It’s all golden and blue and warm and lovely here just now. There are different feelings in the air; sometimes it seems to be autumn with blustering winds and grey skies, but then it’s hot, hot summer again. The fields are cut, and ploughing has begun.
My writing schedule is quite extreme; all will be ready for October 20th. It feels golden, as I love working on all and any aspects of these books, and a little blue as I realise I’m almost at the end.
So, I run up and down the castle stairs with my characters. I dance with them in the deep dungeon studio, the stone circle and the great hall. I eat cake in Covent Garden and enjoy an unexpected kiss on the tube. Then there’s the bad things, the dark places and the relationship woes. I cry my way through those; you know I do. But I have my chocolate buttons and my tissues, and I’ll be okay…
Tendu: Dancing in the Castle
Explore the dark and sensual world of TENDU, where love, dance and obsession intertwine.
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Autumn in Scotland is brief. One day you’re in the midst of the wild and overgrown end of summer, and then – it always feels sudden and surprising – the trees are full of brilliant and bright colours.
There’s also berries. And misty mornings. And apples.
I’m walking through that hot afternoon sunshine, between the trees and the toadstools. There’s so many of those this year.
The end of autumn in Scotland
It all feels rather magical. But it could be over at any moment. When the first frost comes, which could happen any time in the next month, the leaves will turn brown and fall off. The dragonflies and butterflies will disappear. And it will be winter. Like the onset of autumn, this always feels sudden, but at the same time sneaky. Like, when did this cold, cold change occur?
So, I treasure sweet autumnal moments for as long as I can. Look at the sunshine shining through those red leaves. Glorious, isn’t it?
“Those who are looking for a strong female protagonist, love lyrical and expressive writing styles, and favour stories with a touch of magic and ancient mythology, particularly set in Scotland, should put it on their list. They are bound to discover a new author to follow, and a protagonist they’ll never forget.”
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
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Looking at Ox-eye daisies in the meadow, squinting against the sun with my strained eyes…
Strained Eyes
I have strained eyes. I’ve been writing, writing, writing. Or actually, editing, editing, editing. A Dancer’s Journey is progressing. It feels slow, but these books are long, long, long. And emotional. And diabolical and barbarous and sexy and witty and fun. Working on them is actually immense fun. I will miss it when they’re done.
And they will be soon. They are coming, I promise 🙂 Edit: Amazon!
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That’s what my son said of my little video attempt below. “Wow, that’s some depressing time travel.”
Romantic Time Travel
I do like those sad stories, though. Not that they’re sad, beginning to end, these books. There’s romance in them all, happy romance, sometimes a little bit naughty too. And one of them has chocolate… No actual time travel, though. None at all.
You can be depressed by them all here in the UK, or for worldwide depression, go here.
Writing with no time travel
I’ve been writing, writing, writing, living in the intense and sexy atmosphere of A Dancer’s Journey. I love it. I don’t want to leave it. It’s fun and romantic, if a little devastating and dramatic in places. But leave it, I will, later this year, when all three books finally get released.
There’s also this strange little post about what the characters get up to when I’m away from the keyboard.
Pink Things
I’ve been enjoying the pink phase of the garden…
Pink bench and cherry blossom
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Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!
So, am I the only one?
Tell me I’m not.
I can’t be.
Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?
Rhododendron flowers on the pink bench
Marketing
But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.
Ox Eye Daisy
So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.
Floods.
Breathlessness.
I’m welling up just looking at the line now, overcome by all that it references.
Editing
This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.
The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.
It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂
But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.
On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.
It’s good to see the spring flowers. And the sunshine. As illness recedes a little along with the winter.
SISTERS
Romans + Celts = some rather complicated romance!
Set in 1st century Scotland, the novel features a neurodivergent main character, chosen sisters, fierce warriors and the battle of Mons Graupius between the Romans and the Caledonian tribes.
Go here to sign up for occasional emails that always include some exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
A little lull has been reached at the end of a hectic week. The colours of the loch are gentle, muted now at the darkest point of the year. I’ve seen a few blog posts about Christmas reading, such as this one here from Jacqueline Seewald. People are sharing the books they’re reading, and those that they’ve written, and I thought I’d join in.
