Reflections
Looking back on this post from a year ago. Reflecting on the past twelve months. Determining to stay well now. To not burn myself out again. In a year’s time I want to be writing about dancing around doing pointe work and getting books out and visiting castles and other lovely places. Maybe I’ll even wear a red leotard. Probably not to visit a castle. But, you never know… 😀
Back to the original post:
Would a strappy red leotard distract the eye from my puffer-fish face or accentuate it? The many thin straps of the garment crisscrossed my back in a pleasing design. It was different. It was daring. I wore it.
The above quote is from TENDU, the first book of A Dancer’s Journey, a romantic-suspense series. The main character, Amalphia, has just been through some relationship turmoil, again, and is returning to class after injury caused by an inappropriate level of pointe work. The red leotard gets her into a surprising amount of trouble.
Her injury came from being asked to perform every exercise in class en pointe. This is something that I took from my own life.
Memories of Pointe Work
One week at college, our usual morning-class teacher – the late great Imogen Claire – was absent and a substitute put in place. This new teacher decided I needed to be stretched and pushed and had me do everything en pointe. Just me. Nobody else. This singling-out drew a few nasty looks from the other dancers. But really, there was nothing to be jealous about.
Because it really was everything. Every bend. Every jump. I love jumping en pointe. I still do it sometimes. But as a training method in morning class, this excessive pointe work made no sense. It removed the benefit of many of the exercises, and I limped off to the other lessons of the day improperly warmed-up.
After two days of this, my feet were sore. After a week, they were a mess. But then Imogen returned with her no-nonsense approach to teaching and ballet, and I healed.
There was no need for extra pointe work as we were blessed with a specialist teacher for that. At first I was surprised to learn that the class was taught by a man, but Gary Harris was a true expert on the subject, performing all the steps en pointe himself in his soft trainers at the front of the studio.
So, dance-school memories indulged, it’s time to head back into the next manuscripts. There’s a connected series coming…
A Dancer’s Journey Series
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland…
My dance background and love of history and spicy stories are what inspired this wild mix of contemporary romance and ballet set in a castle. Readers of my historical fiction will recognise the castle and stone circle that feature in these books.
There are no cliffhanger endings in this series; each book completes a story, but then there is more. So much more. Read all the blurbs here
Series on Amazon UK
Series on Amazon worldwide
More Posts with Dance Content
- Chosen Sisters: Friendship and Dance
- A Celebratory Dance in a Stone Circle
- Dance Research in the Dungeon
- London, Baby!
- Blues Skies, Crashing Waves and Ballet Terms
- A Ballet Novel and a Tale of Publishing Woes
- There’s also this strange little post about what the characters of A Dancer’s Journey get up to when I’m away from the keyboard.
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Sisters at the Edge of the World
When Morragh speaks to another person for the very first time, she has no idea that he is an invader in her land…
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance!
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How fascinating to read of this experience. I did dance training in my youth but bottled out in my teens. It’s tough!
It really is.
It may not have been meant to be abusive training for that week, but it sounds as if it was. I hope the damage, psychological and physical, has healed.
Thank you 🙂 I think I healed quite fast from this.
Rough training, Ailish, and makes me wonder what in the world the instructor had in mind.
There are a lot of big egos in the dance world, and there weren’t such good guidelines about how young people should be treated back then. But exactly what was in her mind, I don’t know.
Well, you got through it, which shows how tough you are. 🙂
🙂
I love dance and am excited to read when available!
Thank you. It should be out in the next few months 🙂
I’ve always tthought dancing en pointe must be tough.
It is, even in better circumstances than described here. I love it, though.
When I was little I wanted to be a pointe ballerina. It was so elegant. We didn’t have a teacher near me so I did tap and jazz instead. Looking forward to reading your book.
Tap and jazz are great too, though I was never any good at tap 🙂
Sounds like torture to the uninitiated!
Things are a bit better now, with the invention of nice things like padded toe protectors,but yes, point work is tough.
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and i still wonder , how do ballerinas stand on their tip toes and dance so gracefully
ofcourse a lot of practise
Your feet get so strong with all the training. Still, an excess hurts!
oh –
Results are flawless though