review. And that only encouraged me…

In the interview I ask such questions as: Is it really good enough? Is it, in fact, bilge? Or nonsense? Or the worst thing that has ever been written in the whole history of the world? 

And dispense advice like: Don’t let other people tear you down and tell you you’re doing it wrong. People have strange agendas when it comes to the writing of others. Do your own thing. Go your own way.

See the whole interview here.

writerly times: sunlight by a mausoleum
Sunlight peers round the corner of the Duff House Mausoleum

The second writerly thing: reviews

There’s been quite a few. Two of the most recent for FIREFLIES AND CHOCOLATE are from Elisabeth on the writer’s tip jar site Kofi here. I found her mention of language very interesting.

And then over on Goodreads, this one from Alex came in yesterday. “I was moved and shocked by what I read but also took solace from the portrayal of genuine historic figures in the book such as the vile Alexander Young and the decent Benjamin Lay, Peter Williamson and Benjamin Franklin whose kindness and determination make a difference to those reduced to the status of chattels.”

cobbles or cassies
Ah, those cobbles, or cassies as they are up here. See yet more of them.

And the last writerly mention: the group

I’ve started a wee Facebook Group to promote Scottish books. Your own or those you’ve read, fiction or non-fiction, about or set in Scotland or written by a Scottish author. If you’re interested feel free to join here.

writery things: stone circles
Possibly the biggest distraction of all, stone circles. See this one here.

For more cobbled streets and old stones, sign up to the mailing list.

Cover of Ailish Sinclair's 'The Mermaid and the Bear'

Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.

Amazon

Waterstones

GoodReads

Fireflies and Chocolate by Ailish Sinclair, out 2021

FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!

See the publisher’s Press Release here

Amazon 

Waterstones 

Goodreads