So, share away! What books are you reading over the next couple of weeks? And/or, which books of yours should we consider delving into just now?
I’m reading Where There’s Doubt (romantic suspense/psychological thriller) by Terry Tyler and The Essex Serpent (historical fiction) by Sarah Perry. They’re both very good. My own books are down at the end of this post.
Feel free to add to the previous sharing posts too. They will be brought to the front of the blog perennially, so won’t vanish into the abyss. Share Your Books and Writing, and also Share First Lines.
Christmas Reading
My historical novels all involve little-known dark historical events, romance and a little magic…
SISTERS AT THE EDGE OF THE WORLD opens on a snowy winter solstice in 1st century Scotland. The main character is neurodivergent, and has been non-verbal until that first scene of the book.
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children of 18th century Aberdeen, and features Christmas in Colonial Pennsylvania.
They’re all available in paperback, kindle and on kindle unlimited.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
We have reached the snowy loch milestone of winter, with snow sitting atop a layer of ice over the water. Today is windy, and there may be more snow, but it’s a balmy 1 degree. Will the loch be even snowier tomorrow? I suspect so.
I still just want to sit and write. And today I shall.
Book of the Day: Fireflies and Chocolate
Ailish Sinclair has turned her attention from the terrible subject of witch hunting in sixteenth century Aberdeen, to the equally disturbing events that surrounded child kidnapping and the slave trade in the mid 1700s.
Using the experiences of real characters, she tells the story of Elizabeth Manteith, captured on the docks of Aberdeen and transported on a slave ship to the Colonies, where a fearful and uncertain future awaits.
Friendships forged on the journey are soon shattered, leaving Elizabeth alone and desolate. However, she retains her passionate desire to find the young man who befriended her on board the ship… and to get back home to her beloved Scotland.
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How could I have forgotten what proper cold feels like? It pulls you up short as you realise that just breathing in the sub zero air is going to chill you, no matter how well wrapped up you are. And the dark, the days that don’t begin until half way through the morning and seem to end at 3 in the afternoon. This is the truth of December in Scotland. Even when there is only a tiny amount of snow.
I complain (this was especially evident during the five hour power cut we had last week), but I love it. It’s a time of hibernation, of books and log fires, and writing, writing, writing; no hot sun to distract and lure, only the occasional frosty bright sunrise. And that little bit of snow.
I’m also enjoying all the Christmas cookies and hot chocolate of the season, sparkly tree lights, nostalgia made real.
It’ll all be over soon. The Solstice will herald the lightening of the nights, that’s always noticeable quite quickly. But for now I appreciate the views of winter: the loch is frozen and my neighbour forgot to take in his boat, now also frozen.
And the field makes me think of chocolate cake dusted with icing sugar…
That is my favourite bit of path in the woods by my house. It’s also the most productive. When I get stuck with a storyline or a finicky little plot detail that just won’t iron out, that’s where I go, and solutions become clear. Big epiphanies about characters and back stories happen there too. Maybe it’s because it’s a timeless landscape. Or maybe I just feel relaxed and at peace there.
Just now though, I am recovering from flu and can’t walk in the woods. Soon, I tell myself. Soon. I can sit up and write so I may really need to go there soon! (Edit2022: it would not be soon. This was the start of a non-woodland path to an auto-immunity diagnosis that would wind its way through hospital stays and many monstrous moments!)
Reviews
I’ve been deeply touched by how much thought people have been putting into their reviews of THE MERMAID AND THE BEAR.
Local Quine Kate the Quiet Knitter’s review “This wonderful magical tale then takes a deviation towards the darkness and from here Sinclair’s research and writing really shines. Her portrayal of 16th century Scotland is entrancing, and the details of the witch-hunts taking place in that time are fascinating.”
On the Mum, Write NOW blog “Overall the characters are lovable, I found it interesting that their lives intertwined slightly with Shakespeare and also touched on LGBT culture and attitudes at that time. It really felt that there was a depth of historical knowledge informing the narrative which I always enjoy.”
An Impertinent Interview
And the Wee Writing Lassie wrote about the book and asked me 7 impertinent questions! “Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized woman, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!”
The Woods in Summer
The same path, though the other end and other direction, in the woods, in summer:
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