A Stolen Floor
That’s the earthen floor of the medieval great hall at Drum Castle.
I love it.
So I took it!
From Chapter 3 of THE MERMAID AND THE BEAR:
Bessie had shown me the great hall, a huge room that put one in mind of a church. Sunlight fell through twelve windows, making narrow shapes on the earthen floor of that place…
I did rather fill up my writer’s swag bag at Drum.
Below is a beautiful bedpost…
Chapter 34:
“It’s beautiful, Thomas,” I said, walking into the room and running my hands up and down the dark smooth wood of the bedposts which were swirled with infinite oak leaves.
I don’t have a good picture of the dungeon there, though I pilfered that too. It’s a terrible place with a narrow stairway leading down, down, down into the dank. However, bats were roosting in it the last couple of times I visited the castle, and they’re a protected species so it was absolutely forbidden to disturb them. Which was quite a relief really… but here is a pictorial quote from the book:
And into the swagbag goes…
A forest view from a high window at Crathes Castle
From Chapter 38:
I sat up on my seat by the three thin windows and watched the first golden shafts of morning light creep over the tops of the trees in the forest.
A Secret Stairway
From beautiful Craigievar I took the secret stairway that runs from top to bottom of the castle, strictly no photos allowed inside…
From Chapter 28:
We were in another passage, small and stony and grey, and after a short way it led to a narrow stairwell that was not lit by torches and sconces like the big one, but dark and shadowy and hidden. Secret. Indeed safe. For now.
The Laird’s Lug
Castle Fraser gave me it’s triangular peep-hole and ‘Laird’s Lug’.
From Chapter 28:
I told the Laird, and he took his turn at the peephole and gave the scene a long assessing look. “It is a pity there is so much noise tonight; we could have made out their words otherwise, the walls of the lug are thinned in places and shaped to augment speech made in the hall.”
I think that’s enough of my rampant thievery for one post – there may be others – so I’ll leave you with this recent review of the book from Terry Tyler, a brilliant writer herself. Actually – I can’t help myself – I’ll just steal a quote from that too:
Ailish Sinclair’s portrayal of 16th century, wild rural Scotland is quite magical. On one recent evening I was curled up in bed, head on cushions and lights dimmed, and I found that I was revelling in every description of the countryside, the day-to-day life at the castle (particularly the Christmas revellry; this made me long to be in the book myself!), the suggestion of ancient spirituality, and the hopes and dreams of the characters. Suddenly I realised that I’d gone from thinking ‘yes, this is a pleasant enough, easy-read’ to ‘I’m loving this’.
And here’s a wee picture of my author copies, or swag bags, if you will. Buy your own here on Amazon in paperback or on Kindle.
From the Press and Journal: New book by Fraserburgh author highlights horrific extent of witch trials in Scotland
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My Other Books
Set in 1st century Scotland, my latest novel, SISTERS AT THE EDGE OF THE WORLD, includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodiverse main character and some rather complicated romance!
See the press release here
Read the article Roman Aberdeenshire features in author’s new book from Grampian Online.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
See the publisher’s Press Release here
Review from the Historical Novel Society
