Stories and photos from Scotland
Just that. Nothing else. All that’s needed 🙂
Originally published April 2021.
At first I thought there was only a single line of daffodils in the snow. I stopped to take photos. Like I would do on any other day out. A day out just for fun. Not that there have been many of those lately.
I walked along the path and headed down the steps where I was met with this stunning bank of yellow.
Continue reading “Daffodils in Snow, and History Lessons”
This monster post was originally posted in 2020.
I don’t need a Halloween costume this year. I already look like a monster. The medication I’m on to stop my body killing me (condition lamented here) has made my face swell up. Like a moon. It is a well documented side effect actually referred to as ‘moonface’. The same drug is also causing insomnia so I have massive eye bags that extend to what feels like halfway down my face. There’s quite a lot of bandage action across my body too, which adds an air of mummification fun to the whole ensemble.
I’m also pale. Pale like a ghost.
However, being a monster on the outside, in appearance, is nothing to being truly monstrous. While researching witch-hunting in preparation for writing THE MERMAID AND THE BEAR, I wanted to find a real monster, a person so enthused for the brutal activity that they could become a focal point for that dark energy in the story. History did not give him up easily. There was no obvious individual in the court documents or confessions. But I hunted him down and finally cornered the rogue in the financial accounts of Aberdeen.
In September 1597 William Dunn, Dean of Guild, was awarded, £47 3s 4d (the equivalent of £6000 in today’s money) for taking ‘extraordinary pains in the burning of a great number of witches’. It was unusual for someone to be given a large lump sum like this. With the exception of some witch prickers and those who sought to escheat their rich relatives, money was not commonly a motivating factor in the witch trials. William Dunn’s job was being in charge of the public money of the town, so he basically gave the cash to himself. I found you Sir, and I made you smell of rotten fish! If you read the historical notes section of the book, you’ll see that I’ve also cast him as the devil.
So now I’m editing FIREFLIES AND CHOCOLATE and, 150 years later, there is brief mention of the Dean of Guild again. It does seem to be a role associated with making money from the suffering of others, at least, historically, in Aberdeen.
There’s a review I forgot to mention earlier, being rather distracted by the task of becoming a monster. It’s from Undiscovered Scotland: “The Mermaid and the Bear is a delight from end to end. There is a superb level of description in the book, that transports the reader back to the sights, sounds and smells of 16th Century life in a Scottish castle.” See the whole review here.
A spooky wee quote for this spooky old season:
Set in 1st century Scotland, my latest book, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance.
“Ethereal and spellbinding….” Historical Novel Society
See the press release here
Review from Terry Tyler: “It’s a fabulous story, a real page-turner and so well written. It made me think about the passage and circle of time, of the constancy of the land on which we live and the transient nature of human life. Loved it.“
Read the article Roman Aberdeenshire features in author’s new book from Grampian Online.
See my About Page
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!
So, am I the only one?
Tell me I’m not.
I can’t be.
Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?
But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.
So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.
Floods.
Breathlessness.
I’m welling up just looking at the line now, overcome by all that it references.
This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.
The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.
It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂
But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.
On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen.
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.
Paperbacks and kindle: Amazon UK or Amazon Worldwide
“Filled with excitement and suspense…” Historical Novel Society Editor’s Pick
About page updated
A beautiful winter wonderland. Sparkling. Fresh. Perfect.
And then there’s the monster. Me. Again. Yes, I have succumbed to some of my old monstrous ways. But it’s not as bad as before. I’m not in hospital this time. I’m in a winter wonderland!
Storm Arwen pulled down some of our old pines and left us with no electricity for a couple of days. But we were cosy and well fed. We played board games and stoked the fire. We listened to audio books in the dark till the iPad ran out of power.
Before that, when I could feel the beginnings of monstrosity happening, I ran round doing things I knew I might not be able to do for long. I bought festive food in the shops. I visited Berrybrae Stone Circle.
The trees around the circle looked dark and forbidding.
I found it hard to climb up onto the wee wall around it with my gammy leg. But I made it…
It was still autumnal then. Unlike now.
The Historical Novel Society published a very nice review of FIREFLIES AND CHOCOLATE here which cheered me up.
Quote:
Like Elizabeth wrapped in a plaid, savor the pages of Fireflies and Chocolate and wait for that “bonny” feeling, “I’ve come home.”
Dorothy, the reviewer, also put the review up on her website here with some lovely Scottish photos.
So, for now, I’m content to read blogs and reviews and take short hobbles through the beautiful snow, feeling glad to be able to return to electricity and the cosy fire… and maybe even a bit of writing.
Aberdeen’s 1597 witchcraft panic (mermaid) and 18th century kidnappings (fireflies) combine with love and hope in THE MERMAID AND THE BEAR & FIREFLIES AND CHOCOLATE. Christmas features in both books !
Fraserburgh beach in Aberdeenshire is sandy and golden and beautiful. It’s usually pretty deserted, especially early in the morning, and I love it.
I’m still very taken with the concept of blue mind (see last post on it here) and have decided to take every opportunity to experience it.
So, here I am.
Beside the ocean.
The tide is in today, so I only have to take a few steps to be right by the water. Sometimes the North Sea is far far away in Fraserburgh bay.
But this gentle morning, I just sit on a pink granite block and breathe it all in. The sun. The lapping waves. And the blue… the glorious blue.
Fraserburgh beach also features in these posts:
Romans + Celts = some rather complicated romance in SISTERS AT THE EDGE OF THE WORLD.
Set in an Aberdeenshire castle, THE MERMAID AND THE BEAR features the Scottish witchcraft accusations and a love story.
FIREFLIES AND CHOCOLATE was inspired by the 18th century kidnapped children of Aberdeen and is set in both Scotland and Colonial Pennsylvania.
Paperbacks and Kindle and on Kindle Unlimited: Amazon UK or Amazon Worldwide
“Ailish Sinclair spins this Scottish tale filled with excitement and suspense…” Historical Novel Society
Go here to sign up for my occasional emails that always include some exclusive photos and news of my writing and life.
See my About Page
Rosehearty harbour, pretty with pink thrift growing in the foreground.
So, I’m out.
In the car.
Whizzing through the countryside.
Seeing things that are not my garden, not my house: ripening crops, winding roads, people, tractors, dogs…
I’ve moved on from the small blue ball I was before. In my excitement to be out, I overestimate the level of moving on that has occurred. Going into a shop turns out to be a mistake that leads to pain and shaking and a slow hobbling retreat.
But sitting by Rosehearty harbour, on a bench, in the sun, is perfect.
It’s progress, and it’s good.
Read more about the harbour at Rosehearty, one of the oldest seaports in Scotland, here.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
“Ethereal and spellbinding….” Historical Novel Society
See the press release here
Read the article Roman Aberdeenshire features in author’s new book from Grampian Online.
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
See the press release here
From the Press and Journal: New book by Fraserburgh author highlights horrific extent of witch trials in Scotland
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
See the publisher’s Press Release here
“Filled with excitement and suspense…” Historical Novel Society
See my About Page here
Go here to sign up for my occasional emails that always include exclusive photos and news of my writing and life.
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