Kelly’s Cats adorn Union Bridge in Aberdeen. Commissioned by architect William Kelly, and designed by artist Sidney Boyes, they were added to the bridge in 1910. They’re leopards, taken from the Aberdeen Coat of Arms. Two leopards are said to have been gifted to the city by James I to thank them for helping him when he was captured by the English.
Below is the Coat of Arms displayed in Duthie Park. Missing, possibly obscured by foliage, are the words, and city motto, Bon Accord, meaning good agreement. This was a secret password used by soldiers of Robert the Bruce when they retook Aberdeen Castle (long gone now) from, again, the English.
An older photo of Kelly’s Cats, taken before the golden safety railings were in place:
Leopards are also represented in the nearby Union Terrace Gardens.
As are unicorns, Scotland’s national animal (yes, really).
Globe thistles, His Majesty’s Theatre in background:
Anemones:
Larger view of the gardens, where wild flowers now abound. Bon Accord!
Sisters at the Edge of the World
From the misty hills of ancient Scotland emerges a tale of love, betrayal, and the fight for freedom.
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Provost Skene’s House nestles between the new buildings and giant plant pots of Aberdeen. This post details a visit from 2023.
It’s been a long time since I’ve visited the 16th century townhouse. In fact, it’s been a very long time since I’ve been in the city centre. In recent years trips to Aberdeen have been illness or hospital related.
There have been a few changes.
Marischal College
The fountains in front of Marischal College are new:
My father worked in the building when I was a child, and there were regular family trips to the Anthropological Museum there. This was later called the Marischal Museum, and it’s no longer open to the public. You can, however, browse online exhibitions.
Provost Skene’s House
Provost Skene’s House door
History
Dating from 1545, the house has been lived in by a variety of people over the centuries. Provost Skene owned it in the 17th century, and Hanoverian troops used it during the Jacobite rebellion of 1745. The Duke of Cumberland stayed there on his way to Culloden. It’s been a museum since 1953. See a more thorough history of the house here.
Museum
The museum used to be set up with rooms furnished in different eras: Edwardian bedrooms and Victorian sitting rooms, that sort of thing. It now houses an exhibition of noteworthy people from Aberdeen, and many of the displays are digitised. I rather miss the harpsichords and harps of the previous arrangement.
The Glass Floor
The glass floor in the cellar is still there, and I’m glad about that. The room was previously a coffee shop, and walking over the floor was a highlight for me as a child. I may not have been frightened when locked in a witch’s hoosie, but this floor scared me in an exhilarating sort of way.
I put the scary floor into the castle of my books. The quote below is from Fouetté, the third and final title of A Dancer’s Journey, and it describes how the glass used to look in Provost Skene’s House.
Eerie green light still shone up from below the glass, showcasing the museum pieces in the floor: barrels, bottles, various metal implements, a cauldron. The glass had been replaced, of course, and part of it given proper hinges, not like back then when…
I had to cut the quote short there, because: spoilers. The floor is no longer lit up.
The Painted Gallery
The highlight of the house for me now is the Painted Gallery. It has not changed, apart from the removal of the Mouseman benches.
The ceiling depicts the life of Christ. Below is the Entombment, with a kilted gentleman standing to the right.
Something else that has not changed is the smell of Provost Skene’s House. It’s quite strong and distinctive. I think it might be caused by the use of some sort of speciality wood preserver or furniture polish.
I walk across the flagstone floor of Provost Skene’s.
And then stroll between the old and the new.
I prefer the old.
The Angry Man
Let’s finish with an angry man. He was originally situated on the wall of a 19th century bakery in the city. It was shut down due to its close proximity to a sewer; the baker blamed his neighbours for the closure, and pointed his angry face at them. He now glares at everyone as they walk past Provost Skene’s House.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
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Shadows deepen as the season progresses, and it does that quickly here in Scotland.
I have flu. I think my immune system is flexing its muscles after coming off the latest immune-suppressing medication. But I’ll be careful. Not like this previous time when I said I was recovering from flu and ended up in hospital with a collapsed lung…
I’m not nearly that ill, so I can write (Alexander is getting there now) and I can sit in the sun. So things are quite good really 🙂
A Dancer’s Journey Series
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her rich, handsome teacher, she has no idea of the danger that lurks in his new school in Scotland…
Go here to sign up for my occasional emails that always include some exclusive photos and news of my writing and life. If you would like to hear about new books and offers, you can follow my Amazon author page.
I stopped to take a photo of Fedderate Castle near New Deer on my little road to winter journey. It dates from 1474, but there’s not much left of it today. The castle is a protected monument now, but before it gained that status, there was an attempt to blow it up as it was seen “as an impediment to agriculture.” It stands tall, a beautiful and distinctive shape in the landscape. The over-wintering crop around it is only slightly impeded, I think.
Medieval re-enactor Andrew Spratt took an older image of mine and created this rather wonderful GIF of the castle through the ages and the seasons:
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
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Hot chocolate. Chocolate cake. Chocolatey books. I love these things. I need them. Especially in winter, and we’re nearly there now. This is the last post of the road to winter series; I’ve finally used up all the pictures!
Some colour clings on, though many trees are bare.
It looks like this wee tree lost all its leaves at once:
FIREFLIES AND CHOCOLATE was inspired by the 600 children and young people who were kidnapped from Aberdeen during the 1740s and sold into indentured servitude in the American Colonies. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s proper derring-dos on the high seas… And there’s chocolate!
I was really delighted when I learned that the publisher had used an image of a real 18th century chocolate cup on the cover.
Enjoy a kiss on the London tube in TENDU. Eat chocolate cake in Covent Garden and Scotland. Romp up and down the castle stairs! Dance in a stone circle. Attend a Ceilidh in the great hall. Have your brain studied in the dungeon. All fun, I assure you. Well, not quite all…
“If you enjoy mentions of chocolate and lots of cake, this book is for you.”From a recent review.
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Below is a post that was originally written in February 2022 when I started working on my ballet novel TENDU again. It seems fitting to pull this to the front of the blog now as that novel is finally out!
See a recent review here: “Very atmospheric, I could feel what the characters were feeling, feel their pain, it broke my heart and then healed it and made it sing.”
And the Wee Writing Lassie’s 5th pretentious question for me can be seen here: “They deviated far away from my planned plot in CABRIOLE, the second book in the series. I have to admit that what they did has made the story more unusual and interesting. Writing it any other way, as one publisher tried to get me to do, proved utterly impossible.”
Back to the Ballet Novel in 2022
I am now editing TENDU, having pulled it from the proverbial drawer where it’s been for the last three years.
I’m absolutely LOVING it. I’d forgotten quite how much FUN this book is. It also feels as if I’m connecting to a different version of myself. Me before illness took hold. Me before doctors and medication and pain. It’s doing something to me, current day me. Something good. The book is funny and witty and SO, SO naughty. I am slightly concerned that no one will be able to look me in the face again after reading it. But, hey-ho, life’s too short to worry about things like that, and I intend releasing this novel and the rest of the series in the near future.
It’s had a tumultuous publishing journey, though. And I’m sharing that today.
Lovely Porselli Pointe Shoes
Publishers
I sent TENDU out into the world of publishers and quite a large one offered on it quickly. However, they wanted me to change something fundamental about the plot of the series (three titles) as a whole. And I couldn’t. Or, more correctly, I wouldn’t. I am always willing to make changes that will improve a book, but this was just to make it fit the guidelines of a particular romance line. It would have become formulaic. So, much to that publisher’s astonishment, I turned them down.
Note: You can find out what that notorious plot point was in CABRIOLE, out now.
Time went by.
MERMAID got accepted by a British publisher (not to be confused with the ones I’m writing about here. GWL are very organised), and then along came an offer from a small American press for TENDU. It came with amazingly generous royalties, and no big requested changes, and I accepted it.
And more time went by.
After 18 months (the time, according to the contract, by which the book should have been published) I emailed the publisher and asked when things might get going. There was no reply.
Writers Group
Into the writers group I went. This was an amazing resource. All the writers from that publisher, chatting together and, as it turned out, sharing the same tales of woe. Through the group I learned that the woman who owned the publishing house had become too ill to continue working, and she had sold the company. I had huge empathy for that. The new owner had a large backlog of books waiting to be published, and it was all taking a very long time. The slowness of publication didn’t really bother me. I was rather busy being ill, after all.
But then the stories began to change. Already published writers were not receiving royalties or statements. Cheques were bouncing. So, three years after signing the contract, I asked for my rights back. And I got them. Very politely. Very apologetically. So there are no hard feelings, and I’m not going to name the publisher. They are still going though…
And that’s where I am.
SISTERS is back with the editor. I’m working on a press release for it and delving deeply into TENDU. I’m loving being in the castle again, yes the same one from the other books. It’s a dance school in the modern day. I love the characters. I love the stone circle and the dancing and the chocolate and the London bits and the romance. And I love the story of this ballet novel, dark as it sometimes is.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
But, for now, this morning, I’m off back into the manuscript of the moment. I’m working on the first title in the next book series, Castle Dancers. It begins ten years after TENDU – each book has a different main character – and the story starts like this:
It’s the night before I’m due to start at the most prestigious dance school in Scotland, so, of course, my mother tries to kill me.
Fun times!
TENDU: Dancing in the Castle
Dance, danger and desire collide in TENDU, a seductive tale set in the mystical landscape of Scotland. Will love conquer all?
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a bit more intimate than the blog. If you would like to hear about new books and special offers, you can follow my Amazon author page.
I took a quiet walk through autumn leaves at Aden Park.
Peering through an old tree:
Up by the Mansion House:
Blue and green should most definitely be seen…
Some of the newer plantings have not survived:
But many have:
I love the Maples.
I feel like I don’t have many words left in me. They’ve been used up. They’re coming very soon in book form.
Newsletter
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It always feels a little spooky at this time of year. The shops are full of monsters and items that have been ‘Halloweenified.’ The clocks go back an hour here in the UK, making the nights instantly much darker. I feel a little monstrous again, but I’m boring myself with that, so I won’t detail it here.
Excellent piece from @NeilDrysdale. I cite the case of Bessie Thom in the article, a woman who features in THE MERMAID AND THE BEAR, as an example of what happened to one of the more than 3,000 victims of the witch trials.
“Bessie, quite possibly, went into the North Sea before being committed to the flames during a very public execution.”
Less Spooky, More Serendipitous
The Wee Writing Lassie asked me this question on her blog last week (about TENDU): Amalphia’s story takes place in the beautiful and cutthroat world of professional ballet – what inspired the decision to set her story in that particular backdrop?
My answer:When I was first considering writing a contemporary romance, I was unsure exactly where to place it. Inspiration struck while I was lying in the bath contemplating the issue. I saw a line of dancers in my mind. They were at the barre performing ronde de jambe, a circular leg exercise, and I knew the ballet world would be the setting for the story. My own dance training and career provided many of the details, and everything grew from there.
The serendipity: the picture above is almost identical to the image that appeared in my mind thirteen years ago. It arrived in my house, totally unexpectedly, in beautiful wall-mounted form, the day before TENDU released. Some lovely people, who I don’t even know that well, thought I might like it. I can see it from my desk now. And it’s a wonderful reminder that, even though bad or spooky things happen in this world, magic happens too.
The Books of this Post
Set in a fictional castle in Aberdeenshire, Ailish Sinclair’s debut novel, THE MERMAID AND THE BEAR, blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
“I fell in love with the book from the first page, and the love affair continued to the end.” Review from Lena on Goodreads.
Keep up to date with all my news by signing up to the mailing list. It’s a more intimate space than the blog and always contains some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
This was the first time I’d ever been in this circle. It’s right beside farm buildings, and you have to ask permission to walk through the farmyard to the stones. There’s a great farm shop, so I shopped for local tatties and asked in there.
The circle had a wall and fence round it. No gate. I hoisted myself over these barricades and into the wilderness that surrounds the stones. It was rather lovely. Muted light. Pink granite everywhere. Trees that seemed to be the same colour as the stones.
The Bear
I noticed that one of the photos I’d taken had that paw print icon, indicating that Siri had spotted an animal. Thinking I’d maybe missed a farm cat, I clicked on it.
It looks like there may have been a few cases of mistaken identity!
